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The Boo Baby girl tires of the boring life of a baby, crawling around, getting up, falling down, walking around the coffee table, falling down . . . she aims for more so she climbs out the window—miraculously, as soon as she is out the window she can walk, run, climb, and talk like a grownup.  So she heads out to seek her fortune.

The first adventure she has is rescuing Bootsie, The Cattle-hearding Chiahuahua.  Bootsie has been kicked by a cow and is bleeding. Boo has some band aids in her pack – this pack will be like Bill Lepp’s magical Swiss Army Knife, containing everything from sophisticated medical supplies, to lasers, to time machines, and, of course her pacifier, which she affectionately calls her “suckie.”

She saves Bootsie, who is bilingual. He thanks her in Spanish: “Muchas Gracias mi muchacha.” She does not understand so not only do they have adventures for the rest of the book but he teaches her some fun Spanish phrases like: NO TOQUEZ NADA (Don’t Touch!) if someone is bothering them. Their main job is to face ghosts, and monsters, demons: boogies, the boo hag, banshees, and . . . 
 

In 1927, at the peak of his career, Zane Grey bought a three-masted schooner, which he sailed to the Galapagos Islands, later journeying to Tahiti, New Zealand, Australia, and Fiji.

As colorful as his characters were, so too was their creator. A consummate explorer, Zane Grey toured the world, was an acclaimed expert on salt- and freshwater fishing, and incorporated the sights and sounds he witnessed into his writings.

As a companion to his biographical work of Grey’s literary life, Zane Grey: Romancing the West, author Stephen J. May now gives as a remarkable look into another aspect of Grey’s existence, the side little known but central to the measure of the man.

Maverick Heart makes use of Grey’s own memoirs and letters to give an enlightening portrait of this larger-than-life American character and a telling insight into one of the key shapers of the cultural heritage of our country.