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6 books match the query 'Manifesto'

cover of Barbaric Others: A Manifesto on Western Racism

Barbaric Others

A Manifesto on Western Racism

Ziauddin Sardar

Pluto Press, 1993

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cover of Before the Manifesto: The Life Writings of Mary Lois Walker Morris

Before the Manifesto

The Life Writings of Mary Lois Walker Morris

Melissa Lambert Milewski

Utah State University Press, 2007

Mary Lois Walker Morris was a Mormon woman who challenged both American ideas about marriage and the U.S. legal system. Before the Manifesto provides a glimpse into her world as the polygamous wife of a prominent Salt Lake City businessman, during a time of great transition in Utah. This account of her life as a convert, milliner, active community member, mother, and wife begins in England, where her family joined the Mormon church, details her journey across the plains, and describes life in Utah in the 1880s. Her experiences were unusual as, following her first husband's deathbed request, she married his brother, as a plural wife, in the Old Testament tradition of levirate marriage.

Mary Morris's memoir frames her 1879 to 1887 diary with both reflections on earlier years and passages that parallel entries in the day book, giving readers a better understanding of how she retrospectively saw her life. The thoroughly annotated diary offers the daily experience of a woman who kept a largely self-sufficient household, had a wide social network, ran her own business, wrote poetry, and was intellectually curious. The years of "the Raid" (federal prosecution of polygamists) led Mary and Elias Morris to hide their marriage on "the underground," and her to perjury in court during Elias's trial for unlawful cohabitation. The book ends with Mary Lois's arrival at the Salt Lake Depot after three years in exile in Mexico with a polygamist colony.
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cover of Manifesto of Artistic Research

Manifesto of Artistic Research

Silvia Henke, Dieter Mersch, Nicolaj van der Meulen, Thomas Strässle, and Jörg Wiesel

Diaphanes, 2020

Since its beginnings in the 1990s, artistic research has become established as a new format in the areas of educational and institutional policy, aesthetics, and art theory. It has now diffused into almost all artistic fields, from installation to experimental formats to contemporary music, literature, dance, or performance art. But from its beginnings—under labels like “art and science” or “scienceart” or “artscience” that mention both disciplines in one breath—it has been in competition with academic research, without its own concept of research having been adequately clarified. This manifesto attempts to resolve the problem and to defend the term. Further, this manifesto defends the radical potential of artistic research against those who toy all too carefully with university formats, wishing to ally their work with scientific principles. Its aim is to emphasize the autonomy and particular intellectuality of artistic research, without seeking to justify its legitimacy or adopt alien standards.
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cover of Manifesto of a Passionate Moderate: Unfashionable Essays

Manifesto of a Passionate Moderate

Unfashionable Essays

Susan Haack

University of Chicago Press, 1998

Forthright and wryly humorous, philosopher Susan Haack deploys her penetrating analytic skills on some of the most highly charged cultural and social debates of recent years. Relativism, multiculturalism, feminism, affirmative action, pragmatisms old and new, science, literature, the future of the academy and of philosophy itself—all come under her keen scrutiny in Manifesto of a Passionate Moderate.

"The virtue of Haack's book, and I mean virtue in the ethical sense, is that it embodies the attitude that it exalts. . . Haack's voice is urbane, sensible, passionate—the voice of philosophy that matters. How good to hear it again."—Jonathan Rauch, Reason

"A tough mind, confident of its power, making an art of logic . . . a cool mastery."—Paul R. Gross, Wilson Quarterly

"Few people are better able to defend the notion of truth, and in strong, clear prose, than Susan Haack . . . a philosopher of great distinction."—Hugh Lloyd-Jones, National Review

"If you relish acute observation and straight talk, this is a book to read."—Key Reporter (Phi Beta Kappa)

"Everywhere in this book there is the refreshing breeze of common sense, patiently but inexorably blowing."—Roger Kimball, Times Literary Supplement

"A refreshing alternative to the extremism that characterizes so much rhetoric today."—Kirkus Reviews
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cover of Philosophy in the First Person: A Manifesto

Philosophy in the First Person

A Manifesto

Helena de Bres

University of Chicago Press, 0

A bold argument and model for how to bring one’s personal voice and experience into philosophical writing.

Contemporary philosophical writing is deeply impersonal: technical, abstract, and stripped of an individual human voice. In contrast, many of the historical philosophers we most admire saw emotion, style, narrative and humor as essential parts of doing philosophy well. What if they were on to something?

Philosophy in the First Person offers a deft and engaging case for the philosophical personal essay, a genre of writing that unites intimate revelation with intellectual depth and literary flair. As a manifesto, the book argues for a return to the more personal forms of philosophy that preceded academic professionalization. As a guide, it provides substantive advice for aspiring personal-philosophical writers, drawing on ideas from creative nonfiction. As a demonstration, the book is itself a set of philosophical personal essays, tracing one philosopher’s sentimental-intellectual journey through a vocation that frustrates and captivates her in equal measure. 

Blending memoir, theory, and model, the book offers a roadmap for writing philosophy that’s enlightening as well as moving, gripping, and fun. Along the way, it makes a refreshing argument for reconnecting a philosophical vocation with a fully human way of life.

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cover of The Bird is Gone: A Manifesto

The Bird is Gone

A Manifesto

Stephen Graham Jones

University of Alabama Press, 2003

A lost pipe holds the power to rewrite a nation.

Cleverly blending alternate history, mystery, and indigenous resurgence, Stephen Graham Jones’s The Bird Is Gone unfolds in a transformed Great Plains where a visionary conservation act has made the land truly “Indian again.” Fourteen years later, a motley crew led by LP Deal converges in a bowling alley within Indian Territories, on a quest for a forgotten treaty pipe—sealed in a locker and flushed into oblivion—that could return all of America to Indigenous hands. Surreal, suspenseful, and richly original, this manifesto of resistance challenges readers to reconsider power, history, and the stakes of reclaiming a stolen world.

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