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15 books match the query 'Miracles'

cover of A Saint Is Born in Chima: A Novel

A Saint Is Born in Chima

A Novel

By Manuel Zapata Olivella

University of Texas Press, 1991

When the paralyzed cripple Domingo Vidal is rescued unsinged from a burning house, the people of Chima believe they have witnessed a miracle. Domingo becomes their patron "saint," and tales of his miracles multiply. Domingo makes the rains come, cures the blind and lame, and swells barren wombs with new life. But is Domingo really a saint, or is he a pagan idol? Padre Berrocal calls the people heretics, but they are afraid not to worship Domingo. To what excesses will superstition and ignorance drive the frightened people of Chima?

This novel, published in 1963 as En Chimá nace un santo, makes important connections between the frustrations of poverty and the excesses of religious fanaticism. Zapata Olivella indicts the dogmatic attitudes of religious and civil institutions as a major cause of the creation of local cults like the one that grows up around "Saint" Domingo. In Zapata Olivella's compelling narrative, the struggle over Domingo points up both the inflexibility of established institutions and the potential power for change that lies within the hands of a determined populace.

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cover of An Epoch of Miracles: Oral Literature of the Yucatec Maya

An Epoch of Miracles

Oral Literature of the Yucatec Maya

Translated with Commentaries by Allan F. Burns

University of Texas Press, 1983

“Mr. Allan Burns, I am here to tell you an example, the example of the Hunchbacks.” So said Paulino Yamá, traditionalist and storyteller, to Allan Burns, anthropologist and linguist, as he began one story that found its way into this book.

Paulino Yamá was just one of several master storytellers from the Yucatán Peninsula of Mexico from whom Burns learned not only the Mayan language but also the style and performance of myths, stories, riddles, prayers, and other forms of speech of their people. The result is An Epoch of Miracles, a wonderfully readable yet thoroughly scholarly set of translations from the oral literature of the Yucatec Maya, an important New World tradition never before systematically described.

An Epoch of Miracles brings us over thirty-five long narratives of things large, small, strange, and “regular” and as many delightful short pieces, such as bird lore, riddles, and definitions of anteaters, rainbows, and other commonplaces of the Mayan world. Here are profound narratives of the Feathered Serpent, the mighty Rain God Chac and his helpers, and the mysterious cult of the Speaking Cross. But because these are modern, “Petroleum Age” Maya, here too are a discussion with Cuba’s Fidel Castro and a greeting to former president Richard Nixon.

All pieces are translated ethnopoetically; examples of several genres are presented bilingually.  An especially valuable feature is the indication of performance style, such as pauses and voice quality, given with each piece.

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cover of Answered Prayers: Miracles and Milagros along the Border

Answered Prayers

Miracles and Milagros along the Border

Eileen Oktavec

University of Arizona Press, 1995

When Catholics in the Southwest ask God or a saint for help, many of them do not merely pray. They also promise or present a gift—a tiny metal object known as a milagro. A milagro, which means "miracle" in Spanish, depicts the object for which a miracle is sought, such as a crippled leg or a new house. Milagros are offered for everything people pray for, and so they can represent almost anything imaginable—arms, lungs, hearts, and eyes; men, women, and children; animals, cars, boats—even lost handbags and imprisoned men.

In Answered Prayers, the Mexicans, Mexican Americans, Tohono O'odham, and Yaquis who practice this tradition share their stories of unwavering faith and divine intervention. Anthropologist and photographer Eileen Oktavec has spent more than two decades documenting this fascinating tradition in the Arizona-Mexico borderlands. Quoting extensive interviews, she explains the beliefs of the people who perform this ancient folk ritual and the many rules guiding this practice. She also describes the many places where milagros are offered—from the elaborate Mexican baroque Mission San Xavier near Tucson, Arizona, to tiny household shrines and hospitals on both sides of the border. Oktavec also explains how milagros are made, where they are bought, and how they are used in jewelry, sculpture, and art.
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cover of Deprived of Sense and Intellect: Insanity, Possession, and Diagnosis in Medieval Europe

