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412 books match the query 'Japan' and 32 start with a

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A Christian Samurai

William J. Farge

Catholic University of America Press, 2016

Through a close critical analysis of Baba Bunko's often humorous, but always biting, satirical essays a new picture of the hidden world of Christianity in eighteenth-century Japan emerges - a picture that contradicts the generally-held belief among Western historians that the Catholic mission in Japan ended in failure. A Christian Samurai will surprise many readers when they discover that Christian moral teachings not only survived the long period of persecution but influenced Japanese society throughout the Tokugawa period.

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A Dream of Resistance

The Cinema of Kobayashi Masaki

Prince, Stephen

Rutgers University Press, 2017

Celebrated as one of Japan’s greatest filmmakers, Kobayashi Masaki’s scorching depictions of war and militarism marked him as a uniquely defiant voice in post-war Japanese cinema. A pacifist drafted into Japan’s Imperial Army, Kobayashi survived the war with his principles intact and created a body of work that was uncompromising in its critique of the nation’s military heritage. Yet his renowned political critiques were grounded in spiritual perspectives, integrating motifs and beliefs from both Buddhism and Christianity.

A Dream of Resistance is the first book in English to explore Kobayashi’s entire career, from the early films he made at Shochiku studio, to internationally-acclaimed masterpieces like The Human Condition, Harakiri, and Samurai Rebellion, and on to his final work for NHK Television. Closely examining how Kobayashi’s upbringing and intellectual history shaped the values of his work, Stephen Prince illuminates the political and religious dimensions of Kobayashi’s films, interpreting them as a prayer for peace in troubled times. Prince draws from a wealth of rare archives, including previously untranslated interviews, material that Kobayashi wrote about his films, and even the young director’s wartime diary. The result is an unprecedented portrait of this singular filmmaker.

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A Fictional Commons

Natsume Soseki and the Properties of Modern Literature

Michael K. Bourdaghs

Duke University Press, 2021

Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons, Michael K. Bourdaghs explores how the literary and theoretical works of Natsume Sōseki (1867–1916), widely celebrated as Japan's greatest modern novelist, exploited the contradictions and ambiguities that haunted this new system. Many of his works feature narratives about inheritance, thievery, and the struggle to obtain or preserve material wealth while also imagining alternative ways of owning and sharing. For Sōseki, literature was a means for thinking through—and beyond—private property. Bourdaghs puts Sōseki into dialogue with thinkers from his own era (including William James and Mizuno Rentarō, author of Japan’s first copyright law) and discusses how his work anticipates such theorists as Karatani Kōjin and Franco Moretti. As Bourdaghs shows, Sōseki both appropriated and rejected concepts of ownership and subjectivity in ways that theorized literature as a critical response to the emergence of global capitalism.

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A Games Changer

The International Olympic Committee, Tokyo 2020, and COVID-19

Stephen R. Wenn

University of Arkansas Press, 2025

From the emergence of the COVID pandemic in early 2020 through the delayed staging of the Tokyo Olympic games in summer 2021, A Games Changer takes the reader behind the scenes to explore the myriad challenges the International Olympic Committee (IOC) and Japanese officials faced during the months of uncertainty leading up not only to the postponement of the Games but also to their delayed.

Drawing on a thorough review of contemporary newspaper and magazine coverage as well as personal interviews with current and former IOC officials, Stephen R. Wenn and Robert K. Barney examine Japan’s rising excitement in 2019 as preparations for the Games accelerated; whispers of a mysterious disease spreading first in China, then worldwide; organizers’ initial resolve to press forward with the Games; the tumultuous discussions that ultimately resulted in the joint March 2020 decision by Japanese Prime Minister Shinzo Abe and IOC President Thomas Bach to postpone the Games; and the numerous negotiations with venues, media, and sponsors required to extend contracts and protect all parties’ health. Wenn and Barney reveal how human relationships—among planners, politicians, competitors, and vaccine researchers—were vital to presenting an Olympics where, in July and August 2021, world records were set, deferred dreams were achieved, and fears of a superspreader event went unrealized.

