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4 books match the query 'Little Faith'

cover of Have a Little Faith: Religion, Democracy, and the American Public School

Have a Little Faith

Religion, Democracy, and the American Public School

Benjamin Justice and Colin Macleod

University of Chicago Press, 2016

It isn’t just in recent arguments over the teaching of intelligent design or reciting the pledge of allegiance that religion and education have butted heads: since their beginnings nearly two centuries ago, public schools have been embroiled in heated controversies over religion’s place  in the education system of a pluralistic nation. In this book, Benjamin Justice and Colin Macleod take up this rich and significant history of conflict with renewed clarity and astonishing breadth. Moving from the American Revolution to the present—from the common schools of the nineteenth century to the charter schools of the twenty-first—they offer one of the most comprehensive assessments of religion and education in America that has ever been published.

From Bible readings and school prayer to teaching evolution and cultivating religious tolerance, Justice and Macleod consider the key issues and colorful characters that have shaped the way American schools have attempted to negotiate religious pluralism in a politically legitimate fashion. While schools and educational policies have not always advanced tolerance and understanding, Justice and Macleod point to the many efforts Americans have made to find a place for religion in public schools that both acknowledges the importance of faith to so many citizens and respects democratic ideals that insist upon a reasonable separation of church and state. Finally, they apply the lessons of history and political philosophy to an analysis of three critical areas of religious controversy in public education today: student-led religious observances in extracurricular activities, the tensions between freedom of expression and the need for inclusive environments, and the shift from democratic control of schools to loosely regulated charter and voucher programs.

Altogether Justice and Macleod show how the interpretation of educational history through the lens of contemporary democratic theory offers both a richer understanding of past disputes and new ways of addressing contemporary challenges.
 
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cover of Men of Little Faith: Selected Writings of Cecelia Kenyon

Men of Little Faith

Selected Writings of Cecelia Kenyon

Stanley Elkins

University of Massachusetts Press, 2003

During a scholarly career that extended from the late 1940s to the mid-1980s, Cecelia Kenyon wrote a series of essays and reviews that reshaped thinking about the American Revolution and its aftermath. Beginning with her influential essay "Men of Little Faith: The Anti-Federalists on the Nature of Representative Government," Kenyon challenged prevailing interpretations of the Revolutionary era by emphasizing the crucial role of ideology. In so doing, she helped spark a major shift in early American historiography.

By bringing Kenyon's key writings together in a single volume, the editors have sought not only to reaffirm the importance of her contributions to scholarship but also to reveal the subtlety and imagination of her mind at work. Whether assessing the limitations of Charles Beard's "An Economic Interpretation of the Constitution," analyzing the enigma of Alexander Hamilton (whom she memorably describes as "the Rousseau of the Right"), or evaluating what was truly radical about America's revolution, Kenyon's insights remain as fresh as they are shrewd.

As the editors point out in their foreword to the book, Kenyon had an extraordinary talent for opening up to scrutiny subjects whose significance had previously been overlooked. Although her originality may not have been fully appreciated at first, her writings had an undeniable impact on subsequent work in her field. Eminent scholars such as Bernard Bailyn, Gordon S. Wood, and John Pocock all drew on Kenyon's ideas in their own groundbreaking studies of the Revolutionary era, and today the pivotal importance of her essays is widely recognized by a new generation of historians.
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cover of Saints of Little Faith

Saints of Little Faith

Megan Pinto

Four Way Books, 2024

The energies animating Saints of Little Faith, Megan Pinto’s electrifying debut in poetry, are a forceful quiet, a loud stillness, the caesura between a lightning strike and the sound of thunder. Everywhere, the speaker sees the numinous power of language, the incipience of things to come, even a kind of catastrophic grace in desolation and destruction — as if within the terrain of her own obsession, she recognizes the familiar, ever-changing seasons. Fierce and intimate, this poet’s meditative transformations engage with South Asian experiences of addiction, domestic violence, and mental illness, refusing to ignore narratives treated as unspeakable and overlooked by the English canon. Mapping the collision of abuse, psychosis, and rage, Pinto sees beyond them, buoyed by an inscrutable but abiding faith in the holiness of life itself, in a cold God nevertheless capable of gentleness. Once, “desire was an arrow, but now desire / is the field.” Pinto presides over this expanse, deciding, “I have three choices: to drift through life / anesthetized, to soften. . .” In that unspoken “or,” the merciful lacuna of that ellipsis, reside the lyrical mystery and medicine that feed this astonishing collection and strengthen resolve, both ours and the speaker’s: “The lake looks frozen, but it is not.” 

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cover of Saints of Little Faith

Saints of Little Faith

Megan Pinto

Four Way Books, 2024

The energies animating Saints of Little Faith, Megan Pinto’s electrifying debut in poetry, are a forceful quiet, a loud stillness, the caesura between a lightning strike and the sound of thunder. Everywhere, the speaker sees the numinous power of language, the incipience of things to come, even a kind of catastrophic grace in desolation and destruction — as if within the terrain of her own obsession, she recognizes the familiar, ever-changing seasons. Fierce and intimate, this poet’s meditative transformations engage with South Asian experiences of addiction, domestic violence, and mental illness, refusing to ignore narratives treated as unspeakable and overlooked by the English canon. Mapping the collision of abuse, psychosis, and rage, Pinto sees beyond them, buoyed by an inscrutable but abiding faith in the holiness of life itself, in a cold God nevertheless capable of gentleness. Once, “desire was an arrow, but now desire / is the field.” Pinto presides over this expanse, deciding, “I have three choices: to drift through life / anesthetized, to soften. . .” In that unspoken “or,” the merciful lacuna of that ellipsis, reside the lyrical mystery and medicine that feed this astonishing collection and strengthen resolve, both ours and the speaker’s: “The lake looks frozen, but it is not.” 

[more]