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29 books match the query 'Illustrations'

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Art and Cartography

Edited by David Woodward

University of Chicago Press, 1987

The contributors—Svetlana Alpers, Samuel Y. Edgerton, Jr., Ulla Ehrensvard, Juergen Schulz, James A. Welu, and David Woodward—examine the historical links between art and cartography from varied perspectives.

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Artistic Liberties

American Literary Realism and Graphic Illustration, 1880-1905

Adam Sonstegard

University of Alabama Press, 2013

A landmark study of the illustrations that originally accompanied now-classic works of American literary realism

Though today we commonly read major works of nineteenth-century American literature in unillustrated paperbacks or anthologies, many of them first appeared as magazine serials, accompanied by ample illustrations that sometimes made their way into the serials’ first printings as books. The graphic artists creating these illustrations often visually addressed questions that the authors had left for the reader to interpret, such as the complexions of racially ambiguous characters in Uncle Tom’s Cabin. The artists created illustrations that depicted what outsiders saw in Huck and Jim in Adventures of Huckleberry Finn, rather than what Huck and Jim learned to see in one another. These artists even worked against the texts on occasion—for instance, when the illustrators reinforced the same racial stereotypes that writers such as Paul Laurence Dunbar had intended to subvert in their works.

Authors of American realism commonly submitted their writing to editors who allowed them little control over the aesthetic appearance of their work. In his groundbreaking Artistic Liberties, Adam Sonstegard studies the illustrations from these works in detail and finds that the editors employed illustrators who were often unfamiliar with the authors’ intentions and who themselves selected the literary material they wished to illustrate, thereby taking artistic liberties through the tableaux they created.

Sonstegard examines the key role that the appointed artists played in visually shaping narratives—among them Mark Twain’s Pudd’nhead Wilson, Stephen Crane’s The Monster, and Edith Wharton’s The House of Mirth—as audiences tended to accept their illustrations as guidelines for understanding the texts. In viewing these works as originally published, received, and interpreted, Sonstegard offers a deeper knowledge not only of the works, but also of the realities surrounding publication during this formative period in American literature.

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Bibles

An Illustrated History from Papyrus to Print

Christopher de Hamel

Bodleian Library Publishing, 2011

A unique visual history of the world’s best-selling book of all time, Bibles provides a rich snapshot of the biblical bookmaking tradition through images from fifty rare and important Bibles. As the captivating and colorful images collected here reveal, in many ways the history of the Bible mirrors the history of the book and publishing.

Presented chronologically, the Bibles provide a fascinating look into the book making techniques and characteristics of their time. From the fragile papyrus fragments of the ancient world to medieval illuminated manuscripts and glorious modern printed editions, each image is accompanied by a caption which explains its particular significance. In addition, each chapter includes a short introduction that contextualizes each book within its time period. Featuring many unusual examples—some of which have never been illustrated in print before—Bibles includes many of the great biblical texts of the Eastern and Western traditions, including the Magdalen Papyrus, the Laudian Acts, the Anglo-Saxon Exodus, St Margaret’s Gospel-book, the Douce Apocalypse, the Bible Moralisée (MS. Bodley 270b), the Kennicott Bible, the Guttenberg Bible, and the King James Bible.

Drawing exclusively from one of the finest collections of Bibles in the world, which is held at the Bodleian Library at Oxford University, this book tells the remarkable story of the development of the Bible across media, language, and provenance.

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Botanical Icons

Critical Practices of Illustration in the Premodern Mediterranean

Andrew Griebeler

University of Chicago Press, 2024

A richly illustrated account of how premodern botanical illustrations document evolving knowledge about plants and the ways they were studied in the past.

This book traces the history of botanical illustration in the Mediterranean from antiquity to the early modern period. By examining Greek, Latin, and Arabic botanical inquiry in this early era, Andrew Griebeler shows how diverse and sophisticated modes of plant depiction emerged and ultimately gave rise to practices now recognized as central to modern botanical illustration. The author draws on centuries of remarkable and varied documentation from across Europe and the Mediterranean.

