Results by title
6 books match the query 'Makers'
Computing Taste
Algorithms and the Makers of Music RecommendationNick Seaver
University of Chicago Press, 2022
Meet the people who design the algorithms that capture our musical tastes.
The people who make music recommender systems have lofty goals: they want to broaden listeners’ horizons and help obscure musicians find audiences, taking advantage of the enormous catalogs offered by companies like Spotify, Apple Music, and Pandora. But for their critics, recommender systems seem to embody all the potential harms of algorithms: they flatten culture into numbers, they normalize ever-broadening data collection, and they profile their users for commercial ends. Drawing on years of ethnographic fieldwork, anthropologist Nick Seaver describes how the makers of music recommendation navigate these tensions: how product managers understand their relationship with the users they want to help and to capture; how scientists conceive of listening itself as a kind of data processing; and how engineers imagine the geography of the world of music as a space they care for and control.
Computing Taste rehumanizes the algorithmic systems that shape our world, drawing attention to the people who build and maintain them. In this vividly theorized book, Seaver brings the thinking of programmers into conversation with the discipline of anthropology, opening up the cultural world of computation in a wide-ranging exploration that travels from cosmology to calculation, myth to machine learning, and captivation to care.
The people who make music recommender systems have lofty goals: they want to broaden listeners’ horizons and help obscure musicians find audiences, taking advantage of the enormous catalogs offered by companies like Spotify, Apple Music, and Pandora. But for their critics, recommender systems seem to embody all the potential harms of algorithms: they flatten culture into numbers, they normalize ever-broadening data collection, and they profile their users for commercial ends. Drawing on years of ethnographic fieldwork, anthropologist Nick Seaver describes how the makers of music recommendation navigate these tensions: how product managers understand their relationship with the users they want to help and to capture; how scientists conceive of listening itself as a kind of data processing; and how engineers imagine the geography of the world of music as a space they care for and control.
Computing Taste rehumanizes the algorithmic systems that shape our world, drawing attention to the people who build and maintain them. In this vividly theorized book, Seaver brings the thinking of programmers into conversation with the discipline of anthropology, opening up the cultural world of computation in a wide-ranging exploration that travels from cosmology to calculation, myth to machine learning, and captivation to care.
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Cultured Force
Makers and Defenders of the French Colonial EmpireBarnett Singer and John Langdon
University of Wisconsin Press, 2008
Bridging gaps between intellectual history, biography, and military/colonial history, Barnett Singer and John Langdon provide a challenging, readable interpretation of French imperialism and some of its leading figures from the early modern era through the Fifth Republic. They ask us to rethink and reevaluate, pulling away from the usual shoal of simplistic condemnation. In a series of finely-etched biographical studies, and with much detail on both imperial culture and wars (including World War I and II), they offer a balanced, deep, strong portrait of key makers and defenders of the French Empire, one that will surely stimulate much historical work in the field.
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Makers of Democracy
A Transnational History of the Middle Classes in ColombiaA. Ricardo López-Pedreros
Duke University Press, 2019
In Makers of Democracy A. Ricardo López-Pedreros traces the ways in which a thriving middle class was understood to be a foundational marker of democracy in Colombia during the second half of the twentieth century. Drawing on a wide array of sources ranging from training manuals and oral histories to school and business archives, López-Pedreros shows how the Colombian middle class created a model of democracy based on free-market ideologies, private property rights, material inequality, and an emphasis on a masculine work culture. This model, which naturalized class and gender hierarchies, provided the groundwork for Colombia's later adoption of neoliberalism and inspired the emergence of alternate models of democracy and social hierarchies in the 1960s and 1970s that helped foment political radicalization. By highlighting the contested relationships between class, gender, economics, and politics, López-Pedreros theorizes democracy as a historically unstable practice that exacerbated multiple forms of domination, thereby prompting a rethinking of the formation of democracies throughout the Americas.
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The Makers of Trinity Church in the City of Boston
James F. O'Gorman
University of Massachusetts Press, 2004
Since its dedication in 1877, Trinity Church on Copley Square in Boston has been widely regarded as one of the most important and successful monuments of American architecture. It has long been hailed as the cornerstone of the career of America's first celebrity architect, H. H. Richardson. But architecture is not solely the expression of individual genius. Buildings result from collaboration and compromise. They are the concrete manifestations of competing needs, desires, and expectations expressed through clients, building committees, designers, bankers, engineers, builders, decorators, and others. The Makers of Trinity Church in the City of Boston recognizes and celebrates this collaborative effort.
