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27 books match the query 'Gardens'

cover of A Guide to the Great Gardens of the Philadelphia Region

A Guide to the Great Gardens of the Philadelphia Region

Adam Levine

Temple University Press, 2007

Finally, for every resident and visitor to the region, a comprehensive guide to the gardens of eastern Pennsylvania, southern New Jersey, and northern Delaware.  Magnificently illustrated with nearly 200 full color photographs, A GUIDE TO THE GREAT GARDENS OF THE PHILADELPHIA REGION provides essential information on how to locate and enjoy the finest gardens the area has to offer.

As the horticultural epicenter of the United States, Philadelphia and the surrounding towns, suburbs, and countryside are blessed with more public gardens in a concentrated area than almost any other region in the world.  Stretching from Trenton, New Jersey  through Philadelphia and down to Newark, Delaware, this area (often called the Delaware Valley) offers more horticultural riches than a visitor can possibly see even in a coupl of weeks of hectic garden-hopping.

In A GUIDE TO THE GREAT GARDENS OF THE PHILADELPHIA REGION  you will find:

Detailed coverage of almost 100 gardens

Maps to indicate where area gardens are in relation to each other to plan day trip itineraries

Key information about each major garden, including hours, fees, time needed for a tour, history, acreage, and special features

Over a dozen gardens that have never before been featured in any garden guidebook

Arranged by interest, to help guide readers to gardens that will most meet their needs

Notations about historical houses, cafes/restaurants, gift shops, and chidren's features at each major garden
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cover of Chicago Gardens: The Early History

Chicago Gardens

The Early History

Cathy Jean Maloney

University of Chicago Press, 2008

Once maligned as a swampy outpost, the fledgling city of Chicago brazenly adopted the motto Urbs in Horto or City in a Garden, in 1837. Chicago Gardens shows how this upstart town earned its sobriquet over the next century, from the first vegetable plots at Fort Dearborn to innovative garden designs at the 1933 World’s Fair.
            Cathy Jean Maloney has spent decades researching the city’s horticultural heritage, and here she reveals the unusual history of Chicago’s first gardens. Challenged by the region’s clay soil, harsh winters, and fierce winds, Chicago’s pioneering horticulturalists, Maloney demonstrates, found imaginative uses for hardy prairie plants. This same creative spirit thrived in the city’s local fruit and vegetable markets, encouraging the growth of what would become the nation’s produce hub. The vast plains that surrounded Chicago, meanwhile, inspired early landscape architects, such as Frederick Law Olmsted, Jens Jensen, and O.C. Simonds, to new heights of grandeur.  
            Maloney does not forget the backyard gardeners: immigrants who cultivated treasured seeds and pioneers who planted native wildflowers. Maloney’s vibrant depictions of Chicagoans like “Bouquet Mary,” a flower peddler who built a greenhouse empire, add charming anecdotal evidence to her argument–that Chicago’s garden history rivals that of New York or London and ensures its status as a world-class capital of horticultural innovation.      
            With exquisite archival photographs, prints, and postcards, as well as field guide descriptions of living legacy gardens for today’s visitors, Chicago Gardens will delight green-thumbs from all parts of the world.
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cover of Earthquakes and Gardens: Saint Hilarion’s Cyprus

Earthquakes and Gardens

Saint Hilarion’s Cyprus

Virginia Burrus

University of Chicago Press, 2023

Essays about ruination, resilience, reading, and religion generated by a reflection on a fourth-century hagiography.
 
In Jerome’s Life of Saint Hilarion, a fourth-century saint briefly encounters the ruins of an earthquake-toppled city and a haunted garden in Cyprus. From these two fragmentary passages, Virginia Burrus delivers a series of sweeping meditations on our experience of place and the more-than-human worlds—the earth and its gods—that surround us. Moving between the personal and geological, Earthquakes and Gardens ruminates on destruction and resilience, ruination and resurgence, grief and consolation in times of disaster and loss. Ultimately, Burrus’s close readings reimagine religion as a practice that unsettles certainty and develops mutual flourishing.
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cover of Exploring Nature's Bounty: One Hundred Outings Near New York City

Exploring Nature's Bounty

One Hundred Outings Near New York City

Rosenfeld, Lucy D

Rutgers University Press, 2012

When lifelong friends Lucy D. Rosenfeld and Marina Harrison set off on their outings in the region, they are always on the lookout for the gifts that nature offers. Exploring Nature’s Bounty, their ninth collaboration, invites us to share the rich array of agricultural delights they’ve discovered within a two-hour radius of New York City—from beautiful vineyards to the latest in hydroponic greenhouses to peach-filled orchards to community farms and historic sites. 

The places chosen all welcome visitors who will see first hand the art of agriculture, pick their own produce, help out on the farm, or simply enjoy being outdoors so close to the city. Many of them are off-the-beaten-track locations where readers and their families can walk among rows of grapes, cornstalks, apple trees, and so much more. The sites range from traditional fruit orchards to greenhouses filled with water-grown tomatoes and basil to neatly ordered herb gardens in historic settings. Local vineyards make wineries fun and glamorous places to visit, whether on the North Fork of Long Island or in the Hudson Valley. Some venues focus on crop preservation—the American chestnut, for example—while others introduce readers to honey making and maple sugaring. Those interested in taking classes or seeing demonstrations will find places to do just that, and many activities are geared toward children, from corn mazes to hayrides to pumpkin picking.  

