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Writers focusing on the U.S.-Mexico border are keen observers of cultural interaction, and their work offers a key to understanding the region and its most important issues. For more than 150 years, novelists from both the United States and Mexico have spun stories about the borderlands in which characters react to cultural differences in the region, and this has become a dominant theme in border fiction. Authors such as Helen Hunt Jackson, Carlos Fuentes, Cormac McCarthy, and Leslie Marmon Silko have not only created important literature; in so doing, they have also helped define the border. Writers who are drawn to the borderlands owe the narrative power of their work to compelling relationships between literary constructions of space and artistic expressions of cultural encounter. Rosemary King now offers a new way of understanding the conflicts these writers portray by analyzing their representations of geography and genre. Border Confluences examines how the theme of cultural difference influences the ways that writers construct narrative space and the ways their characters negotiate those spaces, from domestic sphere to national territory, public school to utopia. King shows how fictional characters' various responses to cultural encounters—adapting, resisting, challenging, sympathizing—depend on the artistic rendering of spaces and places around them, and she examines the connection between writers' evocation of place and the presence of cultural interaction along the border as expressed in novels written since the mid-nineteenth century. Drawing on historical romances, Hispanic coming-of-age novels, travel narratives, and utopian literature, King offers plot summaries of such key works as Ramona, All the Pretty Horses, and Almanac of the Dead as she analyzes representations of both the spaces in which characters function and the places they inhabit relative to the border. Border Confluences is a provocative study that offers insight into the ways words and space combine and recombine over time to create representations of the borderlands as a site where places and cultures continue to generate powerful narrative. Through it, scholars and students in such disciplines as ethnic studies, sociology, and women's studies will find that novels centered on the border are not merely works of literature but also keys to understanding the region and its most important issues.

The Mexican War has long been overshadowed in the public imagination by that most popular of all American wars, the Civil War. And it has been swept under the carpet of national conscience as, at worst, a calculated land grab from a neighbor too weak to defend itself.

Otis Singletary's concise, dramatic account of the war that won the Southwest and California for the United States is designed to evoke in modern readers a fresh appreciation of one of the most colorful but neglected episodes in American military affairs—and certainly one of the most significant. Victory in this "military exercise" turned our attention to the Far West, made possible the Gold Rush of '49, and brought vast new territories and new peoples into the Union—altering the face of the nation and greatly influencing its future course.

Mr. Singletary treats the military, political, economic, and diplomatic aspects of the war. He focuses on the ways in which the Mexican War exemplified the dynamic spirit of Manifest Destiny and was a microcosm of peculiarly American—and peculiarly democratic—problems of waging war.

"All in all, this is the best short account of the Mexican War yet written."—T. Harry Williams, The Journal of Modern History