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3 books match the query 'Knife'

cover of De-blading the Knife: Writing Femicide in Mud

De-blading the Knife

Writing Femicide in Mud

Cristina Rivera Garza

Diaphanes, 2026

Rooted in Mexican and indigenous practices, De-blading theKnife is Pulitzer Prize winner Cristina Rivera Garza's profound meditation on the erasure of violence against women.
 
Inspired by a walrus-ivory Story Knife from the Arctic region, De-blading theKnife creates a multi-faceted narration that asks: what is remembered? How? For whom? The ephemeral strokes of a Story Knife were traditionally drawn by young Yupik girls into soil or snow to repeat old tales that would then fade away. Mexican writer Cristina Rivera Garza connects this empowering ancient Indigenous practice to the “violentometro,” a contemporary tool designed in Mexico to measure instances of intimate partner violence. The story of violence against women constantly disappears even as it is continuously told and re-told, but perhaps a Story Knife may play a role in reversing such erasure.
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cover of Learning to Eat Soup with a Knife: Counterinsurgency Lessons from Malaya and Vietnam

Learning to Eat Soup with a Knife

Counterinsurgency Lessons from Malaya and Vietnam

John A. Nagl

University of Chicago Press, 2005

Invariably, armies are accused of preparing to fight the previous war. In Learning to Eat Soup with a Knife, Lieutenant Colonel John A. Nagl—a veteran of both Operation Desert Storm and the current conflict in Iraq—considers the now-crucial question of how armies adapt to changing circumstances during the course of conflicts for which they are initially unprepared. Through the use of archival sources and interviews with participants in both engagements, Nagl compares the development of counterinsurgency doctrine and practice in the Malayan Emergency from 1948 to 1960 with what developed in the Vietnam War from 1950 to 1975. 

In examining these two events, Nagl argues that organizational culture is key to the ability to learn from unanticipated conditions, a variable which explains why the British army successfully conducted counterinsurgency in Malaya but why the American army failed to do so in Vietnam, treating the war instead as a conventional conflict. Nagl concludes that the British army, because of its role as a colonial police force and the organizational characteristics created by its history and national culture, was better able to quickly learn and apply the lessons of counterinsurgency during the course of the Malayan Emergency. 

With a new preface reflecting on the author's combat experience in Iraq, Learning to Eat Soup with a Knife is a timely examination of the lessons of previous counterinsurgency campaigns that will be hailed by both military leaders and interested civilians. 
 
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cover of Under the Knife: Cosmetic Surgery, Boundary Work, and the Pursuit of the Natural Fake

Under the Knife

Cosmetic Surgery, Boundary Work, and the Pursuit of the Natural Fake

Samantha Kwan and Jennifer Graves

Temple University Press, 2020

Most women who elect to have cosmetic surgery want a “natural” outcome—a discrete alteration of the body that appears unaltered. Under the Knife examines this theme in light of a cultural paradox. Whereas women are encouraged to improve their appearance, there is also a stigma associated with those who do so via surgery.  

Samantha Kwan and Jennifer Graves reveal how women negotiate their “unnatural”—but hopefully (in their view) natural-looking—surgically-altered bodies. Based on in-depth interviews with forty-six women who underwent cosmetic surgery to enhance their appearance, the authors investigate motivations for surgery as well as women’s thoughts about looking natural after the procedures. Under the Knife dissects the psychological and physical strategies these women use to manage the expectations, challenges, and disappointments of cosmetic surgery while also addressing issues of agency and empowerment. It shows how different cultural intersections can produce varied goals and values around body improvement. 

Under the Knife highlights the role of deep-seated yet contradictory gendered meanings about women’s bodies, passing, and boundary work. The authors also consider traditional notions of femininity and normalcy that trouble women’s struggle to preserve an authentic moral self.
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