Rosenfeld and Harrison provide a list of festivals featuring local produce and, at the end of the book, a guide to choosing an outing that will best fit readers, their families, and their taste buds. Directions are provided in each write-up as well as information on schedules, guided tours, and walks within many of the sites.

Exploring Nature’s Bounty focuses on the natural, the organic, the sustainable, and the close-at-hand. By avoiding places overrun with commercialism, it helps readers create their own adventures, enjoy time with family and friends, and connect to the farms that nourish us all.  

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cover of Finding Solace in the Soil: An Archaeology of Gardens and Gardeners at Amache

Finding Solace in the Soil

An Archaeology of Gardens and Gardeners at Amache

Bonnie J. Clark

University Press of Colorado, 2022

Finding Solace in the Soil tells the largely unknown story of the gardens of Amache, the War Relocation Authority incarceration camp in Colorado. Combining physical evidence with oral histories and archival data and enriched by the personal photographs and memories of former Amache incarcerees, the book describes how gardeners cultivated community in confinement.
Before incarceration, many at Amache had been farmers, gardeners, or nursery workers. Between 1942 and 1945, they applied their horticultural expertise to the difficult high plains landscape of southeastern Colorado. At Amache they worked to form microclimates, reduce blowing sand, grow better food, and achieve stability and preserve community at a time of dehumanizing dispossession. In this book archaeologist Bonnie J. Clark examines botanical data like seeds, garden-related artifacts, and other material evidence found at Amache, as well as oral histories from survivors and archival data including personal letters and government records, to recount how the prisoners of Amache transformed the harsh military setting of the camp into something resembling a town. She discusses the varieties of gardens found at the site, their place within Japanese and Japanese American horticultural traditions, and innovations brought about by the creative use of limited camp resources.
 
The gardens were regarded by the incarcerees as a gift to themselves and to each other. And they were also, it turns out, a gift to the future as repositories of generational knowledge where a philosophical stance toward nature was made manifest through innovation and horticultural skill. Framing the gardens and gardeners of Amache within the larger context of the incarceration of Japanese Americans and of recent scholarship on displacement and confinement, Finding Solace in the Soil will be of interest to gardeners, historical archaeologists, landscape archaeologists, cultural anthropologists, and scholars of Japanese American history and horticultural history.
 
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cover of Gardening the Amana Way

Gardening the Amana Way

Lawrence L. Rettig

University of Iowa Press, 2013

Gardening in Iowa’s Amana Colonies is the culmination of techniques that stretch back several centuries to central Europe, when adherents to a new faith called the Community of True Inspiration formed their own self-reliant communities. As a child of parents who were part of the communal life of the Amana Society, Larry Rettig pays homage to the Amana gardening tradition and extends it into the twenty-first century.

Each of the seven villages in Amana relied on the food prepared in its communal kitchens, and each kitchen depended on its communal garden for most of the dishes served (the kitchens in Rettig’s hometown produced more than four hundred gallons of sauerkraut in 1900). Rettig begins by describing the evolution of communal gardening in old Amana, focusing especially on planting, harvesting, and storing vegetables from asparagus to egg lettuce to turnips. With the passing of the old order in 1932, the number of the society’s large vegetable gardens and orchards dwindled, but Larry Rettig and his wife, Wilma, still grow some of the colonies’ heirloom varieties in their fourth-generation South Amana vegetable garden. In 1980 they founded a seed bank to preserve them for future generations.

Rettig’s chapters on modern vegetable and flower gardening in today’s Amana Colonies showcase his Cottage-in-the-Meadow Gardens, now listed with the Smithsonian in its Archives of American Gardens. Old intermingles with new across his gardens: heirloom lettuce keeps company with the latest cucumber variety, a hundred-year-old rose arches over the newest daylilies and heucheras, and ancient grapevines intertwine with newly planted wisteria, all adding up to a rich array of colorful plantings.

Rettig extends his gardening advice into the kitchen and workroom. He shares family recipes for any number of traditional dishes, including radish salad, dumpling soup, Amana pickled ham, apple bread, eleven-minute meat loaf, and strawberry rhubarb pie. Moving into the workroom, he shows us how to make hammered botanical prints, Della Robbia centerpieces, holiday wreaths, a gnome home, and a waterless fountain. Touring his gardens, with their historic and unusual plants, will make gardeners everywhere want to reproduce the groupings and varieties that surround Larry and Wilma Rettig’s 1900 red brick house.
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cover of Gardens and Neighbors: Private Water Rights in Roman Italy

Gardens and Neighbors

Private Water Rights in Roman Italy

Cynthia Jordan Bannon

University of Michigan Press, 2010

"Gardens and Neighbors will provide an important building block in the growing body of literature on the ways that Roman law, Roman society, and the economic concerns of the Romans jointly functioned in the real world."
---Michael Peachin, New York University

As is increasingly true today, fresh water in ancient Italy was a limited resource, made all the more precious by the Roman world's reliance on agriculture as its primary source of wealth. From estate to estate, the availability of water varied, in many cases forcing farmers in need of access to resort to the law. In Gardens and Neighbors: Private Water Rights in Roman Italy, Cynthia Bannon explores the uses of the law in controlling local water supplies. She investigates numerous issues critical to rural communities and the Roman economy. Her examination of the relationship between farmers and the land helps draw out an understanding of Roman attitudes toward the exploitation and conservation of natural resources and builds an understanding of law in daily Roman life.

