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This collection is the first interdisciplinary volume to examine black women’s negotiation of race and gender in African American music. Contributors address black women’s activity in musical arenas that pre- and postdate the emergence of the vaudeville blues singers of the 1920s. Throughout, the authors illustrate black women’s advocacy of themselves as blacks and as women in music. Feminist? Black feminist? The editors take care to stress that each term warrants interrogation: “Black women can and have forged, often, but not always––and not everywhere the same across time––identities that are supple enough to accommodate a sense of female empowