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5 books match the query 'Global Capitalism'

cover of Cyberwar and Revolution: Digital Subterfuge in Global Capitalism

Cyberwar and Revolution

Digital Subterfuge in Global Capitalism

Nick Dyer-Witheford

University of Minnesota Press, 2019

Uncovering the class conflicts, geopolitical dynamics, and aggressive capitalism propelling the militarization of the internet


Global surveillance, computational propaganda, online espionage, virtual recruiting, massive data breaches, hacked nuclear centrifuges and power grids—concerns about cyberwar have been mounting, rising to a fever pitch after the alleged Russian hacking of the U.S. presidential election and the Cambridge Analytica scandal. Although cyberwar is widely discussed, few accounts undertake a deep, critical view of its roots and consequences. 

Analyzing the new militarization of the internet, Cyberwar and Revolution argues that digital warfare is not a bug in the logic of global capitalism but rather a feature of its chaotic, disorderly unconscious. Urgently confronting the concept of cyberwar through the lens of both Marxist critical theory and psychoanalysis, Nick Dyer-Witheford and Svitlana Matviyenko provide a wide-ranging examination of the class conflicts and geopolitical dynamics propelling war across digital networks.

Investigating the subjectivities that cyberwar mobilizes, exploits, and bewilders, and revealing how it permeates the fabric of everyday life and implicates us all in its design, this book also highlights the critical importance of the emergent resistance to this digital militarism—hacktivism, digital worker dissent, and off-the-grid activism—for effecting different, better futures.

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cover of Discordant Development: Global Capitalism and the Struggle for Connection in Bangladesh

Discordant Development

Global Capitalism and the Struggle for Connection in Bangladesh

Katy Gardner

Pluto Press, 2012

What happens when a vast multinational mining company operates a gas plant situated close to four densely populated villages in rural Bangladesh? How does its presence contribute to local processes of ‘development’? And what do corporate claims of ‘community engagement’ involve? Drawing from author Katy Gardner’s longstanding relationship with the area, Discordant Development reveals the complex and contradictory ways that local people attempt to connect to, and are disconnected by, foreign capital.

Everyone has a story to tell: whether of dispossession and scarcity, the success of Corporate Social Responsibility, or imperialist exploitation and corruption. Yet as Gardner argues, what really matters in the struggles over resources is which of these stories are heard, and the power of those who tell them.

Based around the discordant narratives of dispossessed land owners, urban activists, mining officials and the rural landless, Discordant Development touches on some of the most urgent economic and political questions of our time, including resource ownership and scarcity, and the impact of foreign investment and industrialisation on global development.

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cover of Games of Empire: Global Capitalism and Video Games

Games of Empire

Global Capitalism and Video Games

Nick Dyer-Witheford

University of Minnesota Press, 2009

In the first decade of the twenty-first century, video games are an integral part of global media culture, rivaling Hollywood in revenue and influence. No longer confined to a subculture of adolescent males, video games today are played by adults around the world. At the same time, video games have become major sites of corporate exploitation and military recruitment.

In Games of Empire, Nick Dyer-Witheford and Greig de Peuter offer a radical political critique of such video games and virtual environments as Second Life, World of Warcraft, and Grand Theft Auto, analyzing them as the exemplary media of Empire, the twenty-first-century hypercapitalist complex theorized by Michael Hardt and Antonio Negri. The authors trace the ascent of virtual gaming, assess its impact on creators and players alike, and delineate the relationships between games and reality, body and avatar, screen and street.

Games of Empire forcefully connects video games to real-world concerns about globalization, militarism, and exploitation, from the horrors of African mines and Indian e-waste sites that underlie the entire industry, the role of labor in commercial game development, and the synergy between military simulation software and the battlefields of Iraq and Afghanistan exemplified by Full Spectrum Warrior to the substantial virtual economies surrounding World of Warcraft, the urban neoliberalism made playable in Grand Theft Auto, and the emergence of an alternative game culture through activist games and open-source game development.

Rejecting both moral panic and glib enthusiasm, Games of Empire demonstrates how virtual games crystallize the cultural, political, and economic forces of global capital, while also providing a means of resisting them.

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cover of Politics Of Selfhood: Bodies And Identities In Global Capitalism

Politics Of Selfhood

Bodies And Identities In Global Capitalism

Richard Harvey Brown

University of Minnesota Press, 2003

Looks at the ways social change is expressed through debates over identities and bodies

In bodies and selves, we can see politics, economics, and culture play out, and the tensions and crises of society made visible. The women’s movement, lobbies for the elderly, pro-choice and pro-life movements, AIDS research and education, pedophilia and repressed memory, global sports spectacles, organ donor networks, campaigns for safe sex, chastity, or preventive medicine—all are aspects of the contemporary politics of bodies and identities touched on in this book. Three broad themes run through the collection: how the body is constructed in various ways for different purposes, how the electronic media and its uses shape selves and sensualities and contribute to civic discourse, and how global capitalism acts as a direct force in these processes. By taking a distinctly cross-cultural and comparative approach, this volume explores more fully than ever the political, economic, institutional, and cultural settings of corporeality, identity, and representation.

Contributors: Antonella Fabri, John Jay College and New York Academy of Medicine; Eva Illouz, Hebrew U of Jerusalem; Philip W. Jenks, Portland State U; Lauren Langman, Loyola U; Timothy W. Luke, Virginia Polytechnic Institute and State U; Timothy McGettigan, Colorado State U, Pueblo; Margaret J. Tally, SUNY, Empire State College.
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cover of Working in Music on the Semiperiphery: Local Cultural Production and Global Capitalism

Working in Music on the Semiperiphery

Local Cultural Production and Global Capitalism

Emília Barna

Central European University Press, 2025

While music as labor feeds into the capitalist cultural industries, this book proves that in this sector informality greatly permeates and governs power relations and the allocations of resources. The significant level of informal involvement of the household in the creative and reproductive processes is also explored. It is particularly in the semiperipheral context that the relationship between home-based work and paid work is unbalanced: Emília Barna's field data are from Hungary and range from 2018 to 2021. The same context also implies considerable involvement of the state and its subsidies, as well as the important role of gatekeepers’ political capital.

This book embraces the widest possible range of workers in the music industry. It deals with all music genres from high-flying to commercial and observes various workers in the production chain beyond musicians. Niche segments of the sector, such as YouTube-based commercial hip hop, are given special treatment. Using a variety of empirical research methods, the study examines the trends as workers are pushed towards digital entrepreneurship and platform work, on the one hand, and live performance, on the other. The focus on domestic work and informality offers a feminist analysis of work in music. This approach sheds light on gendered divisions of labor and forms of (self-)exploitation that usually remain invisible. The book proposes a new model of cultural autonomy that takes account of the semiperipheral relationship of music industry workers and institutions to both the market and the state.
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