Lavishly illustrated, Botanical Icons marshals ample evidence for a dynamic and critical tradition of botanical inquiry and nature observation in the late antique and medieval Mediterranean. The author reveals that many of the critical practices characteristic of modern botanical illustrations began in premodern manuscript culture. Consequently, he demonstrates that the distinctions between pre- and early modern botanical illustration center more on the advent of print, the expansion of collections and documentation, and the narrowing of the range of accepted forms of illustration than on the invention of critical and observational practices exclusive to modernity.

Griebeler’s emphasis on continuity, intercultural collaboration, and the gradual transformation of Mediterranean traditions of critical botanical illustration persuasively counters previously prevalent narratives of rupture and Western European exceptionalism in the histories of art and science.

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Christina Rossetti and Illustration

A Publishing History

Lorraine Janzen Kooistra

Ohio University Press, 2002

Readers do not always take into account how books that combine image and text make their meanings. But for the Pre-Raphaelite poet Christina Rossetti, such considerations were central.

Christina Rossetti and Illustration maps the production and reception of Rossetti’s illustrated poetry, devotional prose, and work for children, both in the author’s lifetime and in posthumous twentieth-century reprints.

Lorraine Janzen Kooistra’s reading of Rossetti’s illustrated works reveals for the first time the visual-verbal aesthetic that was fundamental to Rossetti’s poetics. Her exhaustive archival research brings to light new information on how Rossetti’s commitment to illustration and attitudes to copyright and control influenced her transactions with publishers and the books they produced. Janzen Kooistra also tracks the poet’s reception in the twentieth century through a complex web of illustrated books produced for a wide range of audiences.

Analyzing an impressive array of empirical data, Janzen Kooistra shows how Rossetti’s packaging for commodity consumption—by religious presses, publishers of academic editions and children’s picture books, and makers of erotica and collectibles—influenced the reception of her work and her place in literary history.

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Drawn to the Word

The Bible and Graphic Design

Amanda Dillon

SBL Press, 2021

A unique study of lectionaries and graphic design as a site of biblical reception

How artists portrayed the Bible in large canvas paintings is frequently the subject of scholarly exploration, yet the presentation of biblical texts in contemporary graphic designs has been largely ignored. In this book Amanda Dillon engages multimodal analysis, a method of semiotic discourse, to explore how visual composition, texture, color, directionality, framing, angle, representations, and interactions produce potential meanings for biblical graphic designs. Dillon focuses on the artworks of two American graphic designers—the woodcuts designed by Meinrad Craighead for the Roman Catholic Sunday Missal and Nicholas Markell’s illustrations for the worship books of the Evangelical Lutheran Church in America—to present the merits of multimodal analysis for biblical reception history.

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Engraven Desire

Eros, Image, and Text in the French Eighteenth Century

Philip Stewart

Duke University Press, 1992

How do literary illustrations affect the way we read—or more subtly, what we read? Through a critical investigation of the role of engraving played in eighteenth-century French literature, Philip Stewart grapples with this question. In both its approach and its conclusions, his project marks a provocative departure from the tradition of viewing illustrations as merely pictures, rather than as texts to be interpreted themselves.
Focusing on the objectification of women by the “male gaze,” Stewart analyzes the varous ways in which this masculine power is simultaneously represented and veiled: the fascination with women playing “male” roles, such as soldiers; the preponderance of voyeuristic images of the naked female body; the transformation of male power into hostile forces of nature that render women helpless. Further, Stewart shows how “indecent” engravings that purported to test the limits of eighteenth-century morality often merely reinforced prevailing images of women.
Addressing critical concerns about the societal enforcement of gender roles in literature along with essential questions about the function of illustration, Engraven Desire provides surprising insight into the culturally conditioned act of reading. Stewart’s work, itself richly illustrated with hundreds of arresting reproductions, makes a significant contribution to our understanding of the interplay of art, literature, and society.

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Fantasy, Fashion, and Affection

Editions of Robert Herrick's Poetry for the Common Reader, 1810–1968

Jay Gertzman

University of Wisconsin Press, 1986

Robert Herrick (1591–1674) achieved fame only in the nineteenth century. The book features approximately fifty reproductions of illustrations of Hesperides.

