Results by title

'That the human rights rationale for interventionism is a genuine menace to human rights and to democracy is convincingly demonstrated in this fine book.'
Edward S. Herman

'Chandler deftly unpicks the hypocrisy and double standards behind our "ethical" bombing in the balkans and Asia.'
Independent

'Chandler's book is thorough and relentless in its critique of human rights consensus.'
Spiked

'David Chandler has emerged in recent years as one of Britain's foremost critics of the hypocrisy of human rights.'
The Spectator

This new and updated edition of David Chandler's acclaimed book takes a critical look at the way in which human rights issues have been brought to the fore in international affairs. The UN and Nato's new policy of interventionism--as shown in Iraq, Somalia, Bosnia, Kosovo and East Timor--has been hailed as part of a new 'ethical' approach to foreign policy. David Chandler offers a rigorous critique of this apparently benign shift in international relations to reveal the worrying political implications of a new human rights discourse. He asks why the West can now prioritise the rights of individuals over the traditional rights of state sovereignty, and why this shift has happened so quickly. Charting the development of a human rights-based foreign policy, he considers the theoretical problems of defining human rights and sets this within the changing framework of international law. Meticulous and compelling, From Kosovo to Kabul and Beyond offers a disturbing insight into the political implications of a human rights-led foreign policy, and the covert agenda that it conceals.

David Chandler is Professor of International Relations, Centre for the Study of Democracy, University of Westminster. He has written widely on democracy, human rights and international relations and is also the author of Bosnia: Faking Democracy After Dayton (Pluto Press, 1999/ 2000) and Constructing Global Civil Society: (2004), editor of Rethinking Human Rights: Critical Approaches to International Politics (2002) and Peace without Politics: Ten Years of State-Building in Bosnia (2005), and co-editor of Global Civil Society: Contested Futures (2005).

In 2005, a group of actors in Kabul performed Shakespeare's Love’s Labour's Lost to the cheers of Afghan audiences and the raves of foreign journalists. For the first time in years, men and women had appeared onstage together. The future held no limits, the actors believed. In this fast-moving, fondly told and frequently very funny account, Qais Akbar Omar and Stephen Landrigan capture the triumphs and foibles of the actors as they extend their Afghan passion for poetry to Shakespeare's.Both authors were part of the production. Qais, a journalist, served as Assistant Director and interpreter for Paris actress, Corinne Jaber, who had come to Afghanistan on holiday and returned to direct the play. Stephen, himself a playwright, assembled a team of Afghan translators to fashion a script in Dari as poetic as Shakespeare's. This chronicle of optimism plays out against the heartbreak of knowing that things in Afghanistan have not turned out the way the actors expected.