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4 books match the query 'Gombrowicz, Witold'

cover of Diary Volume 1

Diary Volume 1

Witold Gombrowicz

Northwestern University Press, 1988

This is the first English translation of Witold Gombrowicz's Diary, the most Polish and the most universal of his works. Gombrowicz (1904-1969), who left Poland at age thirty-five and never returned, whose writings were banned in his own country, has had an impact on Polish literature unlike any of his contemporaries. But he changed more than the image of Polish letters. If literature cannot influence national character, it can at least influence the national image, its understanding and evaluation of itself. That is what Gombrowicz changed: the image and stereotype of the Pole.
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cover of Diary Volume 2

Diary Volume 2

Witold Gombrowicz

Northwestern University Press, 1989

This is the first English translation of Witold Gombrowicz's Diary, the most Polish and the most universal of his works. Volume Two explores a more personal and intimate side of Gombrowicz in his adopted country of Argentina. Gombrowicz takes the readers into salons, homes, encounters in restaurants and theaters, dramatizing and self-dramatizing, turning the Diary into a work blending techniques of fiction and theater.
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cover of Diary Volume 3

Diary Volume 3

Witold Gombrowicz

Northwestern University Press, 1993

This is the first English translation of Witold Gombrowicz's <i>Diary,</i> the most Polish and the most universal of his works. Volume Three records Gombrowicz's departure from Argentina for Europe, where he spends a year in Berlin and settles on the French Riviera. It details his friendship with Bruno Schulz, his reflections on Dante's "monstrous work," and his responses to the work of contemporaries, and in so doing reveals the core of a great writer's sensibility.
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cover of Gombrowicz, Borges, and the Fictional Cosmos

Gombrowicz, Borges, and the Fictional Cosmos

Max Ubelaker Andrade

Bucknell University Press, 2027

Polish author Witold Gombrowicz’s famously chaotic masterpiece, Cosmos, was profoundly influenced by Jorge Luis Borges—particularly by three key stories from Ficciones. Drawing on evidence that Gombrowicz read Ficciones in 1960, as well as handwritten marginalia in Gombrowicz’s copy of Adolfo Bioy Casares’s La invención de Morel, this groundbreaking study argues that Cosmos responded to Borges’s literary transformations of cartography, mathematical combinatorics, and Miguel de Cervantes’s Don Quijote. Along the way, it introduces the concept of “immaterial bibliography” to analyze imaginary texts appearing in literary works. Finally, it examines the tension between Borges’s explicit racism and the ethical and aesthetic vision suggested by his fiction, revealing how rumor, rebellion, and literary inheritance shaped Gombrowicz’s reading of Borges, which in turn influenced the composition of his prizewinning last novel. 

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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