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7 books match the query 'Last years'

cover of Four Last Songs: Aging and Creativity in Verdi, Strauss, Messiaen, and Britten

Four Last Songs

Aging and Creativity in Verdi, Strauss, Messiaen, and Britten

Linda Hutcheon and Michael Hutcheon

University of Chicago Press, 2015

Aging and creativity can seem a particularly fraught relationship for artists, who often face age-related difficulties as their audience’s expectations are at a peak. In Four Last Songs, Linda and Michael Hutcheon explore this issue via the late works of some of the world’s greatest composers.

Giuseppe Verdi (1813–1901), Richard Strauss (1864–1949), Olivier Messiaen (1908–92), and Benjamin Britten (1913–76) all wrote operas late in life, pieces that reveal unique responses to the challenges of growing older. Verdi’s Falstaff, his only comedic success, combated Richard Wagner’s influence by introducing young Italian composers to a new model of national music. Strauss, on the other hand, struggling with personal and political problems in Nazi Germany, composed the self-reflexive Capriccio, a “life review” of opera and his own legacy. Though it exhausted him physically and emotionally, Messiaen at the age of seventy-five finished his only opera, Saint François d’Assise, which marked the pinnacle of his career. Britten, meanwhile, suffering from heart problems, refused surgery until he had completed his masterpiece, Death in Venice. For all four composers, age, far from sapping their creative power, provided impetus for some of their best accomplishments.

With its deft treatment of these composers’ final years and works, Four Last Songs provides a valuable look at the challenges—and opportunities—that present themselves as artists grow older.
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cover of Full Moon at Noontide: A Daughter's Last Goodbye

Full Moon at Noontide

A Daughter's Last Goodbye

Ann Putnam

University of Iowa Press, 2015

Full Moon at Noontide is the story of Ann Putnam’s mother and father and her father’s identical twin, and how they lived together with their courage and their stumblings, as they made their way into old age and then into death. It’s the story of the journey from one twin’s death to the other, of what happened along the way, of what it means to lose the other who is also oneself. And it’s the story of how Ann Putnam herself struggled to save them and could not, and how she dealt with the weight of guilt, of worrying that she had not done enough, said enough, stayed long enough for them all. How she learned that through this long journey all that was really needed was love.
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cover of Preston Sturges: The Last Years of Hollywood's First Writer-Director

Preston Sturges

The Last Years of Hollywood's First Writer-Director

Nick Smedley and Tom Sturges

Intellect Books, 2019

Few directors of the 1930s and ‘40s were as distinctive and popular as Preston Sturges, whose whipsmart comedies have entertained audiences for decades. Beginning with a foreword by Peter Bogdanovich, this book offers a new critical appreciation of Sturges’ whole oeuvre, incorporating a detailed study of the last ten years of his life from new primary sources. Preston Sturges details the many unfinished projects of Sturges’ last decade, including films, plays, TV series and his autobiography. Drawing on diaries, sketchbooks, correspondence, unpublished screenplays and more, Nick Smedley and Tom Sturges present the writer-director’s final years in more detail than we’ve ever seen, showing a master still at work—even if very little of that work ultimately made it to the screen or stage.
 
 
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cover of Stephen Douglas: The Last Years, 1857–1861

Stephen Douglas

The Last Years, 1857–1861

By Damon Wells

University of Texas Press, 1971

Stephen Douglas and the old Union lived out their last years together. It was the most critical time in the life of both the Illinois senator and his country. During most of the period 1857–1861 the American nation could still choose between adjustment of its sectional differences and civil war, and the man they called the Little Giant seemed the one statesman most likely to lead the country onto a course of compromise and reconciliation.

But Douglas’ intense involvement with the American political scene—his great accomplishments in enacting the Compromises of 1850 and 1854, and his victory in the senatorial campaign of 1858—tended at times to disguise a growing alienation from the mainstream of American political life. By 1857 that alienation had reached acute proportions. In part, Douglas fell victim to his own virtues. He sought to be a nationalist in an age of sectionalism; he preached the value of compromise when most Americans questioned its worth.