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Gems of Art on Paper

Illustrated American Fiction and Poetry, 1785–1885

Georgia Brady Barnhill

University of Massachusetts Press, 2021

Winner of the 2022 Ewell L. Newman Book Award from the American Historical Print Collectors Society

In the immediate aftermath of the Revolutionary War, only the wealthiest Americans could afford to enjoy illustrated books and prints. But, by the end of the next century, it was commonplace for publishers to load their books with reproductions of fine art and beautiful new commissions from amateur and professional artists.

Georgia Brady Barnhill, an expert on the visual culture of this period, explains the costs and risks that publishers faced as they brought about the transition from a sparse visual culture to a rich one. Establishing new practices and investing in new technologies to enhance works of fiction and poetry, bookmakers worked closely with skilled draftsmen, engravers, and printers to reach an increasingly literate and discriminating American middle class. Barnhill argues that while scholars have largely overlooked the efforts of early American illustrators, the works of art that they produced impacted readers' understandings of the texts they encountered, and greatly enriched the nation's cultural life.

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Illustrating the Victorian Supernatural

Simon Cooke

Ohio University Press, 0

A detailed study of Victorian supernaturalism in book and magazine illustrations and cartoons

Illustrating the Victorian Supernatural explores written and visual texts through which the original Victorian readership encountered and navigated their experience of supernaturalism. Looking across the nineteenth century, Simon Cooke investigates illustrative responses to well-known texts by writers such as Charles Dickens and Henry James while also examining responses to less familiar ghost stories by female authors such as M. E. Braddon and Amelia Edwards. The mix of familiar and unfamiliar carries forward into the selection of artists, both those in the mainstream—John Leech, George Cruikshank, Dante Gabriel Rossetti, John Everett Millais—and others whose names are lost to modern readers and whose work deserves to be better known.

The study addresses two main questions: how illustration responded to key literary texts and how graphic designs related to contemporary contexts of race, gender, and class and to the workings of the supernatural itself. The first chapter focuses on satirical writings about ghosts and ghostliness and the various ways illustrators depicted that mockery. Chapter 2 traces artistic responses to Dickens’s writing of the supernatural as a mode of psychological investigation. Chapter 3 looks at class and gender and the problematic practice of male artists illustrating female-authored ghost stories. The fourth chapter examines satirical cartoons’ deployment of supernatural imagery to anatomize issues of imperialism and race. Finally, chapter 5 examines how neo-Victorian artists have revisited the classic texts and taken up the themes established by their forebears.

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In Poe's Wake

Travels in the Graphic and the Atmospheric

Jonathan Elmer

University of Chicago Press, 2024

Explores how Edgar Allan Poe has become a household name, as much a brand as an author.

You’ll find his face everywhere, from coffee mugs, bobbleheads, and T-shirts to the cover of the Beatles’ Sergeant Pepper’s Lonely Hearts Club Band. Edgar Allan Poe is one of American culture’s most recognizable literary figures, his life and works inspiring countless derivations beyond the literary realm. Poe’s likeness and influence have been found in commercial illustration and kitsch, art installations, films, radio plays, children’s cartoons, and video games. What makes Poe so hugely influential in media other than his own? What do filmmakers, composers, and other artists find in Poe that suits their purposes so often and so variously?

In Poe’s Wake locates the source of the writer’s enduring legacy in two vernacular aesthetic categories: the graphic and the atmospheric. Jonathan Elmer uses Poe to explore these two terms and track some deep patterns in their use, not through theoretical labor but through close encounters with a wide sampling of aesthetic objects that avail themselves of Poe’s work. Poe’s writings are violent and macabre, memorable both for certain grisly images and for certain prevailing moods or atmospheres—dread, creepiness, and mournfulness. Furthermore, a bundle of Poe traits—his thematic emphasis on extreme sensation, his flexible sense of form, his experimental and modular method, and his iconic visage—amount to what could be called a Poe “brand,” one as likely to be found in music videos or comics as in novels and stories. Encompassing René Magritte, Claude Debussy, Lou Reed, Roger Corman, Spongebob Squarepants, and many others, Elmer’s book shows how the Poe brand opens trunk lines to aesthetic experiences fundamental to a multi-media world.

