Results by title

A new edition of the classic and innovative resource that relies on personal lived experience to guide accessible design

In 1979, University of California architecture professors Raymond Lifchez and Barbara Winslow published this account of ongoing collaborations with members of a robust disability community in Berkeley, California. In the first attempt by architects to know disabled people and to design from their perspective, they employed an empathetic approach that differed from typical accessible design guidelines.

Instead of presenting architectural designs to resolve existing barriers, Design for Independent Living turns to disabled people to tell their own stories through interviews and photographs of their own homes, workplaces, and lives in public. The disabled informants of the project were members of the Independent Living movement—the activists who shaped the disability rights movement in the late twentieth century in the United States—and their contributions demonstrate the necessity of liberating design from ableist, restrictive ways of thinking about personal and public life.

Now with a new foreword by three scholars of design and disability history, Design for Independent Living is an indispensable resource for architecture and design experts who seek a socially informed practice that looks to the people most affected by design to understand its potentials and its shortcomings.

Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

The role of modernist interior design in the construction of Italian nationalism

Along with the rise of Mussolini’s fascist regime, the interwar years in Italy also saw the widespread development of its modernist interior design and furnishing practices. While the regime’s politics were overtly manifest in monumental government architecture, Furnishing Fascism examines the subtler yet effective role of household goods and decor in the cultivation of Italy’s exclusionary sense of national identity.

Presenting a fresh look at the work of various architects and designers, including iconic figures such as Gio Ponti and Carlo Enrico Rava, Ignacio G. Galán explores how seemingly neutral products of everyday life contributed to the propagation of fascist ideology. Through extensive promotion in popular magazines and department stores, on the film sets of Cinecittà Studios, and throughout the country’s colonial territories, Italy’s modernist design practices were part of a larger political project that aimed to produce a totalizing image of cultural hegemony.

Interweaving design theory, architectural history, and media scholarship, Furnishing Fascism reexamines the period’s so-called minor arts to reveal the political entanglement of modernism in early twentieth-century Italy and offers valuable insight into the complications of cultural production under the auspices of authoritarian power.

Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.