Results by title
7 books match the query 'Locating'
Defining, Locating, and Addressing Bullying in the WPA Workplace
Cristyn L. Elder
Utah State University Press, 2018
Defining, Locating, and Addressing Bullying in the WPA Workplace is the first volume to take up the issue of bullying in writing programs. Contributors to this collection share their personal stories and analyze varieties of collegial malevolence they have experienced as WPAs with consequences in emotional, mental, and physical health and in personal and institutional economies.
Contributors of varying status in different types of programs across many kinds of institutions describe various forms of bullying, including microaggressions, incivility, mobbing, and emotional abuse. They define bullying as institutional racism, “academic systemic incivility,” a crisis of insularity, and faculty fundamentalism. They locate bullying in institutional contexts, including research institutions, small liberal arts colleges, community colleges, and writing programs and writing centers. These locations are used as points of departure to further theorize bullying and to provide clear advice about agentive responses.
A culture of silence discourages discussions of this behavior, making it difficult to address abuse. This silence also normalizes patterns and cultivates the perception that bullying arises naturally. Defining, Locating, and Addressing Bullying in the WPA Workplace helps the field to name these patterns of behaviors as bullying and resist ideologies of normalcy, encouraging and empowering readers to take an active role in defining, locating, and addressing bullying in their own workplaces.
Contributors: Sarah Allen, Andrea Dardello, Harry Denny, Dawn Fels, Bre Garrett, W. Gary Griswold, Amy C. Heckathorn, Aurora Matzke, Staci Perryman-Clark, Sherry Rankins-Robertson, Erec Smith
Contributors of varying status in different types of programs across many kinds of institutions describe various forms of bullying, including microaggressions, incivility, mobbing, and emotional abuse. They define bullying as institutional racism, “academic systemic incivility,” a crisis of insularity, and faculty fundamentalism. They locate bullying in institutional contexts, including research institutions, small liberal arts colleges, community colleges, and writing programs and writing centers. These locations are used as points of departure to further theorize bullying and to provide clear advice about agentive responses.
A culture of silence discourages discussions of this behavior, making it difficult to address abuse. This silence also normalizes patterns and cultivates the perception that bullying arises naturally. Defining, Locating, and Addressing Bullying in the WPA Workplace helps the field to name these patterns of behaviors as bullying and resist ideologies of normalcy, encouraging and empowering readers to take an active role in defining, locating, and addressing bullying in their own workplaces.
Contributors: Sarah Allen, Andrea Dardello, Harry Denny, Dawn Fels, Bre Garrett, W. Gary Griswold, Amy C. Heckathorn, Aurora Matzke, Staci Perryman-Clark, Sherry Rankins-Robertson, Erec Smith
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Locating the Audience
How People Found Value in National Theatre WalesKirsty Sedgman
Intellect Books, 2016
How do audiences experience live performances? What is gained when a national theater is born? These questions and more are the subject of Locating the Audience—the first in-depth study of how people form relationships with a new theater company. Investigating the inaugural season of National Theatre Wales, Kirsty Sedgman explores how different people felt about the way their communities were engaged and their places “performed” by the theater’s productions. Mapping the complex interplay between audience experience and identity, the book presents a significant contribution to our contemporary project of defining cultural value. Rather than understanding value as an end point—“impact”—Sedgman makes the provocative claim that cultural value can better be understood as a process. By talking to audiences and capturing pleasures and disappointments, Locating the Audience shows the meaning-making process in action.
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Locating the Proper Authorities
The Interaction of Domestic and International InstitutionsDaniel W. Drezner, Editor
University of Michigan Press, 2002
In an era of democratization and globalization, the number of decision makers has multiplied exponentially. Parliamentarians, bureaucrats, international secretariats, regional governors, and nongovernmental organizations have all gained influence at the expense of heads of state. How do these competing layers of authority bargain with each other to govern? International relations theorists have traditionally focused on how leaders' domestic constraints affect their bargaining position internationally. However, there has been much less work on the flip side of this question--how foreign policy leaders can use international institutions as a means of circumventing or co-opting domestic opposition. Locating the Proper Authorities offers some preliminary answers, drawn from a number of theoretical perspectives by the contributors to this volume.
