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This book is freely available in an open-access edition thanks to the generous support of The Ohio State University Libraries.

In Cities Beyond Crisis, Catalina Iannone studies the rapid evolution of Iberian urban centers in the years following the 2008 financial crisis, identifying how this event catalyzed a protracted period of unraveling and reorganization in the region. Arguing that the affects and effects of the crisis are best understood when embedded within local environments, Cities Beyond Crisis focuses on how textual, visual, and spatial interventions both drove and contested change in two racially diverse, historically marginalized neighborhoods in the capital cities of Spain and Portugal—Madrid’s Lavapiés and Lisbon’s Mouraria. Through a critical examination of the narratives shaping public perception of these spaces, whether promoting their development and consumption or challenging market-oriented trends, Iannone demonstrates how the stories that stakeholders across the ideological spectrum told about these districts illuminate enduring attachments and aspirations in each nation’s relationship to race. By approaching the study of space as a contested and contingent social product, this book takes an interdisciplinary approach, drawing from both humanistic and social science theories and practices to show how cultural production shapes and is shaped by the built environment.

People with Down syndrome possess a culture. They are producers of culture. And in the 21st century, this culture is increasingly visible as a global phenomenon. Down Syndrome Culture examines Down syndrome alongside its social, cultural, and artistic representation. Author Benjamin Fraser draws upon neomaterialist and posthumanist approaches to disability as well as the work of disability theorists such as David Mitchell, Sharon Snyder, Susan Antebi, Tobin Siebers, and Stuart Murray. By particularly focusing on Down syndrome, he showcases the unique place that it holds as an intellectual and developmental disability—one that fits between the social and medical models of disability—within the disability studies field. 

Down Syndrome Culture also pushes the traditionally Anglophone borders of disability studies by examining examples in Spanish, Catalan, and Portuguese-language texts, and incorporating the work of thinkers in Iberian and Latin American studies. Through a close analysis of life writing, documentaries, and fiction films, the book emphasizes the central role of people with Down syndrome in contemporary cultural production. Chapters discuss the autobiography of Andy Trias Trueta, the social actors of the documentary Los niños [The Grown-Ups] (2016), dancers from Danza Mobile, and a variety of fiction films, challenging ableist understandings of disability in nuanced ways. Ultimately, this book reveals the lives, cultural work, and representations of people with trisomy 21 in an international context.

The contributors ask the following questions:

• What are the different rhetorical strategies employed by writers, artists, filmmakers, and activists to react to the degradation of life and climate change?
• How are urban movements using environmental issues to resist corporate privatization of the commons?
• What is the shape of Spanish debates on reproductive rights and biotechnology?
• What is the symbolic significance of the bullfighting debate and other human/animal issues in today's political turmoil in Spain?

Hispanic Issues Series
Nicholas Spadaccini, Editor-in-Chief

Hispanic Issues Online
hispanicissues.umn.edu/online_main.html

In the late 1800s, archaeologists began discovering engraved stone plaques in Neolithic (3500-2500 BC) graves in southern Portugal and Spain. About the size of one's palm, usually made of slate, and incised with geometric or, more rarely, zoomorphic and anthropomorphic designs, these plaques have mystified generations of researchers. What do their symbols signify? How were the plaques produced? Were they worn during an individual's lifetime, or only made at the time of their death? Why, indeed, were the plaques made at all?

Employing an eclectic range of theoretical and methodological lenses, Katina Lillios surveys all that is currently known about the Iberian engraved stone plaques and advances her own carefully considered hypotheses about their manufacture and meanings. After analyzing data on the plaques' workmanship and distribution, she builds a convincing case that the majority of the Iberian plaques were genealogical records of the dead that served as durable markers of regional and local group identities. Such records, she argues, would have contributed toward legitimating and perpetuating an ideology of inherited social difference in the Iberian Late Neolithic.

Imagining Iberia in English and Castilian Medieval Romance offers a broad disciplinary, linguistic, and national focus by analyzing the literary depiction of Iberia in two European vernaculars that have rarely been studied together. Emily Houlik-Ritchey employs an innovative comparative methodology that integrates the understudied Castilian literary tradition with English literature. Intentionally departing from the standard “influence and transmission” approach, Imagining Iberia challenges that standard discourse with modes drawn from Neighbor Theory to reveal and navigate the relationships among three selected medieval romance traditions. This welcome volume uncovers an overemphasis in prior scholarship on the relevance of “crusading” agendas in medieval romance, and highlights the shared investments of Christians and Muslims in Iberia’s political, creedal, cultural, and mercantile networks in the Mediterranean world.

The Iberian Peninsula has always been an integral part of the Mediterranean world, from the age of Tartessos and the Phoenicians to our own era and the Union for the Mediterranean. The cutting-edge essays in this volume examine what it means for medieval and early modern Iberia and its people to be considered as part of the Mediterranean.

How music embodies and contributes to historical and contemporary nationalism

What does music in Portugal and Spain reveal about the relationship between national and regional identity building? How do various actors use music to advance nationalism? How have state and international heritage regimes contributed to nationalist and regionalist projects? In this collection, contributors explore these and other essential questions from a range of interdisciplinary vantage points. The essays pay particular attention to the role played by the state in deciding what music represents Portuguese or Spanish identity. Case studies examine many aspects of the issue, including local recording networks, so-called national style in popular music, and music’s role in both political protest and heritage regimes. Topics include the ways the Salazar and Franco regimes adapted music to align with their ideological agendas; the twenty-first-century impact of UNESCO’s Intangible Cultural Heritage program on some of Portugal and Spain's expressive practices; and the tensions that arise between institutions and community in creating and recreating meanings and identity around music.

Contributors: Ricardo Andrade, Vera Marques Alves, Salwa El-Shawan Castelo-Branco, Cristina Sánchez-Carretero, José Hugo Pires Castro, Paulo Ferreira de Castro, Fernán del Val, Héctor Fouce, Diego García-Peinazo, Leonor Losa, Josep Martí, Eva Moreda Rodríguez, Pedro Russo Moreira, Cristina Cruces Roldán, and Igor Contreras Zubillaga

Trajectories of Empire extends from the beginning of the Iberian expansion of the mid-fifteenth century, through colonialism and slavery, and into the twentieth and twenty-first centuries in Latin American republics. Its point of departure is the question of empire and its aftermath as reflected in the lives of contemporary Latin Americans of African descent and of their ancestors in the historical processes of Iberian colonial expansion, colonization, and the Atlantic slave trade.

The book’s chapters explore what Blackness means in the so-called racial democracies of Brazil and Cuba today. Among the historical narratives and themes it covers are the role of medical science in the objectification and nullification of Black female personhood during slavery in nineteenth-century Brazil; the protocols of portraiture in the colonial period that, in including enslaved individuals, pictorially highlight and freeze their supposed inferiority vis-à-vis their owners; and those aspects of discourse that promote colonial capture and oppression in terms of evangelization and the saving of souls, or simply create the discursive template as early as the fifteenth century, for their continued alienation and marginalization across generations.

Trajectories of Empire’s contributions come from the fields of literary criticism, visual culture, history, anthropology, popular culture (rap), and cultural studies. As the product of an interdisciplinary collective, this book will be of interest to scholars in Iberian or Hispanic studies, Africana studies, postcolonial studies, and transatlantic studies, as well as the general public.