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4 books match the query 'Its Doubles'

cover of Force Of Prejudice: On Racism and Its Doubles

Force Of Prejudice

On Racism and Its Doubles

Pierre-Andre Taguieff

University of Minnesota Press, 2001

Can humanity escape segregating behavior or master the tendency to exclusion? Where does the force of prejudice come from? How might one conceive the philosophical foundations of an effective antiracism? Pursuing these questions, Pierre-André Taguieff puts forward a powerful thesis: that racism has evolved from an argument about races, naturalizing inequality between "biologically" defined groups on the basis of fear of the other, to an argument about cultures, naturalizing historical differences and justifying exclusion. Correspondingly, he shows how antiracism must adopt the strategy that fits the variety of racism it opposes.

Looking at racial and racist theories one by one and then at their antiracist counterparts, Taguieff traces an intellectual genealogy of differentialist and inegalitarian ways of thinking. Already viewed as an essential work of reference in France, The Force of Prejudice is an invaluable tool for identifying and understanding both racism and its antidote in our day. 

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cover of The Immemorial: The Subject and Its Doubles

The Immemorial

The Subject and Its Doubles

Andrea Cavalletti

Seagull Books, 2025

A thought-provoking exploration of the fragility of bourgeois identity.

Vienna, 1825. News of a sickly, listless boy is making the rounds. In broad daylight, he falls into deep sleep and his personality changes dramatically. While sleeping, he reads, writes, plays cards, challenges his doctors with amusement, and accomplishes the most astonishing of exercises with his eyes closed. A new subject has appeared, a second “I” has now supplanted the first.

Andrea Cavalletti carefully registers the disquieting appearances of this second “I” in the literature and psychology of the past two centuries. In a context dominated by amnesia and somnambulism, hallucinations and wakeful dreams, the bourgeois subject, whose identity seemed so stable, turns out to be inhabited by masks that elude every grasp, at the mercy of a doubling that can no longer be recomposed. Personalities multiply and do battle, as even life and death exchange roles. And, ultimately, the identity of the Western subject reveals itself as a shade-like, constitutively double figure, that only lives in its weakness and forgetting, in its losses and distractions.
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cover of The Voice and Its Doubles: Media and Music in Northern Australia

The Voice and Its Doubles

Media and Music in Northern Australia

Daniel Fisher

Duke University Press, 2016

Beginning in the early 1980s Aboriginal Australians found in music, radio, and filmic media a means to make themselves heard across the country and to insert themselves into the center of Australian political life. In The Voice and Its Doubles Daniel Fisher analyzes the great success of this endeavor, asking what is at stake in the sounds of such media for Aboriginal Australians. Drawing on long-term ethnographic research in northern Australia, Fisher describes the close proximity of musical media, shifting forms of governmental intervention, and those public expressions of intimacy and kinship that suffuse Aboriginal Australian social life. Today’s Aboriginal media include genres of country music and hip-hop; radio requests and broadcast speech; visual graphs of a digital audio timeline; as well as the statistical media of audience research and the discursive and numerical figures of state audits and cultural policy formation. In each of these diverse instances the mediatized voice has become a site for overlapping and at times discordant forms of political, expressive, and institutional creativity. 
 
 
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cover of Wayang and Its Doubles: Javanese Puppet Theatre, Television and the Internet

Wayang and Its Doubles

Javanese Puppet Theatre, Television and the Internet

Jan Mrázek

National University of Singapore Press, 2019

Wayang, or Javanese puppet theater, has been around for millennia, bringing people together for live performances while reflecting the changes and tensions in society. Television has been around for decades, bringing news and entertainment from around the world directly into homes and public spaces while completely reshaping culture. The two formats—one an ancient art, the other a relatively new media—seem like disparate pieces yet they are both intensely part of the Javanese world. They are inescapable from each other in a relationship that has been described as a “difficult marriage”: intimate on the one hand, deeply alienating on the other, institutionalized yet at the same time mercurial and shifting.

This book explores the ways two complex forms of media coexist and meet as well as haunt and invade each other. It looks at performance aesthetics and the technicalities of television production, as well as issues of time, space, light, place, and movement. It compares audience experiences of live and televised performances, and highlights the collaboration and struggle between performers and television producers. Interviews with performers from both sides are brought into a larger conversation on media and technology, one that includes ideas from Karl Marx, Martin Heidegger, Maurice Merleau-Ponty, Jacques Derrida, Paul Virilio, and James Siegel. The book also looks ahead to new formats that have the potential to disrupt in ways never imagined: the worlds of streaming and social media.
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