While tracing the struggles of multiple athletes who had to pause their Olympic hopes and training as COVID-19 closed the world, Wenn and Barney focus on the journey of Canadian decathlete Damian Warner and his coach, Gar Leyshon. Denied his usual training venues, he prepared for the rescheduled Games with ingenuity, determination, and adaptability, reflective of the resilience demonstrated by Tokyo’s Olympians around the globe. The authors’ close account of Warner’s two days in Tokyo recaptures the excitement and drama of sport that home viewers sorely needed amid pandemic lockdowns and incalculable personal loss.

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A History of Japan’s Government-Business Relationship

The Passenger Car Industry

Phyllis A. Genther

University of Michigan Press, 1990

Despite the economic and political importance of the U.S.-Japan relationship and the extensive attention paid to automotive trade, few American scholars or policy makers are familiar with the history of Japanese government-business relations, either generally or for specific industries such as passenger cars. This book hopefully helps in a small way to fill that gap in our knowledge and, thus, to help strengthen the foundation from which we make public policy decisions about bilateral trade. [ix]

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A Page of Madness

Cinema and Modernity in 1920s Japan

Aaron Gerow

University of Michigan Press, 2008

Kinugasa Teinosuke’s 1926 film A Page of Madness (Kurutta ichipeiji) is celebrated as one of the masterpieces of silent cinema. It was an independently produced, experimental, avant-garde work from Japan whose brilliant use of cinematic technique was equal to if not superior to that of contemporary European cinema. Those studying Japan, focusing on the central involvement of such writers as Yokomitsu Riichi and the Nobel Prize winner Kawabata Yasunari, have seen it as a pillar of the close relationship in the Taisho era between film and artistic modernism, as well as a marker of the uniqueness of prewar Japanese film culture.

But is this film really what it seems to be? Aaron Gerow brings meticulous research to the film’s production, distribution, exhibition, and reception and closely analyzes the film’s shooting script and shooting notes, which were recently made available. He draws a new picture of this complex work, revealing a film divided between experiment and convention, modernism and melodrama, the image and the word, cinema and literature, conflicts that play out in the story and structure of the film and its context. A Page of Madness, a film fundamentally about differing perceptions and conflicting worlds, was received at the time in different versions and with varying interpretations, and ironically, the film that exists today is not in fact the one originally released. Including a detailed analysis of the film and translations of contemporary reviews and shooting notes for scenes missing from the current print, Gerow’s book offers provocative insight into the fascinating film A Page of Madness was—and still is—and into the struggles over this work that tried to articulate the place of cinema in Japanese society and modernity.

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A Poisonous Cocktail?

Aum Shinrikyo's Path to Violence

Ian Reader

National University of Singapore Press, 1996

This highly acclaimed study describes Aum Shinrikyo’s history, examines the various conflicts it was involved in, and discusses the contents of Asahara’s sermons and prophecies. Reader suggests that the Aum case is not unique but similar to other cases of religious violence.

The March 1995 gas attack on the Tokyo subway system killed 12 people and injured thousands. Massive police raids and the subsequent investigation linked this attack (plus a variety of other criminal activities including murders) to Aum Shinrikyo, a small religious movement whose leader, Asahara Shoko, had prophesied that Armageddon was at hand.

Many questions have been raised by the Aum affair. What were Aum's spiritual roots and the focus of Asahara's teaching? Why did a religious movement ostensibly focused on yoga, meditation, asceticism and the pursuit of enlightenment become involved in violent activities? What factors brought Aum into conflict with society at large, caused it to believe it was the victim of a huge conspiracy to destroy it, and impelled it to experiment with making nerve gasses, build weapons and form its own 'alternative government'?

Ian Reader examines these questions by describing Aum's history, examining the various conflicts it was involved in, and discussing the contents of Asahara's sermons and prophesies. In so doing, he points to a combination of factors which together took Aum down a path of violence. Suggesting that the Aum case is not unique, he shows how it displays similarities with other cases of violence and conflict among religious and political movements in Japan and elsewhere.

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A Reckoning

Philippine Trials of Japanese War Criminals

Sharon W. Chamberlain

University of Wisconsin Press, 2019

After World War II, thousands of Japanese throughout Asia were put on trial for war crimes. Examination of postwar trials is now a thriving area of research, but Sharon W. Chamberlain is the first to offer an authoritative assessment of the legal proceedings convened in the Philippines. These were trials conducted by Asians, not Western powers, and centered on the abuses suffered by local inhabitants rather than by prisoners of war. Her impressively researched work reveals the challenges faced by the Philippines, as a newly independent nation, in navigating issues of justice amid domestic and international pressures.