In other respects, Douglas’ political failures are less excusable. His attempt to convert an apparently amoral attitude toward slavery into a principle—popular sovereignty—found him dismissed by antislavery citizens as immoral and by proslavery citizens as unreliable. For too long, Douglas, professing to “care not” about the future of slavery, overlooked how much Americans could care once their consciences had been aroused or their way of life supposedly threatened.

Douglas failed to win the presidential campaign of 1860 largely because he could satisfy neither the proponents nor the enemies of slavery. Yet if the last years of Douglas’ life were marred by failure, he was not ultimately the tragic figure some historians have suggested. During the campaign of 1860 a profound change began to take place in Stephen Douglas. The outmoded nationalism he had preached for so long began to give way to Unionism. In his eventual support of Lincoln and his defense of the Union, Douglas at last found a policy worthy of his great talents.

Damon Wells first became interested in Stephen Douglas in 1959 after seeing a Broadway dramatization of the Lincoln-Douglas Debates. Later, his studies convinced him that playwright and historian alike were often unfair to Douglas. If Lincoln was to be a hero, then Douglas had to be cast as a villain.

This study fills the need for a fresh and dispassionate look at Douglas and provides a fairer assessment than can be reached by simply endorsing contradictory views of apologists and critics. It places particular emphasis on the Little Giant’s struggle with President James Buchanan, the debates with Lincoln, the presidential campaign of 1860, Douglas’ complex relationship with the South, and a careful analysis of the elusive and at times exasperating principle of popular sovereignty.

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cover of The California Days of Ralph Waldo Emerson

The California Days of Ralph Waldo Emerson

Brian C. Wilson

University of Massachusetts Press, 2022

In the spring of 1871, Ralph Waldo Emerson boarded a train in Concord, Massachusetts, bound for a month-and-a-half-long tour of California—an interlude that became one of the highlights of his life. On their journey across the American West, he and his companions would take in breathtaking vistas in the Rockies and along the Pacific Coast, speak with a young John Muir in the Yosemite Valley, stop off in Salt Lake City for a meeting with Brigham Young, and encounter a diversity of communities and cultures that would challenge their Yankee prejudices.

Based on original research employing newly discovered documents, The California Days of Ralph Waldo Emerson maps the public story of this group’s travels onto the private story of Emerson’s final years, as aphasia set in and increasingly robbed him of his words. Engaging and compelling, this travelogue makes it clear that Emerson was still capable of wonder, surprise, and friendship, debunking the presumed darkness of his last decade.

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cover of The Philly Fan's Code: The 50 Toughest, Craziest, Most Legendary Philadelphia Athletes of the Last 50 Years

The Philly Fan's Code

The 50 Toughest, Craziest, Most Legendary Philadelphia Athletes of the Last 50 Years

Mike Tanier

Temple University Press, 2011

Face it: Philadelphia athletes are often as tough as their fans are passionate. How else to explain the rabid appeal of the bone-crunching Broad Street Bullies? Chuck Bednarik was one of the looniest tunes in Philadelphia sports history, but fuggedabout him. In The Philly Fan's Code, New York Times sportswriter Mike Tanier provides fun and opinionated essays that evaluate the 50 greatest, toughest, and most eccentric legends of Philly sports since Concrete Charlie hung up his cleats.

Using his own "rubric" to calculate the impact of each athlete, Tanier ranks well-adjusted players like Mark Howe alongside both unpredictable athletes like Brad Lidge—who followed an almost perfect season with a 162-game catastrophe—and quirky ones, such as Wilt Chamberlain, who may be better known for bragging about his sexual conquests than for scoring 100 points in a game. And let's not forget our visitor from Planet Lovetron… Then there are the real wild cards-players like Terrell Owens, who does sit-ups in his driveway and whose impact—for better or worse— outlasted the few actual games he played for the Eagles. As for Tanier's choice for the No. 1 toughest, craziest, most legendary player, well, you'll have to read the book to see if you agree. Whether you do or don't, The Philly Fan's Code will provide hours of debates and memories of who our toughest sports heroes were—or weren't.

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cover of Times Remembered: The Final Years of the Bill Evans Trio

Times Remembered

The Final Years of the Bill Evans Trio

Joe La Barbera

University of North Texas Press, 2021

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