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13 books match the query 'Hong Kong (China)'

cover of Be Water: Collective Improvisation in Hong Kong's Anti-Extradition Protests

Be Water

Collective Improvisation in Hong Kong's Anti-Extradition Protests

Ming-sho Ho

Temple University Press, 2025

During the eventful summer of 2019 in Hong Kong, the Be Water Revolution formed to resist the proposed extradition of fugitives to mainland China’s courts. With its name derived from martial arts master Bruce Lee’s adage to be “formless and shapeless like water,” the movement turned out to be the city’s largest episode of contentious politics and was unique for using impromptu communication among participants and the absence of central leadership.

In Be Water, Ming-sho Ho examines the dynamics of the city-wide uprising from the perspective of agency power. He seeks to understand how numerous and anonymous Hongkongers contributed to this epoch-making campaign as well as how they responded to the full-scale state repression that enveloped them. Ho praises and questions the durability of the inventive Be Water Revolution and how the activists encouraged protests spontaneously, through interpersonal networks and by voluntarily collaborating with strangers at great personal risk.

Ho posits a new concept of “collective improvisation” to make sense of such a decentralized yet creative way of protesting. Be Water seeks to understand the rise and long afterlife of this movement and illustrate its efficacy. As Ho shows, these dynamics of collective improvisation have implications for contemporary protest movements around the world.
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cover of Challenging Beijing's Mandate of Heaven: Taiwan's Sunflower Movement and Hong Kong's Umbrella Movement

Challenging Beijing's Mandate of Heaven

Taiwan's Sunflower Movement and Hong Kong's Umbrella Movement

Ming-sho Ho

Temple University Press, 2019

In 2014, the Sunflower Movement in Taiwan grabbed international attention as citizen protesters demanded the Taiwan government withdraw its free-trade agreement with China. In that same year, in Hong Kong, the Umbrella Movement sustained 79 days of demonstrations, protests that demanded genuine universal suffrage in electing Hong Kong’s chief executive. It too, became an international incident before it collapsed. Both of these student-led movements featured large-scale and intense participation and had deep and far-reaching consequences. But how did two massive and disruptive protests take place in culturally conservative societies? And how did the two “occupy”-style protests against Chinese influences on local politics arrive at such strikingly divergent results?

Challenging Beijing’s Mandate of Heaven aims to make sense of the origins, processes, and outcomes of these eventful protests in Taiwan and Hong Kong. Ming-sho Ho compares the dynamics of the two movements, from the existing networks of activists that preceded protest, to the perceived threats that ignited the movements, to the government strategies with which they contended, and to the nature of their coordination. Moreover, he contextualizes these protests in a period of global prominence for student, occupy, and anti-globalization protests and situates them within social movement studies.

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cover of Ghetto at the Center of the World: Chungking Mansions, Hong Kong

Ghetto at the Center of the World

Chungking Mansions, Hong Kong

Gordon Mathews

University of Chicago Press, 2011

There is nowhere else in the world quite like Chungking Mansions, a dilapidated seventeen-story commercial and residential structure in the heart of Hong Kong’s tourist district. A remarkably motley group of people call the building home; Pakistani phone stall operators, Chinese guesthouse workers, Nepalese heroin addicts, Indonesian sex workers, and traders and asylum seekers from all over Asia and Africa live and work there—even backpacking tourists rent rooms. In short, it is possibly the most globalized spot on the planet.

But as Ghetto at the Center of the World shows us, a trip to Chungking Mansions reveals a far less glamorous side of globalization. A world away from the gleaming headquarters of multinational corporations, Chungking Mansions is emblematic of the way globalization actually works for most of the world’s people. Gordon Mathews’s intimate portrayal of the building’s polyethnic residents lays bare their intricate connections to the international circulation of goods, money, and ideas. We come to understand the day-to-day realities of globalization through the stories of entrepreneurs from Africa carting cell phones in their luggage to sell back home and temporary workers from South Asia struggling to earn money to bring to their families. And we see that this so-called ghetto—which inspires fear in many of Hong Kong’s other residents, despite its low crime rate—is not a place of darkness and desperation but a beacon of hope.