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Jin Ping Mei – A Wild Horse in Chinese Literature

Essays on Texts, Illustrations and Translations of a Late Sixteenth-Century Masterpiece

Edited by Vibeke Børdahl and Lintao Qi

National University of Singapore Press, 2022

The late 16th-century novel Jin Ping Mei has been described as a landmark in the development of the narrative art form, there being no earlier work of prose fiction of equal sophistication in world literature. However, it is also seen as something of a wild horse, its graphically explicit depiction of sexuality earning it great notoriety. Although Jin Ping Mei was banned soon after its appearance, today the novel is considered one of the six classics of Chinese literature. It is thus no surprise that Jin Ping Mei has caught the attention of scholars working in many different fields, places and periods. Unfortunately, the interdisciplinary and transnational exchange has been limited here, in part because of distance and language barriers. The present volume aims to bridge this gap, bringing together the best quality research on Jin Ping Mei by both established and emerging scholars. Not only will it showcase research on Jin Ping Mei but also it will function as a reader, helping future generations to understand and appreciate this important work.

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Latin Liturgical Psalters in the Bodleian Library

A Select Catalogue

Elizabeth Solopova

Bodleian Library Publishing, 2013

Liturgical psalters are among the most important—and beautifully illustrated— of medieval Christian books. In their simplest form, psalters included 150 psalms, preceded by a calendar and followed by canticles, or biblical texts, meant to be sung at church services. Though this core content remained relatively unchanged throughout the Middle Ages and across countries, psalters show considerable variation in size, style of presentation, and choice of supplementary texts.

Latin Liturgical Psalters in the Bodleian Library describes more than one hundred psalters from Britain, France, the Netherlands, Germany, Austria, Italy, and Spain, ranging from the ninth to the sixteenth century and reflecting a wide range of requirements and interests. Each entry includes a description of the psalter’s contents, physical makeup, and provenance, alongside full-color images of pages, a bibliography, and tables to assist in the study of illumination and the liturgical use of psalms.

Bringing together important information on a stunning selection of little-known manuscripts held by the Bodleian Library, this volume will prove a valuable resource.

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Mirror in Parchment

The Luttrell Psalter and the Making of Medieval England

Michael Camille

University of Chicago Press, 1998

What is the status of visual evidence in history? Can we actually see the past through images? Where are the traces of previous lives deposited? Michael Camille addresses these important questions in Mirror in Parchment, a lively, searching study of one medieval manuscript, its patron, producers, and historical progeny.

The richly illuminated Luttrell Psalter was created for the English nobleman Sir Geoffrey Luttrell (1276-1345). Inexpensive mechanical illustration has since disseminated the book's images to a much wider audience; hence the Psalter's representations of manorial life have come to profoundly shape our modern idea of what medieval English people, high and low, looked like at work and at play. Alongside such supposedly truthful representations, the Psalter presents myriad images of fantastic monsters and beasts. These patently false images have largely been disparaged or ignored by modern historians and art historians alike, for they challenge the credibility of those pictures in the Luttrell Psalter that we wish to see as real.

In the conviction that medieval images were not generally intended to reflect daily life but rather to shape a new reality, Michael Camille analyzes the Psalter's famous pictures as representations of the world, imagined and real, of its original patron. Addressed are late medieval chivalric ideals, physical sites of power, and the boundaries of Sir Geoffrey's imagined community, wherein agricultural laborers and fabulous monsters play a similar ideological role. The Luttrell Psalter thus emerges as a complex social document of the world as its patron hoped and feared it might be.