Deprived of Sense and Intellect

Insanity, Possession, and Diagnosis in Medieval Europe

Leigh Ann Craig

University of Michigan Press, 2026

Medieval saints were thought to be able to provide miraculous cures for a wide variety of illnesses, and about one tenth of their miracles involved the restoration of sanity to those who had lost their minds. Deprived of Sense and Intellect explores 460 of these stories written across Latin Christendom between 1240 and 1500. The study uses the lens of critical disability studies to bridge the gap between discussions of demonic possession and naturally arising somatic conditions, treating all these narratives about disability and miraculous healing not as documentation of changes to the function of an individual person, but instead as evidence of substantial and intrusive interpersonal tensions in medieval communities.

While medieval communities assigned these tensions to a malfunction of consciousness in a single person, medieval miracle texts also reveal how the function and malfunction of consciousness was named and classified. In studying these texts, Leigh Ann Craig explores the terminology and rhetoric used to diagnose a loss of mind as either from natural causes or as an effect of demonic predation, tracing the use of Latin vocabulary in medical compendia, law, and theology. Deprived of Sense and Intellect finds that since diagnoses were difficult and frequently subject to doubt, they varied based on regional cultures of disability in northern and southern Europe, the influences on the development of community consensus in Latin Europe in the Middle Ages, and assumptions based on gender, material evidence, and self-diagnosis.
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cover of Heavenly Supper: The Story of Maria Janis

Heavenly Supper

The Story of Maria Janis

Fulvio Tomizza

University of Chicago Press, 1991

It is a winter morning in Venice, in 1622. Muted voices drift through a thin wall next door. Her curiosity aroused, a young woman peers through a crack in the door, only to witness a strange and disturbing sight: a woman and a priest secretly celebrating communion. Troubled by what she sees, she reports the incident at confession. Her revelation leads to the arrest, jailing, and arraignment of the two for heresy before the Venetian Holy Office of the Inquisition.

So begins Fulvio Tomizza's absorbing account of the true story of Maria Janis, a devout peasant woman from the mountains north of Bergamo. Too poor to enter a convent, Maria had set out to serve God by relinquishing the little she had, through renunciation of all food but the bread and wine of communion. Encouraged by the restless village priest Pietro Morali, Maria claimed to have existed in this sanctified state for five years. During this time, she, Morali, and the weaver Pietro Palazzi travel from a little village in the Alps to Rome and then to Venice, where their alleged sacrilege is discovered and they are brought to trial. Both revered as a saint and reviled as a fraud, Maria with her "privilege" inspires and threatens believers within the Church. Combining the historian's precision with the novelist's imagination, Tomizza painstakingly reconstructs her story, crafting a fascinating portrait of sublimated love, ambition, and jealousy.

Heavenly Supper alternates a chronological account of the trial with analyses of each protagonist's life history. Along the way, Tomizza gives voice to the minds and hearts of his characters, allowing them to speak for themselves in their own words. The world he recreates resonates with the fervor of the Counter Reformation when faith and its consequences were rigidly controlled by the Church. As suspenseful as a detective novel, Tomizza's story goes beyond the trial to evoke a panoramic view of seventeenth-century Italian culture.
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cover of Miracle Discourse in the New Testament

Miracle Discourse in the New Testament

Duane F. Watson

SBL Press, 2012

This volume explores the rhetorical role that miracle discourse plays in the argumentation of the New Testament and early Christianity. The investigation includes both the rhetoric within miracle discourse and the rhetorical role of miracle discourse as it was incorporated into the larger works in which it is now a part. The volume also examines the social, cultural, religious, political, and ideological associations that miracle discourse had in the first-century Mediterranean world, bringing these insights to bear on the broader questions of early Christian origins. The contributors are L. Gregory Bloomquist, Wendy Cotter, David A. deSilva, Davina C. Lopez, Gail O'Day, Todd Penner, Vernon K. Robbins, and Duane F. Watson.
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cover of Miracles & Prophecies in Nineteenth-Century France

Miracles & Prophecies in Nineteenth-Century France

SELMAN, THOMAS K

Rutgers University Press, 1983

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cover of Miracles and Machines: A Sixteenth-Century Automaton and Its Legend

Miracles and Machines

A Sixteenth-Century Automaton and Its Legend

Elizabeth King

J. Paul Getty Trust, The, 0

An abundantly illustrated narrative that draws from the history of art, science, technology, artificial intelligence, psychology, religion, and conservation in telling the extraordinary story of a Renaissance robot that prays.
 