An editor of the series Law and Society in the Ancient World, Cynthia Jordan Bannon is also Associate Professor of Classical Studies at Indiana University, Bloomington. Her previous book was The Brothers of Romulus: Fraternal Pietas in Roman Law, Literature, and Society (1997). Visit the author's website: http://www.iub.edu/~classics/faculty/bannon.shtml.

Jacket illustration: Barren Tuscan Fields in Winter © 2009 Scott Gilchrist. Image from stock.archivision.com.
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cover of Gardens of New Spain: How Mediterranean Plants and Foods Changed America

Gardens of New Spain

How Mediterranean Plants and Foods Changed America

By William W. Dunmire

University of Texas Press, 2004

When the Spanish began colonizing the Americas in the late fifteenth and sixteenth centuries, they brought with them the plants and foods of their homeland—wheat, melons, grapes, vegetables, and every kind of Mediterranean fruit. Missionaries and colonists introduced these plants to the native peoples of Mexico and the American Southwest, where they became staple crops alongside the corn, beans, and squash that had traditionally sustained the original Americans. This intermingling of Old and New World plants and foods was one of the most significant fusions in the history of international cuisine and gave rise to many of the foods that we so enjoy today. Gardens of New Spain tells the fascinating story of the diffusion of plants, gardens, agriculture, and cuisine from late medieval Spain to the colonial frontier of Hispanic America. Beginning in the Old World, William Dunmire describes how Spain came to adopt plants and their foods from the Fertile Crescent, Asia, and Africa. Crossing the Atlantic, he first examines the agricultural scene of Pre-Columbian Mexico and the Southwest. Then he traces the spread of plants and foods introduced from the Mediterranean to Spain’s settlements in Mexico, New Mexico, Arizona, Texas, and California. In lively prose, Dunmire tells stories of the settlers, missionaries, and natives who blended their growing and eating practices into regional plantways and cuisines that live on today in every corner of America.
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cover of Gardens of Prehistory: The Archaeology of Settlement Agriculture in Greater Mesoamerica

Gardens of Prehistory

The Archaeology of Settlement Agriculture in Greater Mesoamerica

Thomas W. Killion

University of Alabama Press, 1992

The prehistoric agricultural systems of the New World provided the foundations for a diverse set of complex social developments ranging from the puebloan societies of the American Southwest to the archaic state polities of Mesoamerica and the Andean region. From the tropical forests of Central America to the arid environments or northern New Mexico, Native American farmers made use of a distinctive set of cultigens and cropping systems that supported—with varying degrees of success—growing populations and expanding economies. Lacking most domesticated animals, so important to the mixed agricultural systems of the Old World, Precolumbian farmers developed intensive and resilient systems of agricultural production. These systems supported large societies of people who altered the landscapes they inhabited and generated a unique archaeological record of the evolution of farming in the New World.


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cover of Gardens: An Essay on the Human Condition

Gardens

An Essay on the Human Condition

Robert Pogue Harrison

University of Chicago Press, 2008

Humans have long turned to gardens—both real and imaginary—for sanctuary from the frenzy and tumult that surrounds them. Those gardens may be as far away from everyday reality as Gilgamesh’s garden of the gods or as near as our own backyard, but in their very conception and the marks they bear of human care and cultivation, gardens stand as restorative, nourishing, necessary havens.

With Gardens, Robert Pogue Harrison graces readers with a thoughtful, wide-ranging examination of the many ways gardens evoke the human condition. Moving from from the gardens of ancient philosophers to the gardens of homeless people in contemporary New York, he shows how, again and again, the garden has served as a check against the destruction and losses of history.  The ancients, explains Harrison, viewed gardens as both a model and a location for the laborious self-cultivation and self-improvement that are essential to serenity and enlightenment, an association that has continued throughout the ages. The Bible and Qur’an; Plato’s Academy and Epicurus’s Garden School; Zen rock and Islamic carpet gardens; Boccaccio, Rihaku, Capek, Cao Xueqin, Italo Calvino, Ariosto, Michel Tournier, and Hannah Arendt—all come into play as this work explores the ways in which the concept and reality of the garden has informed human thinking about mortality, order, and power.