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Oscar Wilde's Decorated Books

Nicholas Frankel

University of Michigan Press, 2000

Oscar Wilde's Decorated Books addresses Wilde's obsession with the visual appearance or "look" of his published writings. It examines the role played by graphic designers in the production of Wilde's writings and demonstrates how marginal and decorative elements of the printed book affect interpretation. Nicholas Frankel approaches Wilde's writings as graphical or "printed" phenomena that reveal their significance through the beautiful and elaborate decorations with which they were published in Wilde's own lifetime. With extensive reference to and exposition on Wilde's theoretical writings and letters, the author shows that, far from being marginal elements of the literary text, these decorative devices were central to Wilde's understanding of his own writings as well as to his "aesthetic" theory of language. Extensive illustrations support Frankel's arguments. The first part of the book lays out a broadly historical view of Wilde’s writings, emphasizing their volatility at the hands of time as well as Wilde’s changing conceptions of his own work. The second part demonstrates the significance that Wilde and his publishers attached to the process of graphic design, showing how marginal and decorative elements of the printed book affect interpretation. Both parts stress the importance of late-Victorian publishing practices to our understanding of Wilde’s writings. The book further challenges the prevailing view of Wilde as essentially a playwright, demonstrating the importance of poetry to Wilde’s own understanding of himself as an author.The book attempts to do justice to Wilde’s own valorization of literature as one of the decorative arts. By emphasizing the visual and collaborative dimensions of Wilde’s texts, Frankel argues that visual decoration was central to Wilde’s theory of language as well as his practice as a writer. Anticipating Baudrillard's distinctionbetween appearance and the transparency, of the sign, Wilde’s writings argue that literary language is both a visual and a material phenomenon — what Wilde himself would call a “beautiful untrue thing” — that demands to be read with the eye as much as the brain.This book will appeal to specialists of Oscar Wilde and the Victorian fin de siècle, to textual and literary scholars, art historians, and linguistic philosophers interested in the graphical nature of the linguistic sign.

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Phenomena

Doppelmayr's Celestial Atlas

Giles Sparrow

University of Chicago Press, 2022

Lavishly illustrated volume revealing the intricacies of a 1742 map of the cosmos.

The expansive and intricate Atlas Coelestis, created by Johann Doppelmayr in 1742, set out to record everything known about astronomy at the time, covering constellations, planets, moons, comets, and more, all rendered in exquisite detail. Through stunning illustrations, historical notes, and scientific explanations, Phenomena contextualizes Doppelmayr’s atlas and creates a spectacular handbook to the heavens.

Phenomena begins by introducing Doppelmayr’s life and work, placing his extraordinary cosmic atlas in the context of discoveries made in the Renaissance and Enlightenment and highlighting the significance of its publication. This oversized book presents thirty beautifully illustrated and richly annotated plates, covering all the fundamentals of astronomy—from the dimensions of the solar system to the phases of the moon and the courses of comets. Each plate is accompanied by expert analysis from astronomer Giles Sparrow, who deftly presents Doppelmayr’s references and cosmological work to a modern audience. Each plate is carefully deconstructed, isolating key stars, planets, orbits, and moons for in-depth exploration. A conclusion reflects on the development of astronomy since the publication of the Atlas and traces the course of the science up to the present day. Following the conclusion is a timeline of key discoveries from ancient times onward along with short biographies of the key players in this history.

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Pictures of the Heart

The <em>Hyakunin Isshu</em> in Word and Image

Joshua S. Mostow

University of Michigan Press, 2015

The Hyakunin Isshu, or One Hundred Poets, One Poem Each collection, is a sequence of one hundred Japanese poems in the tanka form, selected by the famous poet and scholar Fujiwara no Teika (1162-1241) and arranged, in part, to represent the history of Japanese poetry from the seventh century down to Teika's own day. The anthology is, without doubt, the most popular and widely known collection of poetry in Japan - a distinction it has maintained for hundreds of years. In this study, Joshua Mostow challenges the idea of a final or authoritative reading of the Hyakunin Isshu and presents a refreshing, persuasive case for a reception history of this seminal work.

