4 books match the query 'Garland'
Donald Davie
Vanderbilt University Press, 2005
To some readers the poems will seem unusual as love poems because they do not idealize love and marriage. Their strength lies in their honesty and intimacy and in the openness to the pain and self-understanding that both ardor and conflict ("We, we throve on friction") can produce. This is a relationship in which each knows the other too well to be assuaged by a sentimental lyricism.
For this special edition, twelve of Doreen's photographs from their travels together have been included, so that her sensibility may be present, too, as an artist in her own right. Donald's handwritten poems are reproduced both in facsimile and in type.
Donald Pizer
University of Illinois Press, 2007
Keith Newlin
University of Iowa Press, 2013
Earl J. Hess and Pratibha A. Dabholkar
University of Missouri Press, 2014
During Metro-Goldwyn-Mayer’s glory days, the studio’s famous Arthur Freed Unit made an extraordinary string of dazzling musicals. One of its very best was The Pirate. Based on a successful 1942 Broadway production, the film was directed by Vincente Minnelli and starred Gene Kelly and Judy Garland. It showcased some of the brightest work of these three gifted moviemakers and entranced many critics and viewers with exotic set décor and costumes, brilliant Technicolor application, stunning dance routines, and a clever plot about an actor who pretends to be a famous pirate to win the love of a fanciful island girl.
The Pirate has been studied by film historians, gender studies scholars, and film studies professionals since it was released in 1948. The Cinematic Voyage of The Pirate contributes to a growing literature asserting the importance of single-film production history and the significance of the film musical in the golden age of Hollywood.