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Family detention garnered much public attention when it expanded dramatically in 2014 as significantly increased numbers of migrant groups began arriving and requesting asylum at the Mexico-U.S. border. During this period, the Obama administration designated three detention facilities, two in South Texas, to hold such families while they underwent part of the asylum legal process. One became the largest immigrant detention facility in the country. 

In Legal Care anthropologist Erin Routon explores the operations of these facilities through the unique perspectives of volunteer legal advocates. Routon offers a compelling ethnographic account of the hidden labor and emotional resilience of those advocates. Through the lens of “legal care,” Routon reframes legal aid as a form of caregiving, revealing how these advocates resist the structural and legal violence of family detention while supporting asylum-seeking parents and children. Drawing on immersive fieldwork and firsthand narratives, the book exposes the human cost of administrative incarceration and the quiet power of care in spaces designed to exclude.

Timely, urgent, and deeply humane, this work speaks to scholars and practitioners across anthropology, law and society, migration studies, and carceral justice. Routon’s accessible and evocative writing invites readers to reconsider activism and advocacy, offering new language for understanding resistance and solidarity in the face of institutional violence. This book is essential reading for anyone committed to justice, care, and the future of immigration policy in the United States.

"We live in an Enquirer, reality television–addled world, a world in which most college students receive their news from the Daily Show and discourse via text message," assert Charles Blackstone and Jill Talbot. "Recently, two nonfiction writers have been criticized for falsifying memoirs. Oprah excoriated James Frey on her show; Nasdijj was impugned by Sherman Alexie in Time. Is our next trend in literature to lock down such boundaries among the literati? Or should we address the fictionalizing of nonfiction, the truth of fiction?"

The Art of Friction surveys the borderlands where fiction and nonfiction intersect, commingle, and challenge genre lines. It anthologizes nineteen creative works by contemporary, award-winning writers including Junot Díaz, Jonathan Safran Foer, Thomas Beller, Bernard Cooper, Wendy McClure, and Terry Tempest Williams, who also provide companion pieces in which they comment on their work. These selections, which place short stories and personal essays (and hybrids of the two) side by side, allow readers to examine the similarities and differences between the genres, as well as explore the trends in genre overlap.

Functioning as both a reader and a discussion of the craft of writing, The Art of Friction is a timely, essential book for all writers and readers who seek the truthfulness of lived experience through (non)fictions.