Gordon Mathews’s compendium of riveting stories enthralls and instructs in equal measure, making Ghetto at the Center of the World not just a fascinating tour of a singular place but also a peek into the future of life on our shrinking planet.
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cover of Hong Kong Movers and Stayers: Narratives of Family Migration

Hong Kong Movers and Stayers

Narratives of Family Migration

Janet W. Salaff, Siu-lun Wong, and Arent Greve

University of Illinois Press, 2010

Half a million Hong Kong residents fled their homeland during the thirteen years before Hong Kong's reversion to China in 1997. Nearly half of those returned within the next several years. Filled with detailed, first-hand stories of nine Hong Kong families over nearly two decades, Hong Kong Movers and Stayers is a multifaceted yet intimate look at the forces behind Hong Kong families' successful, and failed, efforts at migration and settlement. 

Defining migration as a process, not a single act of leaving, Hong Kong Movers and Stayers provides an antidote to ethnocentric and simplistic theories by uncovering migration stories as they relate to social structures and social capital. The authors meld survey analysis, personal biography, and sociology and compare multiple families in order to give voice to the interplay of gender, age, and diverse family roles as motivating factors in migration.

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cover of Hong Kong in Revolt: The Protest Movement and the Future of China

Hong Kong in Revolt

The Protest Movement and the Future of China

Au Loong-Yu

Pluto Press, 2020

Hong Kong is in turmoil, with a new generation of young and politically active citizens shaking the regime. From the Umbrella Movement in 2014 to the defeat of the Extradition Bill and beyond, the protestors' demands have become more radical, and their actions more drastic. Their bravery emboldened the labor movement and launched the first successful political strike in half a century, followed by the broadening of the democratic movement as a whole. The book also sets the new protest movements within the context of the colonization, revolution and modernization of China. Au Loong-Yu explores Hong Kong's unique position in this history and the reaction the protests have generated on the Mainland. But the new generation's aspiration goes far beyond the political. It is a generation that strongly associates itself with a Hong Kong identity, with inclusivity and openness. Looking deeper into the roots and intricacies of the movement, the role of 'Western Values' vs 'Communism' and 'Hong Kongness' vs 'Chineseness', the cultural and political battles are understood through a broader geopolitical history. For good or for bad, Hong Kong has become one of the battle fields of the great historic contest between the US, the UK and China.
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cover of Hong Kong: Culture and the Politics of Disappearance

Hong Kong

Culture and the Politics of Disappearance

Ackbar Abbas

University of Minnesota Press, 1997

A consideration of what the culture of Hong Kong tells us about the state of the world at the fin-de-siècle.

On June 30, 1997, Hong Kong as we know it will disappear, ceasing its singular and ambiguous existence as a colonial holdover and becoming part of the People’s Republic of China. In an intriguing and provocative exploration of its cinema, architecture, photography, and literature, Ackbar Abbas considers what Hong Kong, with its unique relations to decolonization and disappearance, can teach us about the future of both the colonial city and the global city.

The culture of Hong Kong encompasses Jackie Chan and John Woo, British colonial architecture and postmodern skyscrapers. Ironically, it was not until they were faced with the imposition of Mainland power—with the signing of the Sino-British Joint Agreement in 1984—that the denizens of the colony began the search for a Hong Kong identity. According to Abbas, Hong Kong’s peculiar lack of identity is due to its status as “not so much a place as a space of transit,” whose residents think of themselves as transients and migrants on their way from China to somewhere else. Abbas explores the way Hong Kong’s media saturation changes its people’s experience of space so that it becomes abstract, dominated by signs and images that dispel memory, history, and presence.Hong Kong disappears through simple dualities such as East/West and tradition/modernity. What is missing from a view of Hong Kong as merely a colony is the paradox that Hong Kong has benefited from and made a virtue of its dependent colonial status, turning itself into a global and financial city and outstripping its colonizer in terms of wealth.Combining sophisticated theory and a critical perspective, this rich and thought-provoking work captures the complex situation of the metropolis that is contemporary Hong Kong. Along the way, it challenges, entertains, and makes an important contribution to our thinking about the surprising processes and consequences of colonialism.Copublished with Hong Kong University Press
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cover of Hong Kong: Migrant Lives, Landscapes, and Journeys

Hong Kong

Migrant Lives, Landscapes, and Journeys

Caroline Knowles and Douglas Harper

University of Chicago Press, 2009

In 1997 the United Kingdom returned control of Hong Kong to China, ending the city’s status as one of the last remnants of the British Empire and initiating a new phase for it as both a modern city and a hub for global migrations. Hong Kong is a tour of the city’s postcolonial urban landscape, innovatively told through fieldwork and photography.

