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4 books match the query 'LeVine, Mark'

cover of Islam and Popular Culture

Islam and Popular Culture

Edited by Karin van Nieuwkerk, Mark LeVine, and Martin Stokes

University of Texas Press, 2016

Popular culture serves as a fresh and revealing window on contemporary developments in the Muslim world because it is a site where many important and controversial issues are explored and debated. Aesthetic expression has become intertwined with politics and religion due to the uprisings of the “Arab Spring,” while, at the same time, Islamist authorities are showing increasingly accommodating and populist attitudes toward popular culture. Not simply a “westernizing” or “secularizing” force, as some have asserted, popular culture now plays a growing role in defining what it means to be Muslim.

With well-structured chapters that explain key concepts clearly, Islam and Popular Culture addresses new trends and developments that merge popular arts and Islam. Its eighteen case studies by eminent scholars cover a wide range of topics, such as lifestyle, dress, revolutionary street theater, graffiti, popular music, poetry, television drama, visual culture, and dance throughout the Muslim world from Indonesia, Africa, and the Middle East to Europe. The first comprehensive overview of this important subject, Islam and Popular Culture offers essential new ways of understanding the diverse religious discourses and pious ethics expressed in popular art productions, the cultural politics of states and movements, and the global flows of popular culture in the Muslim world.

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cover of Palestine, Israel, and the Politics of Popular Culture

Palestine, Israel, and the Politics of Popular Culture

Rebecca L. Stein and Ted Swedenburg, eds.

Duke University Press, 2005

This important volume rethinks the conventional parameters of Middle East studies through attention to popular cultural forms, producers, and communities of consumers. The volume has a broad historical scope, ranging from the late Ottoman period to the second Palestinian uprising, with a focus on cultural forms and processes in Israel, Palestine, and the refugee camps of the Arab Middle East. The contributors consider how Palestinian and Israeli popular culture influences and is influenced by political, economic, social, and historical processes in the region. At the same time, they follow the circulation of Palestinian and Israeli cultural commodities and imaginations across borders and checkpoints and within the global marketplace.

The volume is interdisciplinary, including the work of anthropologists, historians, sociologists, political scientists, ethnomusicologists, and Americanist and literary studies scholars. Contributors examine popular music of the Palestinian resistance, ethno-racial “passing” in Israeli cinema, Arab-Jewish rock, Euro-Israeli tourism to the Arab Middle East, Internet communities in the Palestinian diaspora, café culture in early-twentieth-century Jerusalem, and more. Together, they suggest new ways of conceptualizing Palestinian and Israeli political culture.

Contributors. Livia Alexander, Carol Bardenstein, Elliott Colla, Amy Horowitz, Laleh Khalili, Mary Layoun, Mark LeVine, Joseph Massad, Melani McAlister, Ilan Pappé, Rebecca L. Stein, Ted Swedenburg, Salim Tamari

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cover of Sound Fury: Poems

Sound Fury

Poems

Mark Levine

University of Iowa Press, 2022

Throughout Sound Fury, poems by metaphysician Robert Herrick are refashioned into phantasmagorical oddities of likeness and difference. Figures from the fringes of popular imagination—Zane Grey, Robinson Crusoe, Porfirio Díaz—surface as cobbled-together avatars on the theme of identity. Brilliantly asserting the necessity of humane and resistant modes of speech against the vapid sounds and enforced silences of orthodoxy, Sound Fury finds the poet “Now, in our former state/ In our current one/ In stately procession,” venturing forth in a world “where things of questionable being go.”
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cover of Travels of Marco

Travels of Marco

Mark Levine

Four Way Books, 2016

The poems in Travels of Marco speak with a heightened awareness of the incipience of personhood and of its tatters. Exploring a friction between living and surviving, the poems are preoccupied with employment—physical and spiritual—and unemployment, flight and immobility, ethereal selves and animal selves, absurdity and actuality. Here is work that raises the questions of whether the person who has lost language continues to dream and of whether the most remote memories of love and care might provide sustenance. The story these poems are telling in their shifting tones and identities is one of the restorative power of imaginative transport—travels in language—at the mind’s limit.
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