Results by title

From geological maps to photographs and films of snow, ice, clouds, and coral reefs, visual inscriptions mediate the construction and codification of extractive modes of seeing Earth’s subterranean depths and aerial heights. Tracing the territorial ambitions of the archipelagic empires of Japan and the United States in the twentieth century, Archives of the Anthropocene explores crucial moments of overlap between the geoscientific history of studying Earth’s deep time and the geopolitical history of territorialization, militarization, and extraction in the Pacific and polar regions. By engaging with contemporary critiques of settler colonialism, liberal humanism, and nonhuman labor from the perspective of environmental media studies, Yuriko Furuhata unsettles the universalist narrative of the Anthropocene, calling us to instead imagine an anticolonial and anti-imperial future for the planet.

In Climatic Media, Yuriko Furuhata traces climate engineering from the early twentieth century to the present, emphasizing the legacies of Japan’s empire building and its Cold War alliance with the United States. Furuhata boldly expands the scope of media studies to consider technologies that chemically “condition” Earth’s atmosphere and socially “condition” the conduct of people, focusing on the attempts to monitor and modify indoor and outdoor atmospheres by Japanese scientists, technicians, architects, and artists in conjunction with their American counterparts. She charts the geopolitical contexts of what she calls climatic media by examining a range of technologies such as cloud seeding and artificial snowflakes, digital computing used for weather forecasting and weather control, cybernetics for urban planning and policing, Nakaya Fujiko’s fog sculpture, and the architectural experiments of Tange Lab and the Metabolists, who sought to design climate-controlled capsule housing and domed cities. Furuhata’s transpacific analysis offers a novel take on the elemental conditions of media and climate change.