In addition to providing a new translation of this classic text and biographical information on each poet, Mostow examines issues relating to text and image that are central to the Japanese arts from the Heian into the early modern period. By using Edo-period woodblock illustrations as pictorializations of the poems - as "pictures of the heart," or meaning, of the poems - text and image are pieced together in a holistic approach that will stand as a model for further research in the interrelationship between Japanese visual and verbal art. [A/GB]

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Poetry, Pictures, and Popular Publishing

The Illustrated Gift Book and Victorian Visual Culture, 1855–1875

Lorraine Janzen Kooistra

Ohio University Press, 2011

In Poetry, Pictures, and Popular Publishing eminent Rossetti scholar Lorraine Janzen Kooistra demonstrates the cultural centrality of a neglected artifact: the Victorian illustrated gift book. Turning a critical lens on “drawing-room books” as both material objects and historical events, Kooistra reveals how the gift book’s visual/verbal form mediated “high” and popular art as well as book and periodical publication.

A composite text produced by many makers, the poetic gift book was designed for domestic space and a female audience; its mode of publication marks a significant moment in the history of authorship, reading, and publishing. With rigorous attention to the gift book’s aesthetic and ideological features, Kooistra analyzes the contributions of poets, artists, engravers, publishers, and readers and shows how its material form moved poetry into popular culture. Drawing on archival and periodical research, she offers new readings of Eliza Cook, Adelaide Procter, and Jean Ingelow and shows the transatlantic reach of their verses. Boldly resituating Tennyson’s works within the gift-book economy he dominated, Kooistra demonstrates how the conditions of corporate authorship shaped the production and receptionof the laureate’s verses at the peak of his popularity.

Poetry, Pictures, and Popular Publishing changes the map of poetry’s place—in all its senses—in Victorian everyday life and consumer culture.

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Sealed in Parchment

Rereadings of Knighthood in the Illuminated Manuscripts of Chretien de Troyes

Sandra Hindman

University of Chicago Press, 1994

Chretien de Troyes was France's great medieval poet—inventor of the genre of courtly romance and popularizer of the Arthurian legend. The forty-four surviving manuscripts of his work (ten of them illuminated) pose a number of questions about who used these books and in what way. In Sealed in Parchment, Sandra Hindman scrutinizes both text and images to reveal what the manuscripts can tell us about medieval society and politics.

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Super Bodies

Comic Book Illustration, Artistic Styles, and Narrative Impact

Jeffrey A. Brown

University of Texas Press, 2023

Finalist — San Diego Comic-Con International 2024 Eisner Award in Best Academic/Scholarly Work
2024 MPCA/ACA Best Book for Use in the Classroom, Midwest Popular Culture Association / Midwest American Culture Association (MPCA/ACA)

An examination of the art in superhero comics and how style influences comic narratives.

For many, the idea of comic book art implies simplistic four-color renderings of stiff characters slugging it out. In fact, modern superhero comic books showcase a range of complex artistic styles, with diverse connotations. Leading comics scholar Jeffrey A. Brown assesses six distinct approaches to superhero illustration—idealism, realism, cute, retro, grotesque, and noir—examining how each visually represents the superhero as a symbolic construct freighted with meaning.

Whereas comic book studies tend to focus on text and narrative, Super Bodies gives overdue credit to the artwork, which is not only a principal source of the appeal of comic books but also central to the values these works embody. Brown argues that superheroes are to be taken not as representations of people but as iconic types, and the art conveys this. Even the most realistic comic illustrations are designed to suggest not persons but ideas—ideas about bodies and societies. Thus the appearance of superheroes both directly and indirectly influences the story being told as well as the opinions readers form concerning justice, authority, gender, puberty, sexuality, ethnicity, violence, and other concepts central to political and cultural life.

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The Art of Visual Exegesis

Rhetoric, Texts, Images

Vernon K. Robbins

SBL Press, 2017

A critical study for those interested in the intersection of art and biblical interpretation

With a special focus on biblical texts and images, this book nurtures new developments in biblical studies and art history during the last two or three decades. Analysis and interpretation of specific works of art introduce guidelines for students and teachers who are interested in the relation of verbal presentation to visual production. The essays provide models for research in the humanities that move beyond traditional disciplinary boundaries erected in previous centuries. In particular, the volume merges recent developments in rhetorical interpretation and cognitive studies with art historical visual exegesis. Readers will master the tools necessary for integrating multiple approaches both to biblical and artistic interpretation.

