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4 books match the query 'Herrera-Sobek, María'

cover of Chicano Renaissance: Contemporary Cultural Trends

Chicano Renaissance

Contemporary Cultural Trends

Edited by David R. Maciel, Isidro D. Ortiz, and María Herrera-Sobek

University of Arizona Press, 2000

Among the lasting legacies of the Chicano Movement is the cultural flowering that it inspired--one that has steadily grown from the 1960s to the present. It encompassed all of the arts and continues to earn acclaim both nationally and internationally. Although this Chicano artistic renaissance received extensive scholarly attention in its initial phase, the post-Movimiento years after the late 1970s have been largely overlooked. This book meets that need, demonstrating that, despite the changes that have taken place in all areas of Chicana/o arts, a commitment to community revitalization continues to underlie artistic expression.

This collection examines changes across a broad range of cultural forms--art, literature, music, cinema and television, radio, and theater--with an emphasis on the last two decades. Original articles by both established and emerging scholars review such subjects as the growth of Tejano music and the rise of Selena, how films and television have affected the Chicana/o experience, the evolution of Chicana/o art over the last twenty years, and postmodern literary trends.

In all of the essays, the contributors emphasize that, contrary to the popular notion that Chicanas/os have succumbed to a victim mentality, they continue to actively struggle to shape the conditions of their lives and to influence the direction of American society through their arts and social struggle. Despite decades usually associated with self-interest in the larger society, the spirit of commitment and empowerment has continued to infuse Chicana/o cultural expression and points toward a vibrant future.

CONTENTS
All Over the Map: La Onda Tejana and the Making of Selena, Roberto R. Calderón
Outside Inside-The Immigrant Workers: Creating Popular Myths, Cultural Expressions, and Personal Politics in Borderlands Southern California, Juan Gómez-Quiñones
"Yo soy chicano": The Turbulent and Heroic Life of Chicanas/os in Cinema and Television, David R. Maciel and Susan Racho
The Politics of Chicano Representation in the Media, Virginia Escalante
Chicana/o and Latina/o Gazing: Audiences of the Mass Media, Diana I. Ríos
An Historical Overview/Update on the State of Chicano Art, George Vargas
Contemporary Chicano Theater, Arturo Ramírez
Breaking the Silence: Developments in the Publication and Politics of Chicana Creative Writing, 1973-1998, Edwina Barvosa-Carter
Trends and Themes in Chicana/o Writings in Postmodern Times, Francisco A. Lomelí, Teresa Márquez, and María Herrera-Sobek
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cover of Culture across Borders: Mexican Immigration and Popular Culture

Culture across Borders

Mexican Immigration and Popular Culture

Edited by David R. Maciel and María Herrera-Sobek

University of Arizona Press, 1998

For as long as Mexicans have emigrated to the United States they have responded creatively to the challenges of making a new home. But although historical, sociological, and other aspects of Mexican immigration have been widely studied, its cultural and artistic manifestations have been largely overlooked by scholars—even though Mexico has produced the greatest number of cultural works inspired by the immigration process. And recently Chicana/o artists have addressed immigration as a central theme in their cultural productions and motifs. Culture across Borders is the first and only book-length study to analyze a wide range of cultural manifestations of the immigration experience, including art, literature, cinema, corridos, and humor. It shows how Mexican immigrants have been depicted in popular culture both in Mexico and the United States—and how Mexican and Chicano/Chicana artists, intellectuals, and others have used artistic means to protest the unjust treatment of immigrants by U.S. authorities. Established and upcoming scholars from both sides of the border contribute their expertise in art history, literary criticism, history, cultural studies, and other fields, capturing the many facets of the immigrant experience in popular culture. Topics include the difference between Chicano/a and Mexican representation of immigration; how films dealing with immigrants are treated differently by Mexican, Chicano, and Hollywood producers; the rich literary and artistic production on immigration themes; and the significance of immigration in Chicano jokes. As a first step in addressing the cultural dimensions of Mexican immigration to the United States, this book captures how the immigration process has inspired powerful creative responses on both sides of the border.
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cover of Reconstructing a Chicano/a Literary Heritage: Hispanic Colonial Literature of the Southwest

Reconstructing a Chicano/a Literary Heritage

Hispanic Colonial Literature of the Southwest

Edited by María Herrera-Sobek

University of Arizona Press, 1993

Early literary works written in Spanish in what is today the American Southwest have been largely excluded from the corpus of American literature, yet these documents are the literary antecedents of contemporary Chicano and Chicana writing. This collection of essays establishes the importance of this literary heritage through a critical examination of key texts produced in the Southwest from 1542 to 1848. Drawing on research in the archives of southwestern libraries and applying contemporary literary theoretical constructs to these centuries-old manuscripts, the authors—all noted scholars in Chicano literature—demonstrate that these works should be recognized as an integral part of American literature.
 
Contributors:
Juan Bruce-Novoa
Ramón Gutiérrez
María Herrera-Sobek
Enrique Lamadrid
Luis Leal
Francisco A. Lomelí
Genaro Padilla
Tey Diana Rebolledo
Tino Villanueva
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cover of Word Images: New Perspectives on Canícula and Other Works by Norma Elia Cantú

Word Images

New Perspectives on Canícula and Other Works by Norma Elia Cantú

Edited by Gabriella Gutiérrez y Muhs; Foreword by María Herrera-Sobek

University of Arizona Press, 2017

This collection of critical essays unveils for the first time Norma Elia Cantú’s contribution as a folklorist, writer, scholar, and teacher. Word Images unites two valuable ways to view and use Cantú’s work: Part 1 comprises essays that individually examine Cantú’s oeuvre through critical analysis. Part 2 is dedicated to ideas and techniques to improve the use of this literature by teachers and professors, with a particular focus on tools for using Canícula.
 
Contributors:

Steven W. Bender
Aurora Chang
Vanessa Fonseca
Gabriella Gutiérrez y Muhs
María Herrera-Sobek
Ellen McCracken
María Esther Quintana Millamoto
Aldo Ulisses Reséndiz Ramírez
Rose Rodríguez-Rabin
Jesús Rosales
Carlos Sibaja García
María Socorro Tabuenca
Juan Velasco
 
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