Chamberlain highlights the differing views of Filipinos and Japanese about the trials. The Philippine government aimed to show its commitment to impartial proceedings with just outcomes. In Japan, it appeared that defendants were selected arbitrarily, judges and prosecutors were biased, and lower-ranking soldiers were punished for crimes ordered by their superior officers. She analyzes the broader implications of this divergence as bilateral relations between the two nations evolved and contends that these competing narratives were reimagined in a way that, paradoxically, aided a path toward postwar reconciliation.

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A Short History of Tokyo

Jonathan Clements

Haus Publishing, 2020

Tokyo, which in Japanese means the “Eastern Capital,” has only enjoyed that name and status for 150 years. Until the middle of the nineteenth century, the city that is now Tokyo was a sprawling fishing town by the bay named Edo. Earlier still, in the Middle Ages, it was Edojuku, an outpost overlooking farmlands. And thousands of years ago, its mudflats and marshes were home to elephants, deer, and marine life.

In this compact history, Jonathan Clements traces Tokyo’s fascinating story from the first forest clearances and the samurai wars to the hedonistic “floating world” of the last years of the Shogunate. He illuminates the Tokyo of the twentieth century with its destruction and redevelopment, boom and bust without forgoing the thousand years of history that have led to the Eastern Capital as we know it. Tokyo is so entwined with the history of Japan that it can be hard to separate them, and A Short History of Tokyo tells both the story of the city itself and offers insight into Tokyo’s position at the nexus of power and people that has made the city crucial to the events of the whole country.

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A Storied Sage

Canon and Creation in the Making of a Japanese Buddha

Micah L. Auerback

University of Chicago Press, 2016

Since its arrival in Japan in the sixth century, Buddhism has played a central role in Japanese culture. But the historical figure of the Buddha, the prince of ancient Indian descent who abandoned his wealth and power to become an awakened being, has repeatedly disappeared and reappeared, emerging each time in a different form and to different ends. A Storied Sage traces this transformation of concepts of the Buddha, from Japan’s ancient period in the eighth century to the end of the Meiji period in the early twentieth century.

Micah L. Auerback follows the changing fortune of the Buddha through the novel uses for the Buddha’s story in high and low culture alike, often outside of the confines of the Buddhist establishment. Auerback argues for the Buddha’s continuing relevance during Japan’s early modern period and links the later Buddhist tradition in Japan to its roots on the Asian continent. Additionally, he examines the afterlife of the Buddha in hagiographic literature, demonstrating that the late Japanese Buddha, far from fading into a ghost of his former self, instead underwent an important reincarnation. Challenging many established assumptions about Buddhism and its evolution in Japan, A Storied Sage is a vital contribution to the larger discussion of religion and secularization in modernity.

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AIDS in Industrialized Democracies

Passions, Politics, and Policies

Bayer, Ronald

Rutgers University Press, 1992

In the ten years since the first cases of AIDS were reported, the disease has spread around the world. Every country has had to come up with policies suited to its own conditions, economy, culture, and institutions. The differences among their approaches are striking. This volume, the first international comprehensive comparison of responses to AIDS, is a unique guide to the world's most urgent public health crisis.

Sixteen leading experts in public health, social science, government, and public policy from USA, Canada, Germany, Australia, Spain, Britain, France, the Netherlands, Denmark, Sweden, and Japan candidly recount and analyze the responses of their own nations and comment on the lessons that can be drawn from each country's experience. For each country, they look critically at the tragic statistics of AIDS incidence; the circumstances of AIDS's first appearance; public health traditions of mandatory screening, contact tracing, and quarantine; attitudes toward drug abuse, homosexuality, sex education; publicity about AIDS; legal and customary protections of civil rights, minority groups, medical confidentiality; access to health care and insurance; and the interplay of formal and informal interest groups in shaping policy. The spectrum of AIDS policy ranges from severe "contain-and-control" programs to much more liberal plans based on education, cooperation, and inclusion.

No matter what policy a nation has constructed to deal with AIDS, the coming decade will test how well that policy conforms to democratic ideals. By scrutinizing the responses to AIDS so far, this book aims to give countries around the world a chance to learn from each others' mistakes and triumphs. It will be essential reading for all students and professionals in public health and public policy.

