5 books match the query 'Literary Arts'
Donald F. Lach
University of Chicago Press, 1994
Laura Doyle
Duke University Press, 2020
Eli Goldblatt
Utah State University Press, 2026
Lit to Lit examines the traditional split between the study of literature and composition and rhetoric programs, asking writing studies scholars to think critically and creatively about the role literature can play in the teaching of writing and the field’s conceptions of its own relation to writing. Grounded in diverse experiences and practices, contributors offer provocative but thoughtful analyses of how composition and literature can be brought together in the study and teaching of writing.
Complex forms of writing should not be the sole territory of one subfield or discipline but rather should benefit from multiple perspectives generated by those with keen and abiding interests in writing writ large. Many in the field of composition and rhetoric also have an active engagement in the literary arts, particularly the flowering of literature from diverse cultural experiences in the last decades. What new teaching and learning approaches could emerge from a synthesis of theoretical, literary, rhetorical, poetic, and compositional methods? This question becomes even more compelling when considering how English departments often house programs in journalism and creative writing, allowing robust opportunities for multiple ways of thinking about and studying complex texts.
Lit to Lit makes visible the generative overlap between subfields already present in the broad field of English, pointing to new ways forward that value each area’s separate endeavors while highlighting the possibilities for what could be built together.
Edited by Kristina Marie Darling
Tupelo Press, 2025
Maeve Adams
Ohio University Press, 2025
A fresh perspective on the enduring relationship between literature, democracy, and dissent
Rhetoric and Resistance explores the transformative role of nineteenth-century literature in shaping modern concepts and practices of democratic dissent. By examining the works of Romantic and Victorian novelists, poets, and journalists, Maeve Adams identifies origins of modern theories and practices of resistance in nineteenth-century literary forms. Offering a literary history of dissent, the book recovers the intertwined development of democracy and aesthetics, revealing how narrative form became a potent tool for challenging authority.
Tracing the lineage of dissent from the radical fiction and journalism of the 1800s to contemporary movements like #MeToo, Adams offers a genealogy that highlights how literary texts experimented with political power, granting new and consequential voices to working-class individuals, women, colonized peoples, and other marginalized groups.
Adams takes an interdisciplinary approach, weaving together close readings of works by Thomas De Quincey, Walter Scott, Elizabeth Gaskell, and H. G. Wells, as well as lesser-known journalists, with insights from modern moral and political philosophy. Drawing on theories of democratic ethics and justice from scholars such as Miranda Fricker, Sharon Krause, Martha Nussbaum, and Philip Pettit, the book bridges literary history and contemporary debates about political agency and expression.