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3 books match the query 'Martínez, Valerie'
Count
Valerie Martínez
University of Arizona Press, 2021
Count is a powerful book-length poem that reckons with the heartbreaking reality of climate change. Forty-three sections of myth-gathering, flora and fauna, accounts of climate devastation, personal narratives, witnessing, references to works of eco-art, and evocations of children unfold over the course of the book, creating a deeply nuanced image of the current climate crisis. Central to this vital work of ecopoetry is the idea of counting—counting down to the extinction of a species, counting the wonders of the natural world, counting our way back to the balance that is required to save ourselves from climate destruction. Filled with a sense of grief and sorrow for the current state of the planet, Count also offers a glimmering hope that future generations will restore our damaged environment.
With sections that vary between poetry, science, Indigenous storytelling, numerical measurement, and narration, Valerie Martínez’s new work results in an epic panorama infused with the timely urgency of facing an apocalyptic future. This beautiful, tragic, and unusual poem is a testimonial, a warning, and a call to action that will captivate lovers of contemporary poetry and ecopoetry, environmentalists, and climate activists alike. Count skillfully calls on our collective desire to leave a livable world, filled with the potential for healing, as a legacy to the generations of children that come after us.
With sections that vary between poetry, science, Indigenous storytelling, numerical measurement, and narration, Valerie Martínez’s new work results in an epic panorama infused with the timely urgency of facing an apocalyptic future. This beautiful, tragic, and unusual poem is a testimonial, a warning, and a call to action that will captivate lovers of contemporary poetry and ecopoetry, environmentalists, and climate activists alike. Count skillfully calls on our collective desire to leave a livable world, filled with the potential for healing, as a legacy to the generations of children that come after us.
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Each and Her
Valerie Martínez
University of Arizona Press, 2010
In 2004 twenty-eight women and young girls were murdered in Ciudad Juárez and the surrounding areas. The tragedy escalated to fifty-eight murders in 2006, then again to eighty-six in 2008, and current estimates top four hundred deaths. Now poet Valerie Martínez offers a poetic exploration of these events, pushing boundaries—stylistically and artistically—with vivid poems that contextualize femicide.
Martínez departs from traditional narrative to reveal the hidden effects and outcomes of the horrific and heart-wrenching cases of femicide. These poems—lyric fragments and prose passages that form a collage—have an intricate relation to one another, creating a complex literary quilt that feels like it can be read from the beginning, the end, or anywhere in between. Martínez is personally invested in the topic, evoking the loss of her sister, and Each and Her emerges as a biography of sorts and a compelling homage to all those who have suffered. Other authors may elaborate on or investigate this topic, but Martínez humanizes it by including names, quotations, realistic details, and stark imagery.
The women of Juárez, like other women around the world, are ravaged by inequality, discontinuity, politics, and economic plagues that contribute to gender violence. Martínez offers us a poignant and alarming glance into another world with these never-before-told stories. Her refreshing and explosive voice will keep readers transfixed and intrigued about these events and emotions—removed from us and yet so close to the heart.
Martínez departs from traditional narrative to reveal the hidden effects and outcomes of the horrific and heart-wrenching cases of femicide. These poems—lyric fragments and prose passages that form a collage—have an intricate relation to one another, creating a complex literary quilt that feels like it can be read from the beginning, the end, or anywhere in between. Martínez is personally invested in the topic, evoking the loss of her sister, and Each and Her emerges as a biography of sorts and a compelling homage to all those who have suffered. Other authors may elaborate on or investigate this topic, but Martínez humanizes it by including names, quotations, realistic details, and stark imagery.
The women of Juárez, like other women around the world, are ravaged by inequality, discontinuity, politics, and economic plagues that contribute to gender violence. Martínez offers us a poignant and alarming glance into another world with these never-before-told stories. Her refreshing and explosive voice will keep readers transfixed and intrigued about these events and emotions—removed from us and yet so close to the heart.
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World to World
Valerie Martínez
University of Arizona Press, 2004
In her second collection of poems, Valerie Martínez builds on the artistic command of language that characterized her award-winning first volume, Absence, Luminescent. Taking on not only such familiar themes as love and loss, family and culture, but also the creative act of poetry itself, World to World crosses new boundaries to chart a mature poet’s awareness of her own voice and style.
Martínez explores the dynamic of creation/dissolution in original and intriguing ways. Here are the strange and provocative landscapes of the body and its disappearance . . . of matter and the absence of matter . . . of what is formed and what is falling from form. Throughout this compelling cycle, her deft manipulations of poetic structure disclose the boundaries where flesh, matter, and language become spirit, space, and "cataractical brilliance."
In charting the relationships between time, form, body, language, and emptiness, World to World maps the territories where the visible and the invisible meet, offering unexpected discoveries for discerning readers.
Martínez explores the dynamic of creation/dissolution in original and intriguing ways. Here are the strange and provocative landscapes of the body and its disappearance . . . of matter and the absence of matter . . . of what is formed and what is falling from form. Throughout this compelling cycle, her deft manipulations of poetic structure disclose the boundaries where flesh, matter, and language become spirit, space, and "cataractical brilliance."
In charting the relationships between time, form, body, language, and emptiness, World to World maps the territories where the visible and the invisible meet, offering unexpected discoveries for discerning readers.
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