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Ever since Commodore Perry sailed into Uraga Channel, relations between the United States and Japan have been characterized by culture shock. Now a distinguished Japanese historian critically analyzes contemporary thought, public opinion, and behavior in the two countries over the course of the twentieth century, offering a binational perspective on culture shock as it has affected their relations.

            In these essays, Sadao Asada examines the historical interaction between these two countries from 1890 to 2006, focusing on naval strategy, transpacific racism, and the atomic bomb controversy. For each topic, he offers a rigorous analysis of both American and Japanese perceptions, showing how cultural relations and the interchange of ideas have been complex—and occasionally destructive.

            Culture Shock and Japanese-American Relations contains insightful essays on the influence of Alfred Mahan on the Japanese navy and on American images of Japan during the 1920s. Other essays consider the progressive breakdown of relations between the two countries and the origins of the Pacific War from the viewpoint of the Japanese navy, then tackle the ultimate shock of the atomic bomb and Japan’s surrender, tracing changing perceptions of the decision to use the bomb on both sides of the Pacific over the course of sixty years. In discussing these subjects, Asada draws on Japanese sources largely inaccessible to Western scholars to provide a host of eye-opening insights for non-Japanese readers.

            After studying in America for nine years and receiving degrees from both Carleton College and Yale University, Asada returned to Japan to face his own reverse culture shock. His insights raise important questions of why people on opposite sides of the Pacific see things differently and adapt their perceptions to different purposes. This book marks a major effort toward reconstructing and understanding the conflicted course of Japanese-American relations during the first half of the twentieth century.

In 1938, Howard Jay Graham, a deaf law librarian, successfully argued that the authors of the Fourteenth Amendment--ratified after the American Civil War to establish equal protection under the law for all American citizens regardless of race--were motivated by abolitionist fervor, debunking the notion of a corporate conspiracy at the heart of the amendment's wording. For over half a century, the amendment had been used to endow corporations with rights as individuals and thus protect them from state legislation. By 1968, when Everyman's Constitution was first published, the Fourteenth Amendment had become a tool for the incorporation of the Bill of Rights to apply to all American citizens. The essays in this reprinted edition are still relevant as the nation continues to interpret our framing legislation in light of the concerns of today and to balance citizens' rights against those of corporations. Howard Jay Graham was a law librarian brought in by the NAACP's legal team to write a brief on the Fourteenth Amendment for the Supreme Court case Brown v. Board of Education. Though the Supreme Court justices ruled in favor of the NAACP based on the sociological rather than historical evidence it provided, Graham's work, published in various law journals over several decades, contributed greatly to the ongoing interpretation of the Fourteenth Amendment.

With Forms of Discovery, Yvor Winters completes his critical canon. The distinguished poet-critic defines by analysis and example the development of the method that he has called “post-Symbolist.” Starting with the styles of the English Renaissance, Winters discusses at length the felicities and shortcomings of these traditions, the main defect being that sensory imagery was little more than ornament. This sets the problem: to discover a style wherein both the conceptual and the perceptual are given their fullest expression In the work of Charles Churchill, Winters explores the development of a complexly controlled associational procedure. Here is a richly varied conceptual method, though the sensory is still almost totally absent. Churchill’s methods and those of the Renaissance masters are then contrasted with the work of the Romantics, who wrote a great deal about nature without bothering to look at it, and whose most lasting contribution would appear to be pathetically sentimental fallacies. The turn of the century, in France, Britain, and America, sees the beginning of the post-Symbolist methods, while Yeats continues the retrograde movement of the Romantics. It is in the work of poets like Tuckerman, Hardy, Bridges, Stevens, T. Sturge Moore, and Paul Valéry that rational discourse combines richly with the perceptual universe in which we live: the particular perception is enhanced by reference to general concepts, the general given substance by the particular exemplifying it. The post-Symbolist methods result in a poetry that unifies the diverse fields of human experience and employs all aspects of language. Style in Winters’ sense is not simply a way of gracefully combining words. It is the way a man lives, the method or art wherein he discovers to the best of his ability the real nature of the world in which he lives. It is in this sense that Forms of Discovery is a philosophical work, not a miscellaneous collection of essays; this book is, as Winters remarks, “an act of piety, not an act of destruction.”