Alive with the echoes and arguments of Western thought, Gardens is a fitting continuation of the intellectual journeys of Harrison’s earlier classics, Forests and The Dominion of the Dead. Voltaire famously urged us to cultivate our gardens; with this compelling volume, Robert Pogue Harrison reminds us of the nature of that responsibility—and its enduring importance to humanity.

"I find myself completely besotted by a new book titled Gardens: An Essay on the Human Condition, by Robert Pogue Harrison. The author . . . is one of the very best cultural critics at work today. He is a man of deep learning, immense generosity of spirit, passionate curiosity and manifold rhetorical gifts."—Julia Keller, Chicago Tribune

"This book is about gardens as a metaphor for the human condition. . . . Harrison draws freely and with brilliance from 5,000 years of Western literature and criticism, including works on philosophy and garden history. . . . He is a careful as well as an inspiring scholar."—Tom Turner, Times Higher Education

"When I was a student, my Cambridge supervisor said, in the Olympian tone characteristic of his kind, that the only living literary critics for whom he would sell his shirt were William Empson and G. Wilson Knight.  Having spent the subsequent 30 years in the febrile world of academic Lit. Crit. . . . I’m not sure that I’d sell my shirt for any living critic.  But if there had to be one, it would unquestionably be Robert Pogue Harrison, whose study Forests: The Shadow of Civilization, published in 1992, has the true quality of literature, not of criticism—it stays with you, like an amiable ghost, long after you read it.

“Though more modest in scope, this new book is similarly destined to become a classic. It has two principal heroes: the ancient philosopher Epicurus . . . and the wonderfully witty Czech writer Karel Capek, apropos of whom it is remarked that, whereas most people believe gardening to be a subset of life, ‘gardeners, including Capek, understand that life is a subset of gardening.’”—Jonathan Bate, The Spectator

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cover of Gardens: An Essay on the Human Condition

Gardens

An Essay on the Human Condition

Robert Pogue Harrison

University of Chicago Press, 2008

Humans have long turned to gardens—both real and imaginary—for sanctuary from the frenzy and tumult that surrounds them. Those gardens may be as far away from everyday reality as Gilgamesh’s garden of the gods or as near as our own backyard, but in their very conception and the marks they bear of human care and cultivation, gardens stand as restorative, nourishing, necessary havens.

With Gardens, Robert Pogue Harrison graces readers with a thoughtful, wide-ranging examination of the many ways gardens evoke the human condition. Moving from from the gardens of ancient philosophers to the gardens of homeless people in contemporary New York, he shows how, again and again, the garden has served as a check against the destruction and losses of history.  The ancients, explains Harrison, viewed gardens as both a model and a location for the laborious self-cultivation and self-improvement that are essential to serenity and enlightenment, an association that has continued throughout the ages. The Bible and Qur’an; Plato’s Academy and Epicurus’s Garden School; Zen rock and Islamic carpet gardens; Boccaccio, Rihaku, Capek, Cao Xueqin, Italo Calvino, Ariosto, Michel Tournier, and Hannah Arendt—all come into play as this work explores the ways in which the concept and reality of the garden has informed human thinking about mortality, order, and power.

Alive with the echoes and arguments of Western thought, Gardens is a fitting continuation of the intellectual journeys of Harrison’s earlier classics, Forests and The Dominion of the Dead. Voltaire famously urged us to cultivate our gardens; with this compelling volume, Robert Pogue Harrison reminds us of the nature of that responsibility—and its enduring importance to humanity.

"I find myself completely besotted by a new book titled Gardens: An Essay on the Human Condition, by Robert Pogue Harrison. The author . . . is one of the very best cultural critics at work today. He is a man of deep learning, immense generosity of spirit, passionate curiosity and manifold rhetorical gifts."—Julia Keller, Chicago Tribune

"This book is about gardens as a metaphor for the human condition. . . . Harrison draws freely and with brilliance from 5,000 years of Western literature and criticism, including works on philosophy and garden history. . . . He is a careful as well as an inspiring scholar."—Tom Turner, Times Higher Education

"When I was a student, my Cambridge supervisor said, in the Olympian tone characteristic of his kind, that the only living literary critics for whom he would sell his shirt were William Empson and G. Wilson Knight.  Having spent the subsequent 30 years in the febrile world of academic Lit. Crit. . . . I’m not sure that I’d sell my shirt for any living critic.  But if there had to be one, it would unquestionably be Robert Pogue Harrison, whose study Forests: The Shadow of Civilization, published in 1992, has the true quality of literature, not of criticism—it stays with you, like an amiable ghost, long after you read it.

“Though more modest in scope, this new book is similarly destined to become a classic. It has two principal heroes: the ancient philosopher Epicurus . . . and the wonderfully witty Czech writer Karel Capek, apropos of whom it is remarked that, whereas most people believe gardening to be a subset of life, ‘gardeners, including Capek, understand that life is a subset of gardening.’”—Jonathan Bate, The Spectator

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cover of Great Houses and Gardens of New Jersey

Great Houses and Gardens of New Jersey

Seebohm, Caroline

Rutgers University Press, 2003

Author Caroline Seebohm and photographer Peter C. Cook bring readers an exclusive look at some of New Jersey's most magnificent private homes and gardens. From a centuries-old farm to modern glass houses, from woodlands planted with native plants to formal French and English-style gardens, the book celebrates the rich diversity of architectural and gardening styles found in the state. More than 200 gorgeous color photographs, accompanied by inspired accounts, celebrate the beauty of New Jersey homes and gardens.