While critics often speak of the church as Richardson's creation, this collection of essays, written by leading scholars in the field, recognizes and assesses the individual contributions of the rector, Phillips Brooks; the chairman of the building committee, Robert Treat Paine; the builder, O. W. Norcross; and the decorator, John La Farge, as well as Richardson. The book includes the first study of the furnishings of the interior by the architect's office and features chapters on the stained glass designers Sarah Wyman Whitman and Margaret Redmond, as well as the architect Charles D. Maginnis, whose remodeling of the chancel in the 1930s brought the building to its full glory. These architectural collaborators are rarely given the recognition they receive here, although the absence of any one of them would have produced a very different result. Such omissions would have significantly diminished this towering landmark of America's cultural heritage.
In addition to the editor, contributors to the volume include Keith Bakker, David B. Chesebrough, Kathleen A. Curran, Erica Hirshler, Keith N. Morgan, Thomas M. Paine, Virginia Chieffo Raguin, Milda B. Richardson, Theodore E. Stebbins Jr., and Charles A. Vandersee.
While critics often speak of the church as Richardson's creation, this collection of essays, written by leading scholars in the field, recognizes and assesses the individual contributions of the rector, Phillips Brooks; the chairman of the building committee, Robert Treat Paine; the builder, O. W. Norcross; and the decorator, John La Farge, as well as Richardson. The book includes the first study of the furnishings of the interior by the architect's office and features chapters on the stained glass designers Sarah Wyman Whitman and Margaret Redmond, as well as the architect Charles D. Maginnis, whose remodeling of the chancel in the 1930s brought the building to its full glory. These architectural collaborators are rarely given the recognition they receive here, although the absence of any one of them would have produced a very different result. Such omissions would have significantly diminished this towering landmark of America's cultural heritage.
In addition to the editor, contributors to the volume include Keith Bakker, David B. Chesebrough, Kathleen A. Curran, Erica Hirshler, Keith N. Morgan, Thomas M. Paine, Virginia Chieffo Raguin, Milda B. Richardson, Theodore E. Stebbins Jr., and Charles A. Vandersee.
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The Makers of the Sacred Harp
David Warren Steel with Richard H. Hulan
University of Illinois Press, 2010
This authoritative reference work investigates the roots of the Sacred Harp, the central collection of the deeply influential and long-lived southern tradition of shape-note singing. Where other studies of the Sacred Harp have focused on the sociology of present-day singers and their activities, David Warren Steel and Richard H. Hulan concentrate on the regional culture that produced the Sacred Harp in the nineteenth century and delve deeply into history of its authors and composers. They trace the sources of every tune and text in the Sacred Harp, from the work of B. F. White, E. J. King, and their west Georgia contemporaries who helped compile the original collection in 1844 to the contributions by various composers to the 1936 to 1991 editions.
The Makers of the Sacred Harp also includes analyses of the textual influences on the music--including metrical psalmody, English evangelical poets, American frontier preachers, camp meeting hymnody, and revival choruses--and essays placing the Sacred Harp as a product of the antebellum period with roots in religious revivalism. Drawing on census reports, local histories, family Bibles and other records, rich oral interviews with descendants, and Sacred Harp Publishing Company records, this volume reveals new details and insights about the history of this enduring American musical tradition.
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The Second Creation
Makers of the Revolution in Twentieth-Century PhysicsCrease, Robert P
Rutgers University Press, 1996
The Second Creation is a dramatic--and human--chronicle of scientific investigators at the last frontier of knowledge. Robert Crease and Charles Mann take the reader on a fascinating journey in search of "unification" (a description of how matter behaves that can apply equally to everything) with brilliant scientists such as Niels Bohr, Max Planck, Albert Einstein, Erwin Schrödinger, Richard Feynman, Murray Gell-Mann, Sheldon Glashow, Steven Weinberg, and many others. They provide the definitive and highly entertaining story of the development of modern physics, and the human story of the physicists who set out to find the "theory of everything."
The Second Creation tells the story of some of the most talented and idiosyncratic people in the world--many times in their own words. Crease and Mann conducted hundreds of interviews to capture the thinking and the personalities as well as the science. The authors make this complex subject matter clear and absorbing.
The Second Creation tells the story of some of the most talented and idiosyncratic people in the world--many times in their own words. Crease and Mann conducted hundreds of interviews to capture the thinking and the personalities as well as the science. The authors make this complex subject matter clear and absorbing.
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