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Over the course of the twentieth century, African Americans in New Orleans helped define the genres of jazz, rhythm and blues, soul, and funk. In recent decades, younger generations of New Orleanians have created a rich and dynamic local rap scene, which has revolved around a dance-oriented style called “bounce.”

Hip-hop has been the latest conduit for a “New Orleans sound” that lies at the heart of many of the city's best-known contributions to earlier popular music genres. Bounce, while globally connected and constantly evolving, reflects an enduring cultural continuity that reaches back and builds on the city's rich musical and cultural traditions.

In this book, the popular music scholar and filmmaker Matt Miller explores the ways in which participants in New Orleans's hip-hop scene have collectively established, contested, and revised a distinctive style of rap that exists at the intersection of deeply rooted vernacular music traditions and the modern, globalized economy of commercial popular music. Like other forms of grassroots expressive culture in the city, New Orleans rap is a site of intense aesthetic and economic competition that reflects the creativity and resilience of the city's poor and working-class African Americans.

Some of the dimmest years in Walt Whitman’s life precede the advent of Leaves of Grass in 1855, when he was working as a jour­nalist and fiction writer. Starting around 1850, what he’d begun writing in his personal notebooks was far more enigmatic than anything he’d done before.

One of Whitman’s most secretive projects during this timeframe was a novel, Life and Adventures of Jack Engle; serialized anonymously in the spring of 1852, and rediscovered and properly published in 2017. The key to the novel’s later discovery were plot notes Whit­man had made in one of his private notebooks.

Whitman’s invaluable notebooks have been virtually inacces­sible to the public, until now. Maintaining the early notebooks’ wild, syncretic feel and sample illustrations of Whitman’s beauti­ful and unkempt pages, scholars Zachary Turpin and Matt Miller’s thorough transcriptions have made these notebooks available to all; sharing Whitman’s secret space for developing his poetry, his writing, his philosophy, and himself.

In Red Business, Walt Whitman readers can explore nearly all his notebooks and manuscript fragments from the Civil War and the Reconstruction Era. In addition to Whitman’s numerous accounts of Civil War soldiers, Red Business contains the infamous notebook in which Whitman records his feverish obsession with his young companion Peter Doyle, as well as several difficult to find, unpublished poems and essays.

Matt Miller and Zachary Turpin’s meticulous transcriptions of Whitman’s written materials allow readers to explore the often-neglected final chapter of Whitman’s life, as he battled ailments, prepared speeches, and received famous visitors, all the while continuing to write revealing new poems.