This volume tells the singular story of an uncanny, rare object at the cusp of art and science: a 450-year-old automaton known as “the monk.” The walking, gesticulating figure of a friar, in the collection of the Smithsonian Institution’s National Museum of American History, is among the earliest extant ancestors of the self-propelled robot. According to legend connected to the court of Philip II of Spain, the monk represents a portrait of Diego de Alcalá, a humble Franciscan lay brother whose holy corpse was said to be agent to the miraculous cure of Spain’s crown prince as he lay dying in 1562.
 
In tracking the origins of the monk and its legend, the authors visited archives, libraries, and museums across the United States and Europe, probing the paradox of a mechanical object performing an apparently spiritual act. They identified seven kindred automata from the same period, which, they argue, form a paradigmatic class of walking “prime movers,” unprecedented in their combination of visual and functional realism. While most of the literature on automata focuses on the Enlightenment, this enthralling narrative journeys back to the late Renaissance, when clockwork machinery was entirely new, foretelling the evolution of artificial life to come.
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cover of Miracles on the Border: Retablos of Mexican Migrants to the United States

Miracles on the Border

Retablos of Mexican Migrants to the United States

Jorge Durand and Douglas S. Massey

University of Arizona Press, 1995

This vivid study, richly illustrated with forty color photographs, offers a multilayered analysis of retablos—folk images painted on tin that are offered as votives of thanks for a miracle granted or a favor bestowed—created by Mexican migrants to the United States. Durand and Massey analyze 124 contemporary retablo texts, scrutinizing the shifting subjects and themes that constitute a running record of the migrant's unique experience. The result is a vivid work of synthesis that connects the history of an art form and a people, links two very different cultures, and allows a deeper understanding of a major twentieth-century theme—the drama of transnational migration.
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cover of Tent of Miracles

Tent of Miracles

Jorge Amado; translated by Barbara Shelby Merello

University of Wisconsin Press, 2003

The Wisconsin edition is not for sale in the British Commonwealth (excluding Canada), the Republic of Ireland, or South Africa.
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cover of The Law of Miracles: And Other Stories

The Law of Miracles

And Other Stories

Gregory Blake Smith

University of Massachusetts Press, 2011

These stories take place in the space where the rational and irrational intersect—the space governed by The Law of Miracles. Writing with a remarkable range of invention, Gregory Blake Smith has created a world in which his characters navigate between the everyday and the extraordinary: an aged Russian woman who lives simultaneously in the St. Petersburg of iPods and BMWs and in the starving Leningrad of the Siege; a Venetian art conservator who loves the women of the Renaissance paintings he restores but cannot bear the touch of the woman at his side; a down-and-out slot-machine technician who calculates the probability of his wife's dying. Yet for all their variety of setting and subject, there runs through each of these stories a thread of the miraculous, a suspicion that the transcendent lies just at the edge of perception. We watch the characters of The Law of Miracles struggle toward that transcendence, whether it be through love or art or violence, until we as readers feel—like the main character of the Pushcart Prize–winning "Presently in Ruins"—that if we could only parse the seemingly random details of our existence some new pattern of meaning would emerge, some new magic that would transform our lives.
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cover of The Miracles of St. John of Capistran

The Miracles of St. John of Capistran

Stanko Andric

Central European University Press, 2000

Religious history and, in particular, the history of the cult of saints and their miracles has recently become one of the most popular fields of historical investigation. Together with continuing interest in the related ecclesiastic motivations and the well organized craft of hagiography, this new interest might be explained by the marvellously rich details of thousands of witness accounts testifying to the miraculous help they received from the saint in times of desparate need. These accounts provide an unparalleled insight into the history of everyday life and into the various hardships, illnesses, hopes dreams and anxieties during the late medieval and early modern period.