Features

Resources for understanding the relation of texts to artistic paintings and images

Tools for integrating multiple approaches both to biblical and artistic interpretation

Sixty images and fifteen illustrations

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The Book of Marvels

A Medieval Guide to the Globe

Larisa Grollemond

J. Paul Getty Trust, The, 2024

This fascinating volume explores an important fifteenth-century illustrated manuscript tradition that provides a revealing glimpse of how western Europeans conceptualized the world.

From the classical encyclopedias of Pliny to famous tales such as The Travels of Marco Polo, historical travel writing has had a lasting impact, despite the fact that it was based on a curious mixture of truth, legend, and outright superstition. One foundational medieval source that expands on the ancient idea of the “wonders of the world” is the fifteenth-century French Book of the Marvels of the World, an illustrated guide to the globe filled with oddities, curiosities, and wonders—tales of fantasy and reality intended for the medieval armchair traveler. The fifty-six locales featured in the manuscript are presented in a manner that suggests authority and objectivity but are rife with stereotypes and mischaracterizations, meant to simultaneously instill a sense of wonder and fear in readers.

In The Book of Marvels, the authors explore the tradition of encyclopedias and travel writing, examining the various sources for geographic knowledge in the Middle Ages. They look closely at the manuscript copies of the French text and its complex images, delving into their origins, style, content, and meaning. Ultimately, this volume seeks to unpack how medieval white Christian Europeans saw their world and how the fear of difference—so pervasive in society today—is part of a long tradition stretching back millennia.

This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 11 to September 1, 2024, and at the Morgan Library & Museum from January 24 to May 25, 2025.

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The Moxon Tennyson

A Landmark in Victorian Illustration

Simon Cooke

Ohio University Press, 2021

A new perspective on a book that transformed Victorian illustration into a stand-alone art

Edward Moxon’s 1857 edition of Alfred, Lord Tennyson’s Poems dramatically redefined the relationship between images and words in print. Cooke’s study, the first book to address the subject in over 120 years, presents a sweeping analysis of the illustrators and the complex and challenging ways in which they interpreted Tennyson’s poetry. This book considers the volume’s historical context, examining in detail the roles of publisher, engravers, and binding designer, as well as the material difficulties of printing its fine illustrations, which recreate the effects of painting. Arranged thematically and reproducing all the original images, the chapters present a detailed reappraisal of the original volume and the distinctive culture that produced it.

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The Portrait and the Book

Illustration and Literary Culture in Early America

Megan Walsh

University of Iowa Press, 2017

In the nineteenth century, new image-making methods like steel engraving and lithography caused a surge in the publication of illustrated books in the United States. Yet even before the widespread use of these technologies, Americans had already established the illustrated book format as central to the nation’s literary culture. In The Portrait and the Book, Megan Walsh argues that colonial-era author portraits, such as Benjamin Franklin’s and Phillis Wheatley’s frontispieces; political portraits that circulated during the debates over the Constitution, such as those of the Founders by Charles Willson Peale; and portraits of beloved fictional characters in the 1790s, such as those of Samuel Richardson’s heroine Pamela, shaped readers’ conceptions of American literature.

Illustrations played a key role in American literary culture despite the fact there was little demand for books by American writers. Indeed, most of the illustrated books bought, sold, and shared by Americans were either imported British works or reprinted versions of those imported editions. As a result, in addition to embellishing books, illustrations provided readers with crucial information about the country’s status as a former colony.

Through an examination of readers’ portrait-collecting habits, writers’ employment of ekphrasis, printers’ efforts to secure American-made illustrations for periodicals, and engravers’ reproductions of British book illustrations, Walsh uncovers in late eighteenth-century America a dynamic but forgotten visual culture that was inextricably tied to the printing industry and to the early US literary imagination.

