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Control of the Imaginary was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

In Control of the Imaginary Luiz Costa Lima explains how the distinction between truth and fiction emerged at the beginning of modern times and why, upon its emergence, fiction fell under suspicion. Costa Lima not only describes the continuous relationship between Western notions of reason and subjectivity over a broad time-frame—the Renaissance to the first decade of the twentieth century—but he uses this occasion to reexamine the literary traditions of France, Italy, Spain, Portugal, England, and Germany. The book reconstructs the dominant frames in the European tradition between the Middle Ages and the nineteenth century from the perspective of a Latin American who sees the culture of his native Brazil haunted by unresolved questions from the Northern Hemisphere. Costa Lima manages to synthesize positions from philosophy, anthropology, sociology, psychology, linguistics, and history without separating the theoretical discussion from his historical reconstructions.

The first chapter situates the problem and grounds the emergent distinction between truth and fiction in a very close analysis of one of the first European historians, Fernao Lopes, who sets the tone for the condemnation of fiction in the name of the truth of history and the potential for individual interpretation. Costa Lima pursues these notions through the aesthetic debates of the seventeenth and eighteenth centuries to the writings of the French historian Michelet. He also devotes an illuminating chapter to the invention of the strictures imposed on fiction.

Following World War II the American government and philanthropic foundations fundamentally remade American universities into sites for producing knowledge about the world as a collection of distinct nation-states. As neoliberal reforms took hold in the 1980s, visions of the world made popular within area studies and international studies found themselves challenged by ideas and educational policies that originated in business schools and international financial institutions. Academics within these institutions reimagined the world instead as a single global market and higher education as a commodity to be bought and sold. By the 1990s, American universities embraced this language of globalization, and globalization eventually became the organizing logic of higher education. In Making the World Global Isaac A. Kamola examines how the relationships among universities, the American state, philanthropic organizations, and international financial institutions created the conditions that made it possible to imagine the world as global. Examining the Center for International Studies, Harvard Business School, the World Bank, the Social Science Research Council, and NYU, Kamola demonstrates that how we imagine the world is always symptomatic of the material relations within which knowledge is produced.

The Imaginary and Its Worlds collects essays that boldly rethink the imaginary as a key concept for cultural criticism. Addressing both the emergence and the reproduction of the social, the imaginary is ideally suited to chart the consequences of the transnational turn in American studies. Leading scholars in the field from the United States and Europe address the literary, social, and political dimensions of the imaginary, providing a methodological and theoretical groundwork for American studies scholarship in the transnational era and opening new arenas for conceptualizing formations of imaginary belonging and subjectivity. This important state-of-the-field collection will appeal to a broad constituency of humanists working to overcome methodological nationalism. The Imaginary and Its Worlds: An Introduction • LITERARY IMAGINARIES • Imagining Cultures: The Transnational Imaginary in Postrace America - Ramón Saldívar • The Necessary Fragmentation of the (U.S.) Literary-Cultural Imaginary - Lawrence Buell • Imaginaries of American Modernism - Heinz Ickstadt • SOCIAL IMAGINARIES • William James versus Charles Taylor: Philosophy of Religion and the Confines of the Social and Cultural Imaginaries - Herwig Friedl • The Shaping of We-Group Identities in the African American Community: A Perspective of Figurational Sociology on the Cultural Imaginary - Christa Buschendorf • Russia’s Californio Romance: The Other Shores of Whitman’s Pacific - Lene Johannessen • Form Games: Staging Life in the Systems Epoch - Mark Seltzer • POLITICAL IMAGINARIES • Real Toads - Walter Benn Michaels • Obama Unwound: The Romanticism of Victory and the Defeat of Compromise - Christopher Newfield • Barack Obama’s Orphic Mysteries - Donald E. Pease • Coda. The Imaginary and the Second Narrative: Reading as Transfer - Winfried Fluck • Contributors • Index

In recent years, Richard Kearney has emerged as a leading figure in the field of continental philosophy, widely recognized for his work in the areas of philosophical and religious hermeneutics, theory and practice of the imagination, and political thought. This much-anticipated—and long overdue—study is the first to reflect the full range and impact of Kearney's extensive contributions to contemporary philosophy.

The book opens with Kearney's own "prelude" in which he traces his intellectual itinerary as it traverses the three imaginaries explored in the volume: the dialogical, the political, and the narrative. The interviews that follow the first section allow readers to listen in on conversations between Kearney and some of the most interesting and respected thinkers of our time—Noam Chomsky, Charles Taylor, Jacques Derrida, Paul Ricouer, and Martha Nussbaum—as they reveal new and unexpected aspects of their thought on stories and mourning, ethics and narrative, terror and religion, intellectuals and ideology. The next section, on the political imaginary, looks at Kearney's distinctive contribution to the political situation in Ireland and in Europe more generally; and in the last, on narrative, writers including David Wood, Terry Eagleton, and Mark Dooley focus on Kearney's novels as instances of narrative theory put into literary practice. Concluding with Kearney's postscript, an essay on "Traversals and Epiphanies in Joyce and Proust," the volume comes full circle, encompassing the full extent of Richard Kearney's engagement and offerings as a philosopher,