Caroline Knowles and Douglas Harper’s point of entry into Hong Kong is the unusual position of the British expatriates who chose to remain in the city after the transition. Now a relatively insignificant presence, British migrants in Hong Kong have become intimately connected with another small minority group there: immigrants from Southeast Asia. The lives, journeys, and stories of these two groups bring to life a place where the past continues to resonate for all its residents, even as the city hurtles forward into a future marked by transience and transition. By skillfully blending ethnographic and visual approaches, Hong Kong offers a fascinating guide to a city that is at once unique in its recent history and exemplary of our globalized present.

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cover of In the Mood for Texture: The Revival of Bangkok as a Chinese City

In the Mood for Texture

The Revival of Bangkok as a Chinese City

Arnika Fuhrmann

Duke University Press, 2026

In the Mood for Texture considers the revival of Chinese pasts and the aesthetics of colonial modernity in contemporary Southeast Asian cultural production, both virtual and material. By analyzing how twentieth-century Shanghai and Hong Kong have been revived in modern Bangkok’s architecture, design, fashion, and nightlife, Arnika Fuhrmann shows how Chinese pasts are redeployed in contemporary film, literature, and hospitality venues to shape present visions of Asia. At the heart of this inquiry stand Shanghai and Hong Kong’s anomalous colonial temporalities and Thailand’s semi-colonial temporality of the “never” and “yet still” of colonization. Attending to the textures of built environments and agentive female subjects, Fuhrmann reconceptualizes the revival of Bangkok’s Chinese pasts and demonstrates how Southeast Asian imaginations can challenge both domestic and diasporic narratives of identity and collectivity beyond China.
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cover of Macao and the British, 1637–1842: Prelude to Hong Kong

Macao and the British, 1637–1842

Prelude to Hong Kong

Austin Coates

Hong Kong University Press, 2009

The story of the British acquisition of Hong Kong is intricately related to that of the Portuguese enclave of Macao. The British acquired Hong Kong in 1841, following 200 years of European endeavours to induce China to engage in foreign trade. As a residential base of European trade, Portuguese Macao enabled the West to maintain continuous relations with China from 1557 onwards. Opening with a vivid description of the first English voyage to China in 1637. Macao and the British traces the ensuing course of Anglo-Chinese relations, during which time Macao skillfully—and without fortifications—escaped domination by the British and Chinese. The account covers the opening of regular trade by the East India Company in 1770, including the ‘country’ trade between India and China and Britain’s first embassies to Peking, and relates the bedeviling effect of the opium trade. The story culminates in the resulting war from which Britain won, as part of its concessions, the obscure island of Hong Kong. Among those who feature in this lucid and lively account are the merchant princes Jardine and Matheson, the missionary Robert Morrison, the artist George Chinnery, and Captain Charles Elliot, Hong Kong’s maligned founder.
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cover of Pacific Crossing: California Gold, Chinese Migration, and the Making of Hong Kong

Pacific Crossing

California Gold, Chinese Migration, and the Making of Hong Kong

Elizabeth Sinn

Hong Kong University Press, 2014

During the nineteenth century tens of thousands of Chinese men and women crossed the Pacific to work, trade, and settle in California. Drawn initially by the gold rush, they took with them skills and goods and a view of the world which, though still Chinese, was transformed by their long journeys back and forth. They in turn transformed Hong Kong, their main point of embarkation, from a struggling infant colony into a prosperous international port and the cultural center of a far-ranging Chinese diaspora. Making use of extensive research in archives around the world, Pacific Crossing charts the rise of Chinese Gold Mountain firms engaged in all kinds of transpacific trade, especially the lucrative export of prepared opium and other luxury goods. Challenging the traditional view that the migration was primarily a “coolie trade,” Elizabeth Sinn uncovers leadership and agency among the many Chinese who made the crossing. In presenting Hong Kong as an “in-between place” of repeated journeys and continuous movement, Sinn also offers a fresh view of the British colony and a new paradigm for migration studies.
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cover of Resistance in the Era of Nationalisms: Performing Identities in Taiwan and Hong Kong

