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3 books match the query 'Gómez, Liliana'

cover of Archive Matter: A Camera in the Laboratory of the Modern

Archive Matter

A Camera in the Laboratory of the Modern

Liliana Gómez

Diaphanes, 2023

A journey through the United Fruit Company’s photo archive and its documentation of corporate expansion into the Caribbean.

The establishment of the United Fruit Company as a global political agent with its banana plantations was met with considerable resistance. Now the company’s photographic records are the focal point of Archive Matter as it examines photography’s historical and political impact through the argument that this overlooked, but important, archive made capitalist expansion into the Caribbean possible.

Author Liliana Gómez examines the images from within their “optical unconscious” and via the archive’s silences and omissions. The implication of these silences, Gómez argues, is the attempt to conceal the violence embedded within the realities of the plantations’ daily operations and corporate efforts to “modernize” the Caribbean.

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cover of Performing Human Rights: Contested Amnesia and Aesthetic Practices in the Global South

Performing Human Rights

Contested Amnesia and Aesthetic Practices in the Global South

Edited by Liliana Gómez

Diaphanes, 2021

The invisibilization of political violence, its material traces, and spatial manifestations, characterizes conflict and post-conflict situations. Yet, artists, writers, and human rights activists increasingly seek to challenge this invisibility, contesting the related historical amnesia through counter-semantics and dissonant narratives. Adopting “performance” as a concept that is defined by repetitive, aesthetic practices—such as speech and bodily habits through which both individual and collective identities are constructed and perceived—this collection addresses various forms of performing human rights in transitional situations in Spain, Latin America, and the Middle East. Bringing scholars together with artists, writers, and curators, and working across a range of disciplines, Performing Human Rights addresses these instances of omission and neglect, revealing how alternate institutional spaces and strategies of cultural production have intervened in the processes of historical justice and collective memory.
 
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cover of eco-operations

eco-operations

Edited by Fabienne Liptay and Liliana Gómez

Diaphanes, 2024

An edited collection of contributions to conversations about the climate crisis and its role in critical discourse.

The climate change crisis has become part of aesthetic discourse and critical research in culture and the arts. Future-oriented, ecologically conceived possibilities for action are being explored by artists, curators, and scholars alike. eco-operations addresses these emerging aesthetic ecologies and new technologies of cooperation that both challenge and shape a sustainable future, foregrounding interruptions, ruptures, disconnections, dissonances, exclusions, and allochronism. Moving beyond the concepts of “flow” and “network” as a single, coherent (ecological or technological) system, eco-operations instead emphasizes the frictions within asynchronously running systems. The infrastructures and formats of artistic production and exhibition play a central role here, as they themselves constitute ecosystems that invite and regulate processes of sharing and exchange. Artists and activists are embedded in these ecosystems, in which they simultaneously intervene when searching for alternative ways of creating collaborative practice. Bringing together scholars, artists, writers, and curators, and working across a range of disciplines, eco-operations explores this field of tension between global and local ecologies and aims to speculate on where dissonances imply both creative potential and political challenges.

eco-operations features contributions by Dalida María Benfield, Ursula Biemann, Lisa Blackmore, Mateo Chacón Pino, Lucrezia Cippitelli, T. J. Demos, Sandra Frimmel, Laura Flórez, Lorena Cely, Alexandra Gelis, Liliana Gómez, Fabienne Liptay, Uriel Orlow, and Dorota Sajewska.
 
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