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Join author Tim Hauserman on his solo journeys through the Sierra Nevada and the forests of Minnesota. Hauserman shares his experiences hiking by himself through some of the most spectacular landscapes in the United States. Along the way, he confronts his conflicting desires to be alone in the wilderness, then facing profound loneliness and fear once he is there. In a single instant, he goes from enjoying a shimmering mountain lake to being petrified by the sound of a bear crunching through sticks right next to his tent.

Hauserman hikes the John Muir Trail through rainstorms and challenging climbs, explores the Tahoe Rim Trail on a fourteen-day excursion, and travels to Minnesota to conquer the Superior Hiking Trail, where he is inundated with bugs, faces drought, and is eerily alone on the trail with not a single other hiker in sight for days. Going It Alone combines his self-deprecating humor, what he identifies as “Stupid Tim Tricks,” and delightful descriptions of the natural surroundings.

Some might describe the wilderness as the middle of nowhere or as nothingness, but for Hauserman, it is everything. While his love for nature remains undaunted through these experiences, he also discovers that he has overly high expectations for his capabilities and that he cannot just wish his loneliness away. He eventually discovers that his long walks in the woods are less about hiking and more about learning how he wants to live his life.

 

“A deep and howling portrait of longing and loneliness.” —Boston Globe
“A distinctive debut from a promising author.” —Kirkus Reviews
“A stunner from the very first page.” —Deesha Philyaw, author of The Secret Lives of Church Ladies, in the Millions
And praise from Ann Patchett, Alice McDermott, Danielle Evans, Elisa Albert, and Aimee Bender

Populated with lovers who leave and return, with ghosts of the Holocaust and messages from the dead, Courtney Sender’s debut collection speaks in a singular new voice about the longings and loneliness of contemporary love. The world of these fourteen interlocking stories is fiercely real but suffused with magic and myth, dark wit, and distinct humor. Here, ancient loss works its way deep into the psyche of modern characters, stirring their unrelenting lust for life.

In “To Do With the Body,” the Museum of Period Clothes becomes the perfect setting for a bloody crime. In “Lilith in God’s Hands,” Adam’s first wife has an affair in the Garden of Eden. And in the title story, a woman spends her life waiting for any of the men who have left her to come back, only to find them all at her doorstep at once.

For readers of Elena Ferrante, Nicole Krauss, and Carmen Maria Machado, and for anyone who has known love and loneliness, In Other Lifetimes All I’ve Lost Comes Back to Me is a wise and sensual collection of old hauntings, new longings, and unexpected returns, with a finale that is a rousing call to the strength we each have, together or alone.

In The Lonely Letters, A tells Moth: “Writing about and thinking with joy is what sustains me, daily. It nourishes me. I do not write about joy primarily because I always have it. I write about joy, Black joy, because I want to generate it, I want it to emerge, I want to participate in its constant unfolding.” But alongside joy, A admits to Moth, come loneliness, exclusion, and unfulfilled desire. The Lonely Letters is an epistolary blackqueer critique of the normative world in which Ashon T. Crawley—writing as A—meditates on the interrelation of blackqueer life, sounds of the Black church, theology, mysticism, and love. Throughout his letters, A explores blackness and queerness in the musical and embodied experience of Blackpentecostal spaces and the potential for platonic and erotic connection in a world that conspires against blackqueer life. Both a rigorous study and a performance, The Lonely Letters gestures toward understanding the capacity for what we study to work on us, to transform us, and to change how we inhabit the world.