Resistance in the Era of Nationalisms

Performing Identities in Taiwan and Hong Kong

Hsin-I Cheng

Michigan State University Press, 2023

The desire of the people of Taiwan and Hong Kong to exercise democratic self-rule, fully embody their local identities, and become global citizens challenges the big-power politics between China and the United States. Occupying a critical stance on the margins, the local perspectives and international relations of these two cosmopolitan and postcolonial societies challenge both narratives centered on China and those focused on the U.S.–China power struggle. Taking a culture-centered approach to the communicative process of “glocalized resistance” in an era of rising nationalisms, the chapters in this volume address topics ranging from the rhetoric of political leaders and the language games of mass protesters on social media to resistant street performance. These chapters showcase the geocultural identity-in-the-making of the Taiwanese and Hong Kong people and offer insights into societies under imminent threat by an aggressive neighbor. 
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cover of Sideways Developments: Queer and Trans Aesthetics of Global Hong Kong

Sideways Developments

Queer and Trans Aesthetics of Global Hong Kong

Kai Hang Cheang

University of Michigan Press, 2026

Sideways Developments examines Hong Kong Anglophone and Cantophone literature and visual culture to trace the forms of queer and trans survival and flourishing in the Asian century. Contesting the cisgender, heterosexual, linear tropes that constitute developmentalist narratives deployed by superpowers—from colonial Britain to 20th-century America to a rising China—Cheang argues that sideways aesthetics define the narratives through which the LGBTQ+ community navigates personal and socioeconomic transitions. Through formalist analyses of a range of genres, Cheang reveals the affordances of queer and trans cultures for addressing the question of Hong Kong during its period of promised transition until 2047.

In this moment of multiple crises, Sideways Developments offers a timely hermeneutic and theory of solidarity and sustainability. The book tracks how sideways aesthetics have evolved from a feature of LGBTQ+ plots, performance, and nonlinear approaches to space-time to a form of togetherness that links postcolonial Hong Kong with struggles worldwide. Using what Cheang terms intersectional formalism as an analytical tool, the book provides a multilayered examination of the alternative pathways exemplified by queer and trans resilience and regeneration.
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cover of The Appearing Demos: Hong Kong During and After the Umbrella Movement

The Appearing Demos

Hong Kong During and After the Umbrella Movement

Pang Laikwan

University of Michigan Press, 2020

As the waves of Occupy movements gradually recede, we soon forget the political hope and passions these events have offered. Instead, we are increasingly entrenched in the simplified dichotomies of Left and Right, us and them, hating others and victimizing oneself. Studying Hong Kong’s Umbrella Movement, which might be the largest Occupy movement in recent years, The Appearing Demos urges us to re-commit to democracy at a time when democracy is failing on many fronts and in different parts of the world.
 
The 79-day-long Hong Kong Umbrella Movement occupied major streets in the busiest parts of the city, creating tremendous inconvenience to this city famous for capitalist order and efficiency. It was also a peaceful collective effort of appearance, and it was as much a political event as a cultural one. The urge for expressing an independent cultural identity underlined both the Occupy movement and the remarkably rich cultural expressions it generated. While understanding the specificity of Hong Kong’s situations, The Appearing Demos also comments on some global predicaments we are facing in the midst of neoliberalism and populism. It directs our attention from state-based sovereignty to city-based democracy, and emphasizes the importance of participation and cohabitation. The book also examines how the ideas of Hannah Arendt are useful to those happenings much beyond the political circumstances that gave rise to her theorization. The book pays particular attention to the actual intersubjective experiences during the protest. These experiences are local, fragile, and sometimes inarticulable, therefore resisting rationality and debates, but they define the fullness of any individual, and they also make politics possible. Using the Umbrella Movement as an example, this book examines the “freed” political agents who constantly take others into consideration in order to guarantee the political realm as a place without coercion and discrimination. In doing so, Pang Laikwan demonstrates how politics means neither to rule nor to be ruled, and these movements should be defined by hope, not by goals.
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