New Jersey is called the Garden State with good reason- some of the nation's most strikingly beautiful homes and gardens can be found within its borders. Caroline Seebohm and Peter C. Cook have captured them gloriously in Great Houses and Gardens of New Jersey.

No other book has so beautifully presented the architectural story of the state, stunningly documented in more than 200 color photographs- from a centuries-old farm to modern glass houses, from woodlands planted with native plants to formal French and English-style gardens. Each house and garden is privately owned, and many have never before been photographed. Readers are given an exclusive peek at some of New Jersey's greatest treasures.

Seebohm and Cook take us on a private tour of a pre-revolutionary Dutch farmhouse that could have sprung from the coast of Devon in England; a brick-patterned house that vividly expresses the originality and exuberance of the region's early builders and craftsmen; a collection of native stone buildings reminiscent of Bucks County, Pennsylvania; and an Arts and Crafts house with contributions by New Jersey's innovative Gustav Stickley. The twentieth century is equally well represented with works by masters such as Frank Lloyd Wright, Robert Venturi, Michael Graves, and Richard Meier.

The book showcases gardens of dazzling splendor and variety- woodlands ablaze with native azaleas and dogwoods; a charming sunken garden by well-known English garden designer Penelope Hobhouse; a stunning water garden on the Navesink River; a tiny formal garden surrounded by a picket fence in Somerset County; a garden in Alpine carpeted with bluebells in the spring, scented with roses in the summer, and with orchids on display all year round.
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cover of Green Afternoons: Oregon Gardens to Visit

Green Afternoons

Oregon Gardens to Visit

Amy Houchen

Oregon State University Press, 1998

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cover of Napoleon’s Garden Island: Lost and Old Gardens of St Helena, South Atlantic Ocean

Napoleon’s Garden Island

Lost and Old Gardens of St Helena, South Atlantic Ocean

Donal P. McCracken

Royal Botanic Gardens, Kew, 2022

Napoleon’s Garden Island reveals the amazing botanical history of one remote Atlantic island.
 
Though the South Atlantic island of St. Helena is best known as the site of Napoleon’s exile following his final defeat in 1815, this remote locale also has a rich gardening heritage and a population of highly diverse flora, both exotic and endemic. This is due to St. Helena’s history as a stopover for the vast East India Company fleets on their way to Europe, whose cargo holds carried not only spices but also plants from China, Malaysia, and India. As a result, St. Helena became a botanical hub and the island’s private plantation houses cultivated a number of extraordinarily varied gardens.
​
Illustrated throughout with drawings, maps, and archival materials, Napoleon’s Garden Island looks to St. Helena’s past and future alike. McCracken explores the island’s native and introduced flora, ultimately appealing for the establishment of a new permanent garden to showcase this singular botanical blend. Turning away from the military matters that characterize most other books about St. Helena’s history, Napoleon’s Garden Island highights how a dazzling assortment of plants have thrived thousands of miles from their nearest neighbors.
 
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cover of Northern Garden Symphony: Combining Hardy Perennials for Blooms All Season

Northern Garden Symphony

Combining Hardy Perennials for Blooms All Season

Cyndie Warbelow

University of Alaska Press, 2021

Put the power of a garden planning pro to work for you! Northern Garden Symphony offers explanations and illustrations of the sequential blooms of ornamental perennials as a tool for garden design. The idea of sequential blooming, Fairbanks-famous author Cyndie Warbelow explains, is similar to the workings of a musical symphony, in which at least a portion of its stunning constituent plants is blooming at all times, even though they are not all blooming together. Given that perennial plants bloom for limited and specific periods of time during the growing season, Warbelow notes, it is crucial that a garden be designed with sequential blooming in mind. Yet this concept can often overwhelm and discourage gardeners.
 
Using narrative, figures, photographs, and a groundbreaking set of layout charts that can aid even the most experienced horticulturist in the process of flower garden planning, Northern Garden Symphony gives gardeners the tools they need to be a successful northern perennial gardener.
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cover of Of Gardens and Graves: Kashmir, Poetry, Politics

Of Gardens and Graves

Kashmir, Poetry, Politics

Suvir Kaul

Duke University Press, 2017

In Of Gardens and Graves Suvir Kaul examines the disruption of everyday life in Kashmir in the years following the region's pervasive militarization in 1990. Kaul's autobiographical and analytical essays, which were prompted by his yearly visits to Kashmir, are a combination of political analysis, literary criticism, memoir, and journalistic observation. In them he explores Kashmir's pre- and post-Partition history, the effects of militarization, state repression, the suspension of civil rights on Kashmiris, and the challenge Kashmir represents to the practice of democracy in India. The volume also features translations of Kashmiri poetry written in these years of conflict. These poems constitute an archive of heightened feelings and desires that affectively interrogate official accounts of Kashmir while telling us much about those who face extraordinary political turbulence and violence. Of Gardens and Graves also contains a photo essay by Javed Dar, whose photographs work together with Kaul's essays and the poems to represent the interweaving of ordinary life, civic strife, and spectacular violence in Kashmir.
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cover of Perennial Gardens for Texas