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Absolute Erotic, Absolute Grotesque

The Living, Dead, and Undead in Japan's Imperialism, 1895-1945

Mark Driscoll

Duke University Press, 2010

In this major reassessment of Japanese imperialism in Asia, Mark Driscoll foregrounds the role of human life and labor. Drawing on subaltern postcolonial studies and Marxism, he directs critical attention to the peripheries, where figures including Chinese coolies, Japanese pimps, trafficked Japanese women, and Korean tenant farmers supplied the vital energy that drove Japan's empire. He identifies three phases of Japan's capitalist expansion, each powered by distinct modes of capturing and expropriating life and labor: biopolitics (1895–1914), neuropolitics (1920–32), and necropolitics (1935-45). During the first phase, Japanese elites harnessed the labor of marginalized subjects as Japan colonized Taiwan, Korea, and south Manchuria, and sent hustlers and sex workers into China to expand its market hegemony. Linking the deformed bodies laboring in the peripheries with the "erotic-grotesque" media in the metropole, Driscoll centers the second phase on commercial sexology, pornography, and detective stories in Tokyo to argue that by 1930, capitalism had colonized all aspects of human life: not just labor practices but also consumers’ attention and leisure time. Focusing on Japan's Manchukuo colony in the third phase, he shows what happens to the central figures of biopolitics as they are subsumed under necropolitical capitalism: coolies become forced laborers, pimps turn into state officials and authorized narcotraffickers, and sex workers become "comfort women". Driscoll concludes by discussing Chinese fiction written inside Manchukuo, describing the everyday violence unleashed by necropolitics.

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Admiral Togo

Nelson of the East

Jonathan Clements

Haus Publishing, 2010

Togo Heihachiro (1848-1934) was born into a feudal society that had lived in seclusion for 250 years. As a teenage samurai, he witnessed the destruction wrought upon his native land by British warships. As the legendary "Silent Admiral", he was at the forefront of innovations in warfare, pioneering the Japanese use of modern gunnery and wireless communication. He is best known as "the Nelson of the East" for his resounding victory over the Tsar's navy in the Russo-Japanese War, but he also lived a remarkable life: studying at a British maritime college, witnessing the Sino-French War, the Hawaiian Revolution, and the Boxer Uprising. After his retirement, he was appointed to oversee the education of the Emperor, Hirohito. This new biography spans Japan's sudden, violent leap out of its self-imposed isolation and into the 20th century. Delving beyond Togo's finest hour at the Battle of Tsushima, it portrays the life of a diffident Japanese sailor in Victorian Britain, his reluctant celebrity in America (where he was laid low by Boston cooking and welcomed by his biggest fan, Theodore Roosevelt), forgotten wars over the short-lived Republics of Ezo and Formosa, and the accumulation of peacetime experience that forged a wartime hero.

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Ageing with Smartphones in Japan

Care in a Visual Digital Age

Laura Haapio-Kirk

University College London, 2024

How smartphones are shifting the daily lives of older adults post-retirement in Kyoto and Kochi Prefecture, Japan.

Ageing with Smartphones in Japan examines sixteen months of ethnographic research following older adults, age fifty and up, in urban Kyoto and rural Kochi Prefecture, Japan as they navigate social and personal shifts post-retirement in the age of the smartphone. It attempts to answer what this transition means for friendship, gendered labor, multigenerational living, internal migration, health, as well as life purpose for older adults. This book closely investigates how the smartphone challenges gender-based norms and how older adults creatively navigate them. Using comics, drawings, and fieldwork sketches it also explores how they use digital visual communication to socialize with friends and family.

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Aging Issues in the United States and Japan

Edited by Seiritsu Ogura, Toshiaki Tachibanaki, and David A. Wise

University of Chicago Press, 2001

The population base in both the United States and Japan is growing older and, as those populations age, they provoke heretofore unexamined economic consequences. This cutting-edge, comparative volume, the third in the joint series offered by the National Bureau of Economic Research and the Japan Center for Economic Research, explores those consequences, drawing specific attention to four key areas: incentives for early retirement; savings, wealth, and asset allocation over the life cycle; health care and health care reform; and population projections.

