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4 books match the query 'Grave goods'

cover of Couched in Death: Klinai and Identity in Anatolia and Beyond

Couched in Death

Klinai and Identity in Anatolia and Beyond

Elizabeth P. Baughan

University of Wisconsin Press, 2013

In Couched in Death, Elizabeth P. Baughan offers the first comprehensive look at the earliest funeral couches in the ancient Mediterranean world. These sixth- and fifth-century BCE klinai from Asia Minor were inspired by specialty luxury furnishings developed in Archaic Greece for reclining at elite symposia. It was in Anatolia, however—in the dynastic cultures of Lydia and Phrygia and their neighbors—that klinai first gained prominence not as banquet furniture but as burial receptacles. For tombs, wooden couches were replaced by more permanent media cut from bedrock, carved from marble or limestone, or even cast in bronze. The rich archaeological findings of funerary klinai throughout Asia Minor raise intriguing questions about the social and symbolic meanings of this burial furniture. Why did Anatolian elites want to bury their dead on replicas of Greek furniture? Do the klinai found in Anatolian tombs represent Persian influence after the conquest of Anatolia, as previous scholarship has suggested?
            Bringing a diverse body of understudied and unpublished material together for the first time, Baughan investigates the origins and cultural significance of kline-burial and charts the stylistic development and distribution of funerary klinai throughout Anatolia. She contends that funeral couch burials and banqueter representations in funerary art helped construct hybridized Anatolian-Persian identities in Achaemenid Anatolia, and she reassesses the origins of the custom of the reclining banquet itself, a defining feature of ancient Mediterranean civilizations. Baughan explores the relationships of Anatolian funeral couches with similar traditions in Etruria and Macedonia as well as their "afterlife" in the modern era, and her study also includes a comprehensive survey of evidence for ancient klinai in general, based on analysis of more than three hundred klinai representations on Greek vases as well as archaeological and textual sources.
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cover of Grave Goods

Grave Goods

John P. O'Grady

University of Utah Press, 2014

"Overheard in a coffee shop the other day, one young woman severely admonishing another about the dangers of amateur séances: 'Just one wrong move, and Poof! Suddenly every dead rock star and TV evangelist is knocking at your door and forcing you to bake ten thousand apple pies. You can’t trust these ghosts. They have a mind of their own.'"
—from the book

Just because this is a collection of essays about psychics, murderers, strange disappearances, and occult phenomena doesn’t mean it isn’t funny. With wit, wry curiosity, and redemptive irony John P. O’Grady peels back the surface of the seemingly normal to reveal the dubious, the inexplicable, the outlandish.

Consider Leo LaHappe, a.k.a. "The Bugman." During a 1970s-era dormitory bull session Leo reveals a strange obsession with Virginia Dare, the first child born of English parents in the New World. His obsession becomes the catalyst for a campus-wide witch hunt at the University of Maine.

Or, what about the beekeeper who knocks on O’Grady’s door. Dressed in his professional gear—boots, coveralls, and dark veil—the man seeks permission to search the author’s woods for his hive. Turns out he hadn’t told the bees about his mother’s death and, sensitive creatures that they are, the bees had run away. "I have to tell them I’m sorry," the beekeeper explains. "I just hope they forgive me and come home."

Grave Goods includes ghost stories, macabre modern legends, and metaphysical investigations, all informed by the natural sciences, history, philosophy, literature, and mythology. From laugh-out-loud funny to eerily thoughtful, these essays reveal the natural world as a place of unnatural surprises and strange beauty. A place where Rip Van Winkle, O’Grady’s college buddies, and ragtag psychics rub shoulders with Buddha, Socrates, and Stephen King—and it all makes perfect sense.

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cover of The Kingdom of Pylos: Warrior-Princes of Mycenaean Greece

The Kingdom of Pylos

Warrior-Princes of Mycenaean Greece

Sharon R. Stocker

J. Paul Getty Trust, The, 2025

Presenting archaeological objects from the rich tombs of warrior-princes and the best-preserved Bronze Age palace on the Greek mainland, this volume features the latest discoveries from the dynamic world of Mycenaean Messenia.

Ancient Pylos has long captivated travelers, archaeologists, and historians familiar with Homer’s Iliad and Odyssey and his account of King Nestor, the prudent elder counselor in the Trojan War. Excavations begun in 1939 unearthed the storied Palace of Nestor in Messenia, an epicenter of Mycenaean civilization.

The Kingdom of Pylos features spectacular arts and crafts, many recently excavated at sites across Messenia, including goldwork of unparalleled artistry, masterfully carved sealstones, weapons, and wall paintings. Essays by international scholars examine the latest discoveries, including the Linear B tablets—the earliest written form of the Greek language—which document the political, religious, and economic organization of the prosperous Pylian realm. New research and cutting-edge science cast light on the 2015 find of the grave of the Griffin Warrior, an extraordinary, intact burial that held thousands of artifacts, including the celebrated Pylos Combat Agate, perhaps the finest work of art from the prehistoric Aegean. With over 300 illustrations, this is the first major publication in English to reconstruct the society of Pylos and settlements in its orbit during the Late Bronze Age (1700–1070 BCE).

This volume is published to accompany an exhibition on view at the Archaeological Museum of Messenia in Kalamata from February 15 to April 27, 2025, the J. Paul Getty Museum at the Getty Villa from June 25, 2025, to January 12, 2026, and the Hellenic National Archaeological Museum in Athens from March 1 to June 30, 2026.
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cover of The Mound-Builders

The Mound-Builders

Henry Clyde Shetrone; with a new introduction by Bradley T. Lepper

University of Alabama Press, 2004

A Dan Josselyn Memorial Publication

A classic resource on early knowledge of prehistoric mounds and the peoples who constructed them in the eastern United States

With this accessible volume, Henry Clyde Shetrone made available to general readers the archaeological research data and conclusions concerning the ancient mounds and earthworks that dot the landscape of eastern North America. Dismissing popularly held theories of mysterious giants who built these structures, he explained that their purposes were defensive and ceremonial, that they had been used for habitation, burial, and worship. Their builders were antecedents of the native peoples of present-day America and had been skilled artisans and engineers with successful agricultural practices and structured leadership.

Twenty chapters discuss aspects of mound-builder cultures: quarrying of flint and obsidian for knapping into points; mining of copper and iron and its fashioning into tools and ceremonial objects; spinning and weaving materials and methods; smoking customs; carving of calumets and their use in ceremony; freshwater pearls and other items for body ornamentation; and the use of stone burial vaults, cremation basins, and concepts of an afterlife. Data is presented from excavations ranging broadly from Massachusetts to Florida and from Texas to North Dakota.

As Bradley Lepper points out in his new introduction, "The Mound-Builders is a testament to Shetrone's success at working towards 'correlation and systematization' of data, as well as public education. . . . Shetrone was no armchair popularizer. His work was based on years of excavation and first-hand familiarity with much of the data. His popularizations [still] echo with the ring of the shovel and trowel in gravelly soil."

 

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