Perennial Gardens for Texas

By Julie Ryan

University of Texas Press, 1998

A perennial garden is an ever-changing source of delight. Each season brings new colors and textures in flowers and foliage. As the years go by, perennial plantings mature and interweave into forms more beautiful and surprising than a season's growth of annuals can ever give. Best of all, a perennial garden can grow almost anywhere with plants suited to local soils, temperatures, and rainfall.

This book is a complete guide to perennial gardening in Texas and similar regions of eastern New Mexico, Oklahoma, Arkansas, Louisiana, Mississippi, Alabama, Georgia, Florida, and the Carolinas. In Part One, Julie Ryan offers a historical sketch of cottage gardens and perennial borders, with a sampler of some of their modern variations. In Part Two, she defines the major ecological regions of Texas and, with words and color photographs, takes you on a tour of lovely public and private gardens in each region.

You'll find all the "how to" information for creating your own garden in Part Three. Ms. Ryan describes and pictures over 300 flowering perennials, bulbs, foliage plants, and old roses suitable for Texas gardens, with lists of companion annuals, vines, shrubs, and small trees. Accompanying charts provide quick reference to each plant's preferred regions and cultivation requirements. In addition, Ms. Ryan discusses how to design a garden and select plants, prepare the beds, and deal with garden pests. She concludes with substantial lists of resources, including mail-order suppliers of perennials, bulbs, and old roses.

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cover of Putting Down Roots: Gardening Insights from Wisconsin’s Early Settlers

Putting Down Roots

Gardening Insights from Wisconsin’s Early Settlers

Marcia C. Carmichael

Wisconsin Historical Society Press, 2013

Culture and history can be passed from one generation to the next through the food we eat, the vegetables and fruits we plant and harvest, and the fragrant flowers and herbs that enliven our gardens. The plants our ancestors grew tell stories about their way of life.
 
Wisconsin’s nineteenth-century settlers arrived in the New World in search of new opportunities and the chance to create a new life. These European immigrants and Yankee settlers brought their traditional foodways with them—their family recipes and the seeds, roots, and slips of cherished plants—to serve as comfort food, in the truest sense. 
 
This part of our collective history comes alive at Old World Wisconsin’s re-created nineteenth-century heirloom gardens. In Putting Down Roots, historical gardener Marcia C. Carmichael guides us through these gardens, sharing insights on why the owners of the original houses—be they Yankee settlers, German, Norwegian, Irish, Danish, Polish, or Finnish immigrants—planted and harvested what they did. She shares timeless lessons with today’s gardeners and cooks about planting trends and practices, garden tools used by early settlers, popular plant varieties, and favorite flavors of Wisconsin’s early settlers, including recipes for such classics as Irish soda bread, pierogi, and Norwegian rhubarb custard.
 
Putting Down Roots celebrates the diversity and rich ethnic settlement of Wisconsin. It’s also a story of holding fast to one’s traditions and adapting to new ways that nourished one’s family so they could flourish in their new surroundings.
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cover of Robert Irwin Getty Garden

Robert Irwin Getty Garden

Lawrence Weschler

J. Paul Getty Trust, The, 2020

A beautifully illustrated, accessible volume about one of the Getty Center’s best-loved sites. Among the most beloved sites at the Getty Center, the Central Garden has aroused intense interest from the moment artist Robert Irwin was awarded the commission. First published in 2002, Robert Irwin Getty Garden is comprised of a series of discussions between noted author Lawrence Weschler and Irwin, providing a lively account of what Irwin has playfully termed “a sculpture in the form of a garden aspiring to be art.” The text revolves around four garden walks: extended conversations in which the artist explains the critical choices he made—from plant materials to steel—in the creation of a living work of art that has helped to redefine what a modern garden can and should be. This updated edition features new photography of the Central Garden in a smaller, more accessible format.
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cover of The Garden at the End of Time: Getting By in the Age of Climate Change

The Garden at the End of Time

Getting By in the Age of Climate Change

John Hanson Mitchell

University of Massachusetts Press, 2025

John Hanson Mitchell has long written about his garden outside of Boston, and about the plants and animals with whom he shares this land. In 2022, the United Nations and others started reporting the true severity of the climate crisis as the Earth passed a point of no return. All across the globe it was the worst year on record for climate-related disasters, including extinctions, deadly floods, massive fires, and dramatic droughts, all of which have worsened since that year. Mitchell, like so many, felt overwhelmed. He looked to the story of Voltaire’s Candide, and settled on the famous aphorism from that book: “We must cultivate our garden.”

