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From its first poem, “String,” with its mythic overtones to the final “The Movement of Ice,” August Evening with Trumpet deals with the varieties of surprise and mystery, pain and wonder in the human experience. In constant motion, this collection ranges across a broad landscape, one in which trout swim through a house, where a coal miner father on vacation digs clams, where an old mother refuses help as she walks a narrow plank across a brook, and where in the quietly moving “Late November,” the speaker releases a raccoon from a leg-hold steel trap.

Uncluttered, clear, and direct, the poems move effortlessly and seamlessly into one another, gathering an overall pleasing unity and narrative energy. And if there is a vein of quiet sorrow and darkness running through the collection, it is balanced against courage, grace, and good humor. At the book’s center is a deep reverence for childhood, for parents, for children, for language, and for landscape, all of which Humes admirably holds up for us. Harry Humes’s work brings to mind William Blake’s “To see a World in a Grain of Sand / And a Heaven in a Wild Flower.”

Harry Humes carved out a unique place in American literature by chronicling Appalachian working-class life, natural landscapes, and disappearing rural traditions in Appalachian Pennsylvania with rare lyricism, humility, and precision. He wrote unflinchingly about the austerity and horrors of extraction as well as his deep connection with family and the area mountains and valleys not gutted by the anthracite coal industry.

This volume of Humes’s new and selected poems not only preserves the work of a significant American poet, offering scholars, teachers, and general readers a generous overview of the clarity, beauty, craft, and emotional depth of his substantial body of work. It allows future generations to rediscover poetry that deepens our understanding of how our labor, our landscapes, and our love shape us and change the ways we live and what we care about.