Written by some of the most promising theorists in the field of international relations, the essays in Locating the Proper Authorities address a broad array of substantive issue areas, including humanitarian intervention, trade dispute settlement, economic development, democratic transition, and security cooperation. This broad case selection has the virtue of incorporating developing countries, which are too often ignored in international relations, as well as less well-known international organizations. Each chapter examines the mechanisms and strategies through which policy entrepreneurs use international organizations as a means of bypassing or overcoming opposition to policy change. By examining the effects of different institutional design features, Locating the Proper Authorities helps us understand the variety of influence mechanisms through which international institutions shape the interaction of policy initiators and ratifiers.
Daniel W. Drezner is Assistant Professor of Political Science, University of Chicago.
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Lost in Time
Locating the Stranger in German ModernityJune J. Hwang
Northwestern University Press, 2014
June J. Hwang’s provocative Lost in Time explores discourses of timelessness in the works of central figures of German modernity such as Walter Benjamin, Georg Simmel, Siegfried Kracauer, and Helmuth Plessner, as well as those of Alfred Döblin, Joseph Roth, and Hugo Bettauer. Hwang argues that in the Weimar Republic the move toward ahistoricization is itself a historical phenomenon, one that can be understood by exploring the intersections of discourses about urban modernity, the stranger, and German Jewish identity.
These intersections shed light on conceptions of German Jewish identity that rely on a negation of the specific and temporal as a way to legitimize a historical outsider position, creating a dynamic position that simultaneously challenges and acknowledges the limitations of an outsider’s agency. She reads these texts as attempts to transcend the particular, attempts that paradoxically reveal the entanglement of the particular and the universal.
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Paradoxes of Migration in Tajikistan
Locating the Good LifeElena Borisova
University College London, 2024
An intimate ethnographic account of migration and (im)mobility as a mundane part of people’s lives in the region of Tajikistan.
Tajikistan is one of the most remittance-dependent countries in the world. Moving beyond economistic push-pull narratives about post-Soviet migration, Paradoxes of Migration in Tajikistan foregrounds the experiences of those who “stay put” in the sending society and struggle to reproduce their moral communities. In this first book-length ethnography of migration in Tajikistan, Elena Borisova examines the role of mobility through historical and cultural ideas about the good life. She demonstrates how mobility becomes entwined with people’s efforts to become good, moral, and modern subjects. Addressing the complex relationship between the economic, imaginative, and moral aspects of (im)mobility, Borisova shows that mass migration from Tajikistan is as much a project of navigating ethical personhood as it is a quest for economic resources.
This book is a beautifully crafted ethnographic account that reveals how transnational regimes and structures of mobility, citizenship, and histories map out in the intimate spheres of the body, the person, and the family. It is a major contribution to contemporary migration research, which is mostly centered on Europe and North America, and to the field of Central Asian studies. Highly readable, it will be of interest to researchers of migration, (im)mobility and citizenship, and to scholars of all disciplines working on Central Asia.
Tajikistan is one of the most remittance-dependent countries in the world. Moving beyond economistic push-pull narratives about post-Soviet migration, Paradoxes of Migration in Tajikistan foregrounds the experiences of those who “stay put” in the sending society and struggle to reproduce their moral communities. In this first book-length ethnography of migration in Tajikistan, Elena Borisova examines the role of mobility through historical and cultural ideas about the good life. She demonstrates how mobility becomes entwined with people’s efforts to become good, moral, and modern subjects. Addressing the complex relationship between the economic, imaginative, and moral aspects of (im)mobility, Borisova shows that mass migration from Tajikistan is as much a project of navigating ethical personhood as it is a quest for economic resources.