The Garden at the End of Time features Mitchell’s trademark blend of science, literature, and anecdote as he processes both the information he is reading from various sources and what it prompts him to do in his own small corner of the world. The story that unfolds is one of Mitchell diversifying his plantings; fighting what he sees as unnecessary local development; walking through and observing changes in the wild lands nearby; continuing to read the news from around the world; and meditating on other moments, real and imagined, when people sought refuge even as they did their part to improve a personally and collectively stressful situation. 

Readers discover the impossibility of separating gardening from global warming, while also seeing the solace that exposure to plants can offer, in addition to their contribution to carbon consumption. With gravitas, kindness, and wit, Mitchell offers a model for maintaining a connection to nature even as it reels from manmade threats.  

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cover of The Gardens of Sallust: A Changing Landscape

The Gardens of Sallust

A Changing Landscape

By Kim J. Hartswick

University of Texas Press, 2003

Pleasure gardens, or horti, offered elite citizens of ancient Rome a retreat from the noise and grime of the city, where they could take their leisure and even conduct business amid lovely landscaping, architecture, and sculpture. One of the most important and beautiful of these gardens was the horti Sallustiani, originally developed by the Roman historian Sallust at the end of the first century B.C. and later possessed and perfected by a series of Roman emperors. Though now irrevocably altered by two millennia of human history, the Gardens of Sallust endure as a memory of beauty and as a significant archaeological site, where fragments of sculpture and ruins of architecture are still being discovered.

In this ambitious work, Kim Hartswick undertakes the first comprehensive history of the Gardens of Sallust from Roman times to the present, as well as its influence on generations of scholars, intellectuals, and archaeologists. He draws from an astonishing array of sources to reconstruct the original dimensions and appearance of the gardens and the changes they have undergone at specific points in history. Hartswick thoroughly discusses the architectural features of the garden and analyzes their remains. He also studies the sculptures excavated from the gardens and discusses the subjects and uses of many outstanding examples.

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cover of The Greater Perfection: The Story of the Gardens at Les Quatre Vents

The Greater Perfection

The Story of the Gardens at Les Quatre Vents

Francis H. Cabot

University of Chicago Press, 2023

The Greater Perfection, now with a new foreword by Francis H. Cabot’s daughter, tells the story behind the creation of Les Quatre Vents, one of the world’s most breathtaking gardens.
 
Featured in the 2018 film The Gardener, Les Quatre Vents in Charlevoix County, Quebec, has been acclaimed as the most aesthetically satisfying and horticulturally exciting landscape experience in North America. This twenty-acre garden seamlessly combines traditional and novel elements into a splendid composition, adorned with unexpected touches and perfectly compatible with its natural surroundings.
 
The Greater Perfection, first published in 2001, illustrates the delights, diversions, and surprises that await the garden’s visitors. Francis H. Cabot’s account of the challenges he faced in developing Les Quatre Vents reveals the fascinating process behind the creation of a world-class garden that has become a mecca for horticultural enthusiasts around the globe. Winner of the 2003 Annual Literature Award of the Council on Botanical and Horticultural Libraries and featuring stunning full-color images by five leading garden photographers, The Greater Perfection is one of the most beautiful books on gardens to appear in years. This new printing includes a foreword by Marianne Cabot Welch, Cabot’s daughter, that further contextualizes the gardens and explores how a place rooted in the past can confront the future.
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cover of The Northwest Gardens of Lord and Schryver

The Northwest Gardens of Lord and Schryver

Valencia Libby

Oregon State University Press, 2021

Foreword by Bill Noble
Published in Cooperation with the Lord & Schryver Conservancy

Lord & Schryver, the first landscape architecture firm founded and operated by women in the Pacific Northwest, designed more than two hundred gardens in Oregon and Washington, including residential, civic, and institutional landscapes. Elizabeth Lord and Edith Schryver met as young women and in 1929 established their highly successful firm in Salem; their work is acknowledged as one of the milestones in the history of garden design in the Northwest and beyond. Theirs is the only Oregon firm recognized in Pioneers of Landscape Architecture, compiled by the National Park Service. The Cultural Landscape Foundation describes them as “consummate professionals in the broadest sense, as they worked to raise the profile of landscape architects by involving an audience beyond their clients. Their work represented a transition from a formal symmetrical style of garden design to one which responded in a distinctive way to the unique features of Northwest climate, soil, topography, and plant material.”

Gaiety Hollow, their purpose-built Salem home, garden, and studio, is now owned by the Lord & Schryver Conservancy and is open to the public. The conservancy has lovingly restored the gardens at Gaiety Hollow according to Lord & Schryver’s original plans. They have also restored and now maintain the gardens at Deepwood, a former residence that is now a public park.

Students of landscape architecture, garden design, Pacific Northwest history, ornamental horticulture, and general readers who are interested in the contributions of women to once male-dominated professions will find inspiration in these pages.

Learn more about Elizabeth Lord and Edith Schryver at www.lordschryver.org
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cover of There's a Moose in My Garden: Designing Gardens in Alaska and the Far North

There's a Moose in My Garden

Designing Gardens in Alaska and the Far North

Brenda C. Adams

University of Alaska Press, 2013

What do you do when a young moose calf wants to dine on your freshly planted Lady’s Mantle for lunch? What plants can handle a summer of nearly endless sun? How do you harness the wild beauty of the north for your own backyard? There’s a Moose in My Garden is the first book to tackle these questions and more with practical, user-friendly advice from an award-winning gardener.

