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2 books match the query 'Late Pahlavi Iran'

cover of Art, Intellect and the State: Cultural Histories of Late Pahlavi Iran

Art, Intellect and the State

Cultural Histories of Late Pahlavi Iran

Edited by Bianca Devos and Robert Steele

Gingko, 2026

A cross-disciplinary volume on the intersections of—and tensions between—culture and government in Iran's late Pahlavi period. 

In recent years, scholarly interest in Iran's late Pahlavi period (1941–1979) has grown significantly and historians are increasingly approaching the era not merely as a prelude to the Iranian Revolution, but as a period worthy of study in its own right. New generations of scholars have uncovered fresh sources and offered original perspectives on the cultural and social life of this era. Yet opportunities for cross-disciplinary engagement among scholars from different fields who are exploring similar questions remain limited. This volume, the product of two international workshops at the Austrian Academy of Sciences in Vienna and the University of Marburg, respectively, is a collection of the work of scholars at various stages of their careers from various disciplines investigating the cultural history of late Pahlavi Iran from a multiplicity of perspectives, including: archaeology, architecture, scholarship, media, art, film, literature, politics, religion, museums, music, philosophy, education, and theater.

Chapters explore the interactions between state ideology and the sociocultural sphere, exploring ideas such as: the influence of the press and literature on social discourses; the culturally strategic and identity-forming role of the performing arts; the relationship between state education policy and culture; the employment of foreign artists, architects, scholars, and musicians in the context of Iran’s cultural diplomacy; and the dynamics of (state) religion, spirituality, nationalism, and psychology in modern media or through their dissemination in the media. The volume explores not only the Pahlavi state’s direct participation in facilitating cultural activity or scholarly endeavors, but also how artists, writers, historians, and other cultural actors flourished independent of (sometimes in spite of) the state apparatus.

The volume does not seek to provide an encyclopaedic collection detailing every aspect of culture in the Pahlavi period, but the case studies explored demonstrate the breadth and complexities of this field in the historiography. Moreover, by shedding light on the various features of culture in the late Pahlavi era and encouraging multidisciplinary discussions, the volume aims to contribute to a greater understanding of the vibrant cultural life in Iran during this period.

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cover of The Age of Aryamehr: Late Pahlavi Iran and Its Global Entanglements

The Age of Aryamehr

Late Pahlavi Iran and Its Global Entanglements

Edited by Roham Alvandi

Gingko, 2025

Fully incorporates Pahlavi Iran into the global history of the 1960s and ’70s, when Iran mattered far beyond its borders.

The reign of the last Shah of Iran, Mohammad Reza Pahlavi (1941–79), marked the high point of Iran’s global interconnectedness. Never before had Iranians felt the impact of global political, social, economic, and cultural forces so intimately in their national and daily lives, nor had Iranian actors played such an important global role –  on battlefields, barricades, and in board rooms far beyond Iran’s borders. Iranian intellectuals, technocrats, politicians, workers, artists, and students alike were influenced by the global ideas, movements, markets, and conflicts that they also helped to shape.

From the launch of the Shah’s White Revolution in 1963 to his overthrow in the popular revolution of 1978–79, Iran saw the longest period of sustained economic growth that the country had ever experienced. An entire generation took its cue from the shift from oil consumption to oil production to dream of, and aspire to, a modernized Iran, and the history of Iran in this period has tended to be presented as a prologue to the revolution. Those histories usually locate the political, social, and cultural origins of the revolution firmly within a national context, into which global actors intruded as Iranian actors retreated. While engaging with that national narrative, this volume is concerned with Iran’s place in the global history of the 1960s and ’70s. It examines and highlights the transnational threads that connected Pahlavi Iran to the world, from global traffic in modern art and narcotics to the embrace of American social science by Iranian technocrats and the encounter of European intellectuals with the Iranian Revolution. 
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