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2 books match the query 'Gilman, Sander'

cover of Cosmopolitanisms and the Jews

Cosmopolitanisms and the Jews

Cathy S. Gelbin and Sander L. Gilman

University of Michigan Press, 2017

Cosmopolitanisms and the Jews adds significantly to contemporary scholarship on cosmopolitanism by making the experience of Jews central to the discussion, as it traces the evolution of Jewish cosmopolitanism over the last two centuries. The book sets out from an exploration of the nature and cultural-political implications of the shifting perceptions of Jewish mobility and fluidity around 1800, when modern cosmopolitanist discourse arose. Through a series of case studies, the authors analyze the historical and discursive junctures that mark the central paradigm shifts in the Jewish self-image, from the Wandering Jew to the rootless parasite, the cosmopolitan, and the socialist internationalist. Chapters analyze the tensions and dualisms in the constructed relationship between cosmopolitanism and the Jews at particular historical junctures between 1800 and the present, and probe into the relationship between earlier anti-Semitic discourses on Jewish cosmopolitanism and Stalinist rhetoric.

 
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cover of Junk Drawer: What We Leave Behind

Junk Drawer

What We Leave Behind

Sander Gilman

University of Delaware Press, 2026

Junk Drawer: What We Leave Behind explores the personal objects that were once treasured by their owners yet were ultimately consigned to online “junk drawer” sales. Photographer and coeditor Barbara Von Eckardt acquired these random assortments from estate remnants on eBay and has documented their contents through evocative, sepia-toned images. In doing so, she has breathed new life into items that the world had deemed valueless, but that hint at the stories and identities of those who once owned them.

In addition to the photographs, Von Eckardt and coeditor Sander L. Gilman have gathered essays by scholars across disciplines, each offering a unique perspective on how such everyday objects can carry profound meaning. The result is a “junk drawer” of reflections, as varied and thought-provoking as the artifacts themselves. It is a moving testament to the emotional and cultural resonance of ordinary things—and an invitation to look more deeply at the objects surrounding us.
 

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