Given the undeniable global importance of the Japanese and U.S. economies, these innovative essays shed welcome new light on the complex correlations between aging and economic behavior. This insightful work not only deepens our understanding of the Japanese and American economic landscapes but, through careful examination of the comparative social and economic data, clarifies the complex relation between aging societies, public policies, and economic outcomes.

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Aging and Loss

Mourning and Maturity in Contemporary Japan

Danely, Jason

Rutgers University Press, 2015

By 2030, over 30% of the Japanese population will be 65 or older, foreshadowing the demographic changes occurring elsewhere in Asia and around the world. What can we learn from a study of the aging population of Japan and how can these findings inform a path forward for the elderly, their families, and for policy makers?

Based on nearly a decade of research, Aging and Loss examines how the landscape of aging is felt, understood, and embodied by older adults themselves. In detailed portraits, anthropologist Jason Danely delves into the everyday lives of older Japanese adults as they construct narratives through acts of reminiscence, social engagement and ritual practice, and reveals the pervasive cultural aesthetic of loss and of being a burden.

Through first-hand accounts of rituals in homes, cemeteries, and religious centers, Danely argues that what he calls the self-in-suspense can lead to the emergence of creative participation in an economy of care. In everyday rituals for the spirits, older adults exercise agency and reinterpret concerns of social abandonment within a meaningful cultural narrative and, by reimagining themselves and their place in the family through these rituals, older adults in Japan challenge popular attitudes about eldercare. Danely’s discussion of health and long-term care policy, and community welfare organizations, reveal a complex picture of Japan’s aging society.

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Aging in the United States and Japan

Economic Trends

Edited by Yukio Noguchi and David A. Wise

University of Chicago Press, 1994

Japanese and American economists assess the present economic status of the elderly in the United States and Japan, and consider the impact of an aging population on the economies of the two countries.
With essays on labor force participation and retirement, housing equity and the economic status of the elderly, budget implications of an aging population, and financing social security and health care in the 1990s, this volume covers a broad spectrum of issues related to the economics of aging. Among the book's findings are that workers are retiring at an increasingly earlier age in both countries and that, as the populations age, baby boomers in the United States will face diminishing financial resources as the ratio of retirees to workers sharply increases.

The result of a joint venture between the National Bureau of Economic Research and the Japan Center for Economic Research, this book complements Housing Markets in the United States and Japan (1994) by integrating research on housing markets with economic issues of the aged in the United States and Japan.

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Agricultural Development in Japan

The Land Improvement District in Concept and Practice

Gil Latz

University of Chicago Press, 1989

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Alexander Williamson

A Victorian Chemist and the Making of Modern Japan

Takaaki Inuzuka

University College London, 2021

A short, accessible biography exploring Alexander Williamson’s contribution to nineteenth-century science and Japanese society.

Alexander Williamson was a leading scientist and professor of chemistry at University College London in the late nineteenth century. He taught and cared for visiting Japanese students, assisting them with their goal of modernizing Japan. This short, accessible biography explores his contribution to nineteenth-century science, as well as his lasting impact on Japanese society. In 1863 five students from the Chōshū clan, with a desperate desire to learn from the West, made their way to England. They were put in the care of Williamson and his wife. Their mission was to learn about cutting-edge Western technology, science, economics, and politics. When they returned home, they rapidly became leading figures in Japanese life. The remarkable story of the part Williamson and University College London played in the modernization of Japan is little known today. This biography will promote a deeper understanding of Williamson’s scientific innovations and his legacy for Anglo-Japanese relations.

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All the Fish in the Sea

Maximum Sustainable Yield and the Failure of Fisheries Management

Carmel Finley

University of Chicago Press, 2011

Between 1949 and 1955, the State Department pushed for an international fisheries policy grounded in maximum sustainable yield (MSY). The concept is based on a confidence that scientists can predict, theoretically, the largest catch that can be taken from a species’ stock over an indefinite period. And while it was modified in 1996 with passage of the Sustained Fisheries Act, MSY is still at the heart of modern American fisheries management. As fish populations continue to crash, however, it is clear that MSY is itself not sustainable. Indeed, the concept has been widely criticized by scientists for ignoring several key factors in fisheries management and has led to the devastating collapse of many fisheries.