Only two records exist on the history of the medieval Hungarian kingdom- the thirteenth century canonization trial of St. Margaret of Hungary and the miracle collections promoting the canonization of St. John of Capistran, the victorious Crusader at Belgrade in 1456, who died thereafter in Ilok (a city located on the periphery of western Christianity in Croatia). Based on a careful study of the widely scattered manuscripts on Capistranean miracles and with the help of a microscopic philological analysis, the author has managed to reconstruct, for the first time, one of the most complex miracle collections in the history of medieval hagiography.

Covering the recording of the first miracle series by the urban notaries of Ilok, the local hagiographer of Ilok Franciscans (John Geszti), the vicar general of the Hungarian province (Stephen Varsányi), and a number of subsequent editions and amplifications of this material recycling into the canonization campaign of St. John of Capistran and the miracles he himself recorded, The Miracles of St. John of Capistran, is an outstanding debut by a representative of a new generation of Central European medievalists.

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cover of The Time of Miracles

The Time of Miracles

Borislav Pekic

Northwestern University Press, 1994

Borislav Pekic spent six years in jail as a political prisoner, his only reading material the Bible. In 1965, ten years after his pardon, his first novel, The Time of Miracles, was published and became an overnight sensation. A set of parables based on the miracles of the New Testament, the book rewrites the story of Jesus from the perspective of Judas (who is obsessed with the idea prophecy must be fulfilled) and from that of the individuals upon whom miracles were performed--without their consent and, in most cases, to their eventual dissatisfaction. Filled with humor and poignancy, The Time of Miracles is a trenchant commentary on the power of ideology in one's life, upon what it means to hold beliefs, and upon the nature of faith.
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cover of Violence and Miracle in the Fourteenth Century: Private Grief and Public Salvation

Violence and Miracle in the Fourteenth Century

Private Grief and Public Salvation

Michael E. Goodich

University of Chicago Press, 1995

As war, pestilence, and famine spread through Europe in the Middle Ages, so did reports of miracles, of hopeless victims wondrously saved from disaster. These "rescue miracles," recorded by over one hundred fourteenth-century cults, are the basis of Michael Goodich's account of the miraculous in everyday medieval life.

Rescue miracles offer a wide range of voices rarely heard in medieval history, from women and children to peasants and urban artisans. They tell of salvation not just from the ravages of nature and war, but from the vagaries of a violent society—crime, unfair judicial practices, domestic squabbles, and communal or factional conflict. The stories speak to a collapse of confidence in decaying institutions, from the law to the market to feudal authority. Particularly, the miraculous escapes documented during the Hundred Years' War, the Italian communal wars, and other conflicts are vivid testimony to the end of aristocratic warfare and the growing victimization of noncombatants.

Miracles, Goodich finds, represent the transcendent and unifying force of faith in a time of widespread distress and the hopeless conditions endured by the common people of the Middle Ages. Just as the lives of the saints, once dismissed as church propaganda, have become valuable to historians, so have rescue miracles, as evidence of an underlying medieval mentalite. This work expands our knowledge of that state of mind and the grim conditions that colored and shaped it.
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cover of Writing Faith: Text, Sign, and History in the Miracles of Sainte Foy

Writing Faith

Text, Sign, and History in the Miracles of Sainte Foy

Kathleen Ashley and Pamela Sheingorn

University of Chicago Press, 1999

A trickster saint whose miracles reportedly included the healing of an inguinal hernia via a hammer and anvil, Sainte Foy inspired one of the most important collections of miracle stories of the central middle ages. Kathleen Ashley and Pamela Sheingorn explore the act of "writing faith" as performed both by the authors of these stories and by the scholars who have used them as sources for the study of medieval religion and society.

As Ashley and Sheingorn show, differing agendas shaped the miracle stories over time. The first author, Bernard of Angers, used his narratives to critique popular religion and to establish his own literary reputation, while the monks who continued the collection tried to enhance their monastery's prestige. Because these stories were rhetorical constructions, Ashley and Sheingorn argue, we cannot use them directly as sources of historical data. Instead, they demonstrate how analyzing representations common to groups of miracle stories—such as negative portrayals of Muslims on the eve of the Crusades—can reveal the traces of history.

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