This book is a beautifully crafted ethnographic account that reveals how transnational regimes and structures of mobility, citizenship, and histories map out in the intimate spheres of the body, the person, and the family. It is a major contribution to contemporary migration research, which is mostly centered on Europe and North America, and to the field of Central Asian studies. Highly readable, it will be of interest to researchers of migration, (im)mobility and citizenship, and to scholars of all disciplines working on Central Asia.
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Traumatic Encounters in Italian Film
Locating the Cinematic UnconsciousFabio Vighi
Intellect Books, 2006
'Traumatic Encounters' addresses the question of the relationship between psychoanalysis and film in a thoroughly original way, bringing together Lacanian theory and Italian cinema as a means to unravel the deepest kernel of repressed knowledge around which film narratives are constructed. The primary theoretical reference of the book is the Real, the most under-represented of the three Lacanian categories (Symbolic, Imaginary and Real), which designates the traumatic dimension of reality that cannot be integrated in the order of language and communication. Exploring the relationship between film and its unconscious underside, the author argues that only by locating the elusive “traces of the cinematic Real” can a given film narrative be reconstructed in its entirety. Like the Lacanian subject, film here appears as fundamentally split between a traumatic dimension beyond signification (the Real), and awareness of its fragile symbolic status.
Always stylistically innovative, thematically defiant and driven by a strong political agenda, Italian cinema lends itself particularly well to a critical investigation aimed at radicalising the impact of psychoanalysis on film. In doing exactly that, the book deliberately avoids the standard cultural and historical approaches to film. Instead, it moves freely amongst some of the most widely celebrated – as well as lesser-known – Italian films of the post-war period, discussing the ways in which they tackle such themes as desire, fantasy, sexuality, violence and the law, to mention but a few. The main focus is on the work of those directors who most effectively engage with the divisive nature of the moving image: Antonioni, Pasolini and Rossellini. In addition, the book provides ample and insightful references to films by Visconti, Bertolucci, Bellocchio, Moretti, Petri, Fellini, Ferreri, and many more.
Always stylistically innovative, thematically defiant and driven by a strong political agenda, Italian cinema lends itself particularly well to a critical investigation aimed at radicalising the impact of psychoanalysis on film. In doing exactly that, the book deliberately avoids the standard cultural and historical approaches to film. Instead, it moves freely amongst some of the most widely celebrated – as well as lesser-known – Italian films of the post-war period, discussing the ways in which they tackle such themes as desire, fantasy, sexuality, violence and the law, to mention but a few. The main focus is on the work of those directors who most effectively engage with the divisive nature of the moving image: Antonioni, Pasolini and Rossellini. In addition, the book provides ample and insightful references to films by Visconti, Bertolucci, Bellocchio, Moretti, Petri, Fellini, Ferreri, and many more.
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Urban Imaginaries
Locating the Modern CityAlev Cinar
University of Minnesota Press, 2007
For millennia, the city stood out against the landscape, walled and compact. This concept of the city was long accepted as adequate for characterizing the urban experience. However, the nature of the city, both real and imagined, has always been more permeable than this model reveals.
The essays in Urban Imaginaries respond to this condition by focusing on how social and physical space is conceived as both indefinite and singular. They emphasize the ways this space is shared and thus made into urban culture. Urban Imaginaries offers case studies on cities in Brazil, Israel, Turkey, Lebanon, and India, as well as in the United States and France, and in doing so blends social, cultural, and political approaches to better understand the contemporary urban experience.
Contributors: Margaret Cohen, Stanford U; Camilla Fojas, De Paul U; Beatriz Jaguaribe, Federal U of Rio de Janeiro; Anthony D. King, SUNY Binghamton; Mark LeVine, U of California, Irvine; Srirupa Roy, U of Massachusetts, Amherst; Seteney Shami, Social Science Research Council; AbdouMaliq Simone, New School U; Maha Yahya; Deniz Yükseker, Koç U, Istanbul.
Alev Çinar is associate professor of political science and public administration at Bilkent University, Turkey. Thomas Bender is university professor of the humanities and history at New York University.
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