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Examining Netflix’s global influence through its complex global-local dynamics in Korean media.

Korea is a global entertainment powerhouse, thanks in no small part to Netflix. Analyzing the artistry and industry behind Netflix-produced Korean hits like Squid Game, The Glory, and Narco-Saints, Benjamin Han argues that Korea is ground zero for an emerging “Netflix Paradigm.” The US-based streaming platform generates massive profits by erasing boundaries of foreign and domestic production, even as it underscores the resilience of the national media within global popular culture.

Beyond Squid Game breaks down the intricate and often ambivalent relationship between Netflix and the Korean media business, drawing on interviews with creative workers navigating the streaming giant’s ever-increasing economic and cultural power. Challenging narratives that present Netflix as a revolutionary disruptor, Han shows how the company has replicated abroad the precarious labor conditions and tensions over intellectual property from which US studios have long benefited. At the same time, Beyond Squid Game underscores the complex dynamics of a globalized media industry in which cultural imperialism thrives on localization and perceived authenticity.

The history of radio broadcasting is traced from its earliest origins, through its role as a subversive tool in World War II to the cold war era, and finally to its present day use as an instrument of foreign policy used by over 160 countries.

The first volume of History of International Broadcasting (1992) traced the history of radio broadcasting, chiefly on the short waves, from its earliest origins to its role as an instrument of foreign policy in World War II and into the cold war. This volume documents the role of the West's international broadcasters - such as Voice of America, Radio Free Europe/Radio Liberty and the BBC World Service - in using propaganda and other information to assist in bringing about the collapse of Soviet communism and the end of the cold war. It also analyses the new uses to which broadcasting infrastructures are being put, as well as new developments reflecting changes in world politics and culture. Much attention is therefore devoted to broadcasting to and within Asia and the Arabic-Islamic Middle East region, where some of the greatest new investments are being made.