Carmel Finley reveals that the fallibility of MSY lies at its very inception—as a tool of government rather than science. The foundational doctrine of MSY emerged at a time when the US government was using science to promote and transfer Western knowledge and technology, and to ensure that American ships and planes would have free passage through the world’s seas and skies. Finley charts the history of US fisheries science using MSY as her focus, and in particular its application to halibut, tuna, and salmon fisheries. Fish populations the world over are threatened, and All the Fish in the Sea helps to sound warnings of the effect of any management policies divested from science itself.

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Ambient Media

Japanese Atmospheres of Self

Paul Roquet

University of Minnesota Press, 2016

Ambient Media examines music, video art, film, and literature as tools of atmospheric design in contemporary Japan, and what it means to use media as a resource for personal mood regulation. Paul Roquet traces the emergence of ambient styles from the environmental music and Erik Satie boom of the 1960s and 1970s to the more recent therapeutic emphasis on healing and relaxation.

Focusing on how an atmosphere works to reshape those dwelling within it, Roquet shows how ambient aesthetics can provide affordances for reflective drift, rhythmic attunement, embodied security, and urban coexistence. Musicians, video artists, filmmakers, and novelists in Japan have expanded on Brian Eno’s notion of the ambient as a style generating “calm, and a space to think,” exploring what it means to cultivate an ambivalent tranquility set against the uncertain horizons of an ever-shifting social landscape. Offering a new way of understanding the emphasis on “reading the air” in Japanese culture, Ambient Media documents both the adaptive and the alarming sides of the increasing deployment of mediated moods.

Arguing against critiques of mood regulation that see it primarily as a form of social pacification, Roquet makes a case for understanding ambient media as a neoliberal response to older modes of collective attunement—one that enables the indirect shaping of social behavior while also allowing individuals to feel like they are the ones ultimately in control.

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America's Japan and Japan's Performing Arts

Cultural Mobility and Exchange in New York, 1952-2011

Barbara E. Thornbury

University of Michigan Press, 2013

America’s Japan and Japan’s Performing Arts studies the images and myths that have shaped the reception of Japan-related theater, music, and dance in the United States since the 1950s. Soon after World War II, visits by Japanese performing artists to the United States emerged as a significant category of American cultural-exchange initiatives aimed at helping establish and build friendly ties with Japan. Barbara E. Thornbury explores how “Japan” and “Japanese culture” have been constructed, reconstructed, and transformed in response to the hundreds of productions that have taken place over the past sixty years in New York, the main entry point and defining cultural nexus in the United States for the global touring market in the performing arts. The author’s transdisciplinary approach makes the book appealing to those in the performing arts studies, Japanese studies, and cultural studies.

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An Anthropology of the Machine

Tokyo's Commuter Train Network

Michael Fisch

University of Chicago Press, 2018

With its infamously packed cars and disciplined commuters, Tokyo’s commuter train network is one of the most complex technical infrastructures on Earth. In An Anthropology of the Machine, Michael Fisch provides a nuanced perspective on how Tokyo’s commuter train network embodies the lived realities of technology in our modern world. Drawing on his fine-grained knowledge of transportation, work, and everyday life in Tokyo, Fisch shows how fitting into a system that operates on the extreme edge of sustainability can take a physical and emotional toll on a community while also creating a collective way of life—one with unique limitations and possibilities.

An Anthropology of the Machine is a creative ethnographic study of the culture, history, and experience of commuting in Tokyo. At the same time, it is a theoretically ambitious attempt to think through our very relationship with technology and our possible ecological futures. Fisch provides an unblinking glimpse into what it might be like to inhabit a future in which more and more of our infrastructure—and the planet itself—will have to operate beyond capacity to accommodate our ever-growing population.

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An Armchair Traveller's History of Tokyo

Jonathan Clements

Haus Publishing, 2018

With almost 13 million residents, Tokyo is now as much an icon of modernity as it is a city, with its neon-lit billboards, futuristic technology, and avant-garde fashion scene. But the long and fascinating history of Japan’s modern capital encompasses much, much more, and in An Armchair Traveller’s History of Tokyo, Jonathan Clements sketches the city’s amazing trajectory from its humble beginnings as a group of clearings in a forest on the Kanto plain all the way to its upcoming role as host of the 2020 Olympic Games.

