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6 books match the query 'Lefort, Claude'

cover of Institution and Passivity: Course Notes from the Collège de France (1954-1955)

Institution and Passivity

Course Notes from the Collège de France (1954-1955)

Maurice Merleau-Ponty

Northwestern University Press, 2010

Institution and Passivity is based on course notes for classes taught at the Bibliothèque Nationale de Paris. Philosophically, this collection connects the issue of passive constitution of meaning with the dimension of history, furthering discussions and completing arguments started in The Visible and the Invisible and Signs (both published by Northwestern). Leonard Lawlor and Heath Massey’s translation makes available to an English-speaking readership a critical transitional text in the history of phenomenology.


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cover of Machiavelli in the Making

Machiavelli in the Making

Claude Lefort; Translated from the French by Michael B. Smith

Northwestern University Press, 2011

Machiavelli in the Making is both a novel interpretation of the Florentine’s work and a critical document for understanding influential French scholar and public intellectual Claude Lefort’s later writings on democracy and totalitarianism. Lefort extricates Machiavelli’s thought from the dominant interpretations of him as the founder of “objective” political science, which, having liberated itself from the religious and moralizing tendencies of medieval political reflection, attempts to arrive at a realistic discourse on the operations of raw power. Lefort ultimately finds that Machiavelli’s discourse opens the “place of the political” which had previously been occupied by theology and morality.

 
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cover of The Philosophy of Claude Lefort: Interpreting the Political

The Philosophy of Claude Lefort

Interpreting the Political

Bernard Flynn

Northwestern University Press, 2005

From the beginning the French philosopher Claude Lefort has set himself the task of interpreting the political life of modern society-and over time he has succeeded in elaborating a distinctive conception of modern democracy that is linked to both historical analysis and a novel form of philosophical reflection. This book, the first full-scale study of Lefort to appear in English, offers a clear and compelling account of Lefort's accomplishment—its unique merits, its relation to political philosophy within the Continental tradition, and its great relevance today.

Much of what passes for political philosophy in our day is merely politicized philosophical concepts, a distinction author Bernard Flynn underscores as he describes the development of Lefort's truly political philosophy—its ideas formed in response to his own political experience and to the work of certain major figures within the tradition of political thought. Beginning with Lefort's most important single work, his book on Machiavelli, Flynn presents the philosopher's conceptions of politics, modernity, and interpretation in the context within which they took shape. He then draws on a wide variety of Lefort's works to explicate his notions of premodern and modern democracy in which totalitarianism, in Lefort's singular and highly influential theory, is identified as a permanent problem of modernity.

A valuable exposition of one of the most important Continental philosophers of the post-World War II period, Flynn's book is itself a noteworthy work of interpretive philosophy, pursuing the ideas and issues addressed by Lefort to a point of unparalleled clarity and depth.
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cover of The Possibility of Philosophy: Course Notes from the Collège de France, 1959–1961

The Possibility of Philosophy

Course Notes from the Collège de France, 1959–1961

Maurice Merleau-Ponty, Edited by Stéphanie Ménasé with a foreword by Claude Lefort, Translated from the French by Keith Whitmoyer

Northwestern University Press, 2022

The Possibility of Philosophy presents the notes that Maurice Merleau‑Ponty prepared for three courses he taught at the Collège de France: “The Possibility of Philosophy Today,” given in the spring semester of 1959, and “Cartesian Ontology and Ontology Today” and “Philosophy and Nonphilosophy since Hegel,” both given in the spring semester of 1961. The last two courses remain incomplete due to Merleau-Ponty’s unexpected death on May 3, 1961. Nonetheless, they provide indications of the new ontology that informed The Visible and the Invisible, a posthumously published work that was under way at the same time. These courses offer readers of Merleau‑Ponty’s late thought a wealth of references—to painting, literature, and psychoanalysis, and to the works of Husserl, Heidegger, Descartes, Hegel, and Marx—that fill in some of the missing pieces of The Visible and the Invisible, especially its often terse and sometimes cryptic working notes. We see more clearly how Merleau-Ponty’s attempt to bring forth a new ontology indicates a fundamental revision in what it means to think, an attempt to reimagine the possibility of philosophy.

 
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cover of The Prose of the World

The Prose of the World

Maurice Merleau-Ponty

Northwestern University Press, 1973

The work that Maurice Merleau-Ponty planned to call The Prose of the World, or Introduction to the Prose of the World, was unfinished at the time of his death. The book was to constitute the first section of a two-part work whose aim was to offer, as an extension of his Phenomenology of Perception, a theory of truth. This edition's editor, Claude Lefort, has interpreted and transcribed the surviving typescript, reproducing Merleau-Ponty's own notes and adding documentation and commentary.
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cover of Writing: The Political Test

Writing

The Political Test

Claude Lefort

Duke University Press, 2000

Writing involves risks—the risk that one will be misunderstood, the risk of being persecuted, the risks of being made a champion for causes in which one does not believe, this risk of inadvertently supporting a reader’s prejudices, to name a few. In trying to give expression to what is true, the writer must “clear a passage within the agitated world of passions,” an undertaking that always to some extent fails: writers are never the master of their own speech.
In Writing: The Political Test, France’s leading political philosopher, Claude Lefort, illuminates the process by which writers negotiate difficult path to free themselves from the ideological and contextual traps that would doom their attempts to articulate a new vision. Lefort examines writers whose works provide special insights into this problem of risk, both literary artists and political philosophers. Among them are Salman Rushdie, Sade, Tocqueville,m Machiavelli, Leo Strauss, Orwell, Kant, Robespierre, Guizot, and Pierre Clastres. In Tocqueville, for example, Lefort finds that the author’s improvisatory and open-ended expression represents the character of the democratic experience. Orwell’s work on totalitarianism shows up the totalitarian subject’s complicity in this political regime. And Rushdie is remarkable for his solid attack on relativism. With the character and fate of the political forms of modernity, democracy, and totalitarianism a central theme, Lefort concludes with some reflections on the collapse of the Soviet Union.
This intriguing and accessible exploration of literature’s political aspects and political philosophy’s literary ones will be welcomed by those who have been stymied by current efforts to bridge these two fields. Taken together, the essays in this volume also stand as an intellectual autobiography of Lefort, making it an excellent introduction to his work for less experience students of political theory or philosophy.
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