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4 books match the query 'Hispanic Americans in the motion picture industry'

cover of Cinema between Latin America and Los Angeles: Origins to 1960

Cinema between Latin America and Los Angeles

Origins to 1960

Horak, Jan-Christopher

Rutgers University Press, 2019

Historically, Los Angeles and its exhibition market have been central to the international success of Latin American cinema. Not only was Los Angeles a site crucial for exhibition of these films, but it became the most important hub in the western hemisphere for the distribution of Spanish language films made for Latin American audiences. Cinema between Latin America and Los Angeles builds upon this foundational insight to both examine the considerable, ongoing role that Los Angeles played in the history of Spanish-language cinema and to explore the implications of this transnational dynamic for the study and analysis of Latin American cinema before 1960. The volume editors aim to flesh out the gaps between Hollywood and Latin America, American imperialism and Latin American nationalism in order to produce a more nuanced view of transnational cultural relations in the western hemisphere. 
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cover of Dance and the Hollywood Latina: Race, Sex, and Stardom

Dance and the Hollywood Latina

Race, Sex, and Stardom

Ovalle, Priscilla P

Rutgers University Press, 2011

Dance and the Hollywood Latina asks why every Latina star in Hollywood history, from Dolores Del Rio in the 1920s to Jennifer Lopez in the 2000s, began as a dancer or danced onscreen. While cinematic depictions of women and minorities have seemingly improved, a century of representing brown women as natural dancers has popularized the notion that Latinas are inherently passionate and promiscuous. Yet some Latina actresses became stars by embracing and manipulating these stereotypical fantasies.

Introducing the concepts of "inbetween-ness" and "racial mobility" to further illuminate how racialized sexuality and the dancing female body operate in film, Priscilla Peña Ovalle focuses on the careers of Dolores Del Rio, Rita Hayworth, Carmen Miranda, Rita Moreno, and Jennifer Lopez. Dance and the Hollywood Latina helps readers better understand how the United States grapples with race, gender, and sexuality through dancing bodies on screen.
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cover of Latinx Ciné in the Twenty-First Century

Latinx Ciné in the Twenty-First Century

Edited by Frederick Luis Aldama

University of Arizona Press, 2019

Today’s Latinx motion pictures are built on the struggles—and victories—of prior decades. Earlier filmmakers threw open doors and cleared new paths for those of the twenty-first century to willfully reconstruct Latinx epics as well as the daily tragedies and triumphs of Latinx lives.

Twenty-first-century Latinx film offers much to celebrate, but as noted pop culture critic Frederick Luis Aldama writes, there’s still room to be purposefully critical. In Latinx Ciné in the Twenty-First Century contributors offer groundbreaking scholarship that does both, bringing together a comprehensive presentation of contemporary film and filmmakers from all corners of Latinx culture.

The book’s seven sections cover production techniques and evolving genres, profile those behind and in front of the camera, and explore the distribution and consumption of contemporary Latinx films. Chapters delve into issues that are timely, relevant, and influential, including representation or the lack thereof, identity and stereotypes, hybridity, immigration and detention, historical recuperation, and historical amnesia.

With its capacious range and depth of vision, this timeless volume of cutting-edge scholarship blazes new paths in understanding the full complexities of twenty-first century Latinx filmmaking.

Contributors
Contributors  
Iván Eusebio Aguirre Darancou
Frederick Luis Aldama
Juan J. Alonzo
Lee Bebout
Debra A. Castillo
Nikolina Dobreva
Paul Espinosa
Mauricio Espinoza
Camilla Fojas
Rosa-Linda Fregoso
Desirée J. Garcia
Enrique García
Clarissa Goldsmith
Matthew David Goodwin
Monica Hanna
Sara Veronica Hinojos
Carlos Gabriel Kelly
Jennifer M. Lozano
Manuel M. Martín-Rodríguez
J. V. Miranda
Valentina Montero Román
Danielle Alexis Orozco
Henry Puente
John D. “Rio” Riofrio
Richard T. Rodríguez
Ariana Ruiz
Samuale Saldívar III
Jorge Santos
Rebecca A. Sheehan
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cover of Visualizing Latinx: Creative Practices in Fashion, Film, and Beyond

Visualizing Latinx

Creative Practices in Fashion, Film, and Beyond

Arlene Dávila

Duke University Press, 2026

Visualizing Latinx elevates the stories of contemporary Latinx creators working in fashion, independent filmmaking, and public art who confront the systemic erasure of Latinx creativity. Arlene Dávila documents how these creatives strive to visualize their communities as a means of transforming society and asserting inclusion on their own terms. She highlights how these artists approach their work with purpose, intention, style, and ingenuity to showcase the value, joy, and complexity of Latinx identities. Looking to the academic sector as a sanctioning and uplifting force, Dávila also explores academia’s role in making Latinx histories and creative communities visible. By focusing on the inventive, transformative, and decolonial practices of Latinx artists and creatives, she argues that seeing and appreciating Latinx culture through visual media can be revolutionary in creating a more equitable and vibrant society for all.
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