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The Regulatory Process

With Illustrations from Commercial Aviation

By Emmette S. Redford

University of Texas Press, 1969

The subject of regulation is one of the most vital and troublesome in our system of government. In this detailed study of early and mid-twentieth-century regulation of commercial aviation Emmette S. Redford illustrates what happens when government regulates a particular industry.

He first sets forth the perspectives for a study of an area of regulation and develops an argument for eclectic perspectives in the study of selected systems, or universes, of social action, such as the performance of an economic function under government regulation.

These perspectives are illustrated in the following series of case studies on regulation of commercial aviation:

The significance of belief patterns on the content of the Civil Aeronautics Act of 1938.
The role of Congress in the regulation of commercial aviation in a two-year period.
The interactions of Congress, the president, and the regulated industry in strengthening safety regulation through passage of the Federal Aviation Act of 1958.
The actions of the Civil Aeronautics Board on a set of complicated economic issues in the General Passenger Fare Investigation.
The position of the Air Transport Association in the regulatory pattern.

In "An Essay on Evaluation" Redford summarizes what is revealed in the case studies that is significant with respect to the system of government regulation. He searches for standards for evaluating a system of social control, or for evaluating parts of it, and relates his conclusions to issues regarding the beneficence of a system of regulated private supply of a service.

The Regulatory Process is a study of interest to the aviation industry, to students of regulation of the economy, and to those who seek an understanding of social systems.

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The Tenniel Illustrations to the “Alice” Books, 2nd edition

Michael Hancher

The Ohio State University Press, 2019

Lewis Carroll’s two Alice books are among the most popular works of English literature thanks in part to the ninety-two indelible illustrations that John Tenniel drew for them. The Tenniel Illustrations to the “Alice” Books situates their outstanding success in several historical contexts, including Tenniel’s career as a leading artist for Punch magazine.

This new edition also pays special attention to the material circumstances that enabled and conditioned the printing of the illustrations. The original twelve chapters have been revised and updated throughout, drawing on archival and published resources made available in recent decades. Six chapters are entirely new, explaining how Tenniel’s drawings were professionally hand-engraved on wood blocks; how electrotype replicas were made from those blocks; and what problems could mar the commercial printing of such images—as notoriously happened in the first printing of Alice’s Adventures in Wonderland, which Carroll suppressed on Tenniel’s advice. Also considered for the first time here are the coloring of Tenniel’s black-and-white illustrations, by Tenniel and other artists, and the extraordinary treatment later given to Tenniel’s illustrations by the prestigious Limited Editions Club.

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Tove Jansson

Life, Art, Words

Boel Westin

University of Minnesota Press, 2024

An in-depth, perceptive account of the unconventional life of the Moomins’ beloved creator, now available in the United States

Tove Jansson achieved fame as the creator of the Moomins, beloved by generations of readers around the world. Remarkably, the Moomins were only part of the prodigious creative output of this Finnish-Swedish writer and artist. Jansson’s work also includes short stories and five novels for adults, as well as paintings, murals, and book illustrations. In this acclaimed biography, Boel Westin relies on numerous conversations with Jansson and unprecedented access to her journals, letters, and personal archives to present an engrossing and comprehensive review of the life and world of Scandinavia’s best-loved author.

As Westin’s meticulous research makes clear, Jansson’s artistic and literary works reflected what was most important to her: the love of family and nature and the desire to pursue her art. Guided by her personal motto, “Love and work,” Jansson seized both with uncompromising joy. And while her romantic relationships with men proved unfulfilling, she found those with women—especially with her longtime partner, the artist Tuulikki Pietilä—both grounding and inspiring.

Westin weaves together the many threads of Jansson’s rich, complex life: an education interrupted to help her family; the bleak war years and her emergence as a painter; the decades of Moominmania across books, newspaper comic strips, merchandise, and adaptations; her later fictions, including her popular The Summer Book; and her time with Pietilä on the solitary island of Klovharu. Tove Jansson: Life, Art, Words offers fans and admirers around the world the most complete portrait of the writer Philip Pullman described as “a genius, a woman of profound wisdom and great artistry.”

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