Tokyo, meaning “Eastern Capital,” has only enjoyed that name and status for 150 years. Before that, it was a medieval outpost designed to keep watch over rich farmlands. But this seemingly unassuming geographical location ultimately led to its status as a supercity. Though the imperial court ruled Japan from the sleepy city of Kyoto, the landowners of the Kanto plain where Tokyo lies held the true wealth and power in Japan, which they eventually asserted in a series of bloody civil wars. The Tokyo region became the administrative center of Japan’s Shogun overlords and the site of a vibrant urban culture home to theaters, taverns, and brothels. After the Meiji Restoration in 1868, it became Japan’s true capital, home to the emperors, the seat of government, and a site of rapid urban growth.

Anyone who’s ever longed to look upon Mount Fuji, embody the bravery of the Samurai, or savor the world’s finest sushi will find themselves transported from the comfort of their armchair while reading Clements’s account of Tokyo.

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Anime's Identity

Performativity and Form beyond Japan

Stevie Suan

University of Minnesota Press, 2021

A formal approach to anime rethinks globalization and transnationality under neoliberalism

Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question—what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production? In Anime’s Identity, Stevie Suan examines how anime’s recognizable media-form—no matter where it is produced—reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality.

Far from valorizing the individualistic “originality” so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime’s character acting, and analyses of various anime works that present differing modes of transnationality.

Anime’s Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media.

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Anime's Knowledge Cultures

Geek, Otaku, Zhai

Jinying Li

University of Minnesota Press, 2024

Unlocking the technosocial implications of global geek cultures

Why has anime, a “low-tech” medium from last century, suddenly become the cultural “new cool” in the information age? Through the lens of anime and its transnational fandom, Jinying Li explores the meanings and logics of “geekdom” as one of the most significant sociocultural groups of our time. In Anime’s Knowledge Cultures, Li shifts the center of global geography in knowledge culture from the computer boys in Silicon Valley to the anime fandom in East Asia.

Drawing from film studies, animation studies, media theories, fan studies, and area studies, she provides broad cultural and theoretical explanations of anime’s appeal to a new body of tech-savvy knowledge workers and consumers commonly known as geeks, otaku, or zhai. Examining the forms, techniques, and aesthetics of anime, as well as the organization, practices, and sensibilities of its fandom, Anime’s Knowledge Cultures is at once a theorization of anime as a media environment as well as a historical and cultural study of transnational geekdom as a knowledge culture. Li analyzes anime culture beyond the national and subcultural frameworks of Japan or Japanese otaku, instead theorizing anime’s transnational, transmedial network as the epitome of the postindustrial knowledge culture of global geekdom.

By interrogating the connection between the anime boom and global geekdom, Li reshapes how we understand the meanings and significance of anime culture in relation to changing social and technological environments.

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Anime’s Media Mix

Franchising Toys and Characters in Japan

Marc Steinberg

University of Minnesota Press, 2012

In Anime’s Media Mix, Marc Steinberg convincingly shows that anime is far more than a style of Japanese animation. Beyond its immediate form of cartooning, anime is also a unique mode of cultural production and consumption that led to the phenomenon that is today called “media mix” in Japan and “convergence” in the West.

According to Steinberg, both anime and the media mix were ignited on January 1, 1963, when Astro Boy hit Japanese TV screens for the first time. Sponsored by a chocolate manufacturer with savvy marketing skills, Astro Boy quickly became a cultural icon in Japan. He was the poster boy (or, in his case, “sticker boy”) both for Meiji Seika’s chocolates and for what could happen when a goggle-eyed cartoon child fell into the eager clutches of creative marketers. It was only a short step, Steinberg makes clear, from Astro Boy to Pokémon and beyond.

Steinberg traces the cultural genealogy that spawned Astro Boy to the transformations of Japanese media culture that followed—and forward to the even more profound developments in global capitalism supported by the circulation of characters like Doraemon, Hello Kitty, and Suzumiya Haruhi. He details how convergence was sparked by anime, with its astoundingly broad merchandising of images and its franchising across media and commodities. He also explains, for the first time, how the rise of anime cannot be understood properly—historically, economically, and culturally—without grasping the integral role that the media mix played from the start. Engaging with film, animation, and media studies, as well as analyses of consumer culture and theories of capitalism, Steinberg offers the first sustained study of the Japanese mode of convergence that informs global media practices to this day.

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