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4 books match the query 'Hush'

cover of Hush Hush, Forest

Hush Hush, Forest

Mary Casanova

University of Minnesota Press, 2018

Lyrical words and elegant woodcuts capture the quiet beauty of the forest as day fades to night and autumn gives way to the North Woods winter


While we are tucked in, snug in warm blankets as we listen to bedtime stories, the woods around us whisper another tale. As the golden leaves waft through the lengthening shadows, the loon sings one last lullaby, the whirring hummingbird takes one last sip, the industrious beaver saws one last branch for her lodge. Here, in enchanting words and woodcuts, is the magic of night falling and winter approaching in the North Woods. Hush Hush, Forest peers through twilight’s window at the raccoon preening, the doe and fawn bedding down, the last bat of the season flitting away. The owl surveys, the rabbit scurries, the bear hunkers, readying her den.

Marking the rhythm between the falling leaf and the falling snowflake, picturing the rituals of creatures big and small as they prepare for the long winter’s sleep, this charming book captures a time of surpassing wonder for readers of all ages—and bids everyone in the hushed forest a peaceful good night.

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cover of Hush: Media and Sonic Self-Control

Hush

Media and Sonic Self-Control

Mack Hagood

Duke University Press, 2019

For almost sixty years, media technologies have promised users the ability to create sonic safe spaces for themselves—from bedside white noise machines to Beats by Dre's “Hear What You Want” ad campaign, in which Colin Kaepernick's headphones protect him from taunting crowds. In Hush, Mack Hagood draws evidence from noise-canceling headphones, tinnitus maskers, LPs that play ocean sounds, nature-sound mobile apps, and in-ear smart technologies to argue the true purpose of media is not information transmission, but rather the control of how we engage our environment. These devices, which Hagood calls orphic media, give users the freedom to remain unaffected in the changeable and distracting spaces of contemporary capitalism and reveal how racial, gendered, ableist, and class ideologies shape our desire to block unwanted sounds. In a noisy world of haters, trolls, and information overload, guarded listening can be a necessity for self-care, but Hagood argues our efforts to shield ourselves can also decrease our tolerance for sonic and social difference. Challenging our self-defeating attempts to be free of one another, he rethinks media theory, sound studies, and the very definition of media.
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cover of In Hush to Harbor: Black Sanctuary from Slavery to Trump's America

In Hush to Harbor

Black Sanctuary from Slavery to Trump's America

La-Toya L. Scott

Rutgers University Press, 2026

Black communities in America have a long history of constructing sanctuaries amid oppression, from the secret hush harbors of slavery to the digital refuges created in response to the resurgence of white supremacist violence in the Trump era. These havens have offered places to grieve and to gather, to imagine freedom when the world denied it, and to practice care and resistance in the face of constant danger. They remind us that even in the darkest moments, Black people have made space to grieve, rest, heal, strategize, and imagine new futures.

In Hush to Harbor traces this enduring sanctuary-making through both historical memory and contemporary expression from the legacy of Freedmen’s Towns and Green Books for Motorists in the Jim Crow era as testaments to Black mobility and mutual protection to present-day digital activism and grassroots organizing that reimagine safety in the public sphere. 

Blending literary criticism, cultural history, and ethnography, Scott demonstrates that sanctuary is not merely a place of retreat but a political and spiritual practice that calls forth a collective act of making space when none is offered. In Hush to Harbor offers not just a chronicle of survival but a blueprint for sustaining Black refuge in a time of urgent need, redefining what it means to be safe in a nation that has never guaranteed safety for Black life.

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cover of Unlearning the Hush: Oral Histories of Black Female Educators in Mississippi in the Civil Rights Era

Unlearning the Hush

Oral Histories of Black Female Educators in Mississippi in the Civil Rights Era

Marlee S. Bunch Foreword by Christopher M. Span

University of Illinois Press, 2025

Despite significant challenges and historical opposition, Black female teachers stood at the forefront of advocating for and providing education to Black students. Their dedication not only improved opportunities for Black communities but also influenced changes in U.S. laws and societal expectations. Marlee S. Bunch draws on oral histories to illuminate the interior lives of Black female educators who taught before and after desegregation in Hattiesburg, Mississippi. In their own voices, these women detail the hurdles they faced guiding students through Jim Crow laws and Civil Rights–era desegregation. Bunch unearths the personal stories of teaching and activism during a historic time that included the Brown v. Board of Education decision and whites’ massive resistance to desegregation. The educators highlight the significance of the Black community and the role of Black homes in fostering student success and community cohesion. In addition, Bunch looks at the legacies of Black educators and the work still to be done. Visual artwork and poetry complement the text. Inspiring and immersive, Unlearning the Hush blends personal memory with Civil Rights history to document the pivotal role Black women played in education during a transformative and charged period in American history.
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