Adams provides helpful tips for Far Northern gardeners on how to design and implement successful landscape environments. The book outlines the entire planning and planting process, covering such aspects as handling low-angled sun, soft light, expansive vistas, and a cool climate.
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cover of Vintage Wisconsin Gardens: A History of Home Gardening

Vintage Wisconsin Gardens

A History of Home Gardening

Lee Somerville

Wisconsin Historical Society Press, 2011

As Wisconsin’s population moved from farmsteads into villages, towns, and cities, the state saw a growing interest in gardening as a leisure activity and source of civic pride. In Vintage Wisconsin Gardens, Lee Somerville introduces readers to the region’s ornamental gardens of the nineteenth and early twentieth centuries, showcasing the “vernacular” gardens created by landscaping enthusiasts for their own use and pleasure.

The Wisconsin State Horticultural Society, established during the mid-nineteenth century, was the primary source of advice for home gardeners. Through carefully selected excerpts from WSHS articles, Somerville shares the excitement of these gardeners as they traded cultivation and design knowledge and explored the possibilities of their avocation. Women were frequent presenters at the WSHS annual meetings, and their voices resonate. Their writings, and those of their male colleagues, are a remarkable legacy we can draw on today—learning how Wisconsinites past created and enjoyed their gardens helps us appreciate our own. Filled with period and contemporary images, recommended plant lists, and garden layouts, Vintage Wisconsin Gardens will interest those curious about the history of the state’s cultural landscape and inspire readers to restore or reconstruct period gardens.
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cover of What Gardens Mean

What Gardens Mean

Stephanie Ross

University of Chicago Press, 1998

Are gardens works of art? What is involved in creating a garden? How are gardens experienced by those who stroll through them?

In What Gardens Mean, Stephanie Ross draws on philosophy as well as the histories of art, gardens, culture, and ideas to explore the magical lure of gardens. Paying special attention to the amazing landscape gardens of eighteenth-century England, she situates gardening among the other fine arts, documenting the complex messages gardens can convey and tracing various connections between gardens and the art of painting.

What Gardens Mean offers a distinctive blend of historical and contemporary material, ranging from extensive accounts of famous eighteenth-century gardens to incisive connections with present-day philosophical debates. And while Ross examines aesthetic writings from the seventeenth and eighteenth centuries, including Joseph Addison's Spectator essays on the pleasures of imagination, the book's opening chapter surveys more recent theories about the nature and boundaries of art. She also considers gardens on their own terms, following changes in garden style, analyzing the phenomenal experience of viewing or strolling through a garden, and challenging the claim that the art of gardening is now a dead one.

Showing that an artistic lineage can be traced from gardens in the Age of Satire to current environmental installations, this book is a sophisticated account of the myriad pleasures that gardens offer and a testimony to their enduring sensory and cognitive appeal. Beautifully illustrated and elegantly written, What Gardens Mean will delight all those interested in the history of gardens and the aesthetic and philosophical issues that they invite.

"Replete with provocative musings, Ross delineates links that should prove interesting to readers engaged in pondering our capacity to relate to the natural world through the gardens we create."—Booklist

"[A]n innovative and absorbing study of the garden as an object of aesthetic interest."—Allen Carlson, Journal of Aesthetics and Art Criticism

"[P]leasantly readable. . . . A thought-provoking book for all who reflect as they dig."—Noel Kingsbury, Country Life

"[A] refreshing view of the subject. . . . Ross's book is continually illuminating in unexpected ways."—Gillian Darley, Architects' Journal

"What Gardens Mean is a wonderful intellectual combination of discussions on the interdisciplinary histories of art, gardening, and philosophy."—Choice
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cover of Yard Art and Handmade Places: Extraordinary Expressions of Home

Yard Art and Handmade Places

Extraordinary Expressions of Home

By Jill Nokes, with Pat Jasper

University of Texas Press, 2007

Relatively few people in America build their own homes, but many yearn to make the places they live in more truly their own. Yard Art and Handmade Places profiles twenty homemakers who have used their yards and gardens to express their sense of individuality, to maintain connections to family and heritage, or even to create sacred spaces for personal and community refreshment and healing. Jill Nokes, an authority on native plants and ecological restoration, traveled across the state of Texas, seeking out residents who had transformed their yards and gardens into oases of art and exuberant personal expression. In this book, she presents their stories, told in their own words, about why they created these handmade places and what their yard art has come to mean to them and to their communities.

Rather than viewing yard art as a curiosity or oddity, Nokes treats it as an integral part of home-making, revealing how these places become invested with deep personal or social meaning. Yard Art and Handmade Places celebrates the fact that, despite the proliferation of look-alike suburbs, places still exist where people with ordinary means and skills are shaping space with their own hands to create a personal expression that can be enjoyed by all.

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