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2 books match the query 'Latinx America'
Empathy and Performance
Enactments of Power in Latinx AmericaLaura V. Sández
Vanderbilt University Press, 2024
Empathy and Performance advances a study of empathy and enactments of power by examining works from author-actors whose performances explore the boundaries between two kinship positions. Author Laura V. Sández studies the dramatized dilemma of cultural understanding in “Our America,” a notion that refers first to a collective political identity marking a common belonging in the Spanish-speaking America but also alludes to current struggles in the contemporary US. This book sees empathy as an affective response grounded in subjectivity and kinship. Sández argues that to conceptualize empathy one needs to understand how subjects organize, classify, and limit themselves, not only as agents, but also as interpreters. What sort of affiliations do these performances promote? How do they break, reinforce, or queer societal expectations about the Latinx body, the white body, or simply, the staged body?
To survey different answers to these queries, Sández studies Indigurrito (Nao Bustamante); Dominicanish (Josefina Báez); ¡Bienvenidos Blancos! or Welcome White People! (Alex Torra); the apology delivered by the group Veterans Stand with Standing Rock during protests against the Dakota Access Pipeline; and Kukuli Velarde’s body of work, from We, the Colonized Ones to A Mi Vida. In these artistic enactments, which range from 1992 to 2021, the historical construct of boundaries and bodies becomes evident. Following recent work on empathy by Lanzoni, Maibom, Calloway-Thomas, Bloom, Hogan, and Matravers, among others, Sández examines in-group/out-group divisions, the establishment of identity categories through performance, and the exploration of subaltern identities.
To survey different answers to these queries, Sández studies Indigurrito (Nao Bustamante); Dominicanish (Josefina Báez); ¡Bienvenidos Blancos! or Welcome White People! (Alex Torra); the apology delivered by the group Veterans Stand with Standing Rock during protests against the Dakota Access Pipeline; and Kukuli Velarde’s body of work, from We, the Colonized Ones to A Mi Vida. In these artistic enactments, which range from 1992 to 2021, the historical construct of boundaries and bodies becomes evident. Following recent work on empathy by Lanzoni, Maibom, Calloway-Thomas, Bloom, Hogan, and Matravers, among others, Sández examines in-group/out-group divisions, the establishment of identity categories through performance, and the exploration of subaltern identities.
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Sovereign Acts
Contesting Colonialism Across Indigenous Nations and Latinx AmericaEdited by Frances Negrón-Muntaner
University of Arizona Press, 2017
While the sovereign nation-state is considered the world’s political norm, millions of colonial subjects, immigrants, refugees, and native peoples appear to be without sovereignty. What claims have they to sovereignty? If they cannot ever constitute themselves into sovereign nation-states, are they out of the political game? Can a framework like sovereignty—used historically to exploit, dispossess, and even exterminate people—be a part of a struggle for political freedom?
Editor Frances Negrón-Muntaner and the contributors to Sovereign Acts engage in a debate around these questions with surprising results. Moving the idea of sovereignty beyond the narrow confines of the nation-state, beyond the concept of a power that one either has or lacks, this paradigm-shifting work examines the multiple ways that Indigenous nations and U.S. territorial peoples act as sovereign and the possible limits of such sovereign acts within the current globalized context. A valuable contribution to the debate around indigenous and other conceptions of sovereignty, Sovereign Acts goes further than legal frameworks to investigate the relationships among sovereignty, gender, sexuality, representation, and the body.
From activist style and choreography to the politics of recognition, the scholars and artists featured in this unique volume map out how people disrupt modern notions of sovereignty, attempt to redefine what being sovereign means, or seek alternative political vocabularies. Sovereignty is not only, after all, a kingdom and a crown.
CONTRIBUTORS
Michael Lujan Bevacqua
Glen Coulthard
Jennifer Nez Denetdale
Adriana María Garriga-López
Jessica A. F. Harkins
Brian Klopotek
Davianna Pomaika‘i McGregor
Frances Negrón-Muntaner
Yasmin Ramírez
Mark Rifkin
Madeline Román
Stephanie Nohelani Teves
Fa‘anofo Lisaclaire Uperesa
Editor Frances Negrón-Muntaner and the contributors to Sovereign Acts engage in a debate around these questions with surprising results. Moving the idea of sovereignty beyond the narrow confines of the nation-state, beyond the concept of a power that one either has or lacks, this paradigm-shifting work examines the multiple ways that Indigenous nations and U.S. territorial peoples act as sovereign and the possible limits of such sovereign acts within the current globalized context. A valuable contribution to the debate around indigenous and other conceptions of sovereignty, Sovereign Acts goes further than legal frameworks to investigate the relationships among sovereignty, gender, sexuality, representation, and the body.
From activist style and choreography to the politics of recognition, the scholars and artists featured in this unique volume map out how people disrupt modern notions of sovereignty, attempt to redefine what being sovereign means, or seek alternative political vocabularies. Sovereignty is not only, after all, a kingdom and a crown.
CONTRIBUTORS
Michael Lujan Bevacqua
Glen Coulthard
Jennifer Nez Denetdale
Adriana María Garriga-López
Jessica A. F. Harkins
Brian Klopotek
Davianna Pomaika‘i McGregor
Frances Negrón-Muntaner
Yasmin Ramírez
Mark Rifkin
Madeline Román
Stephanie Nohelani Teves
Fa‘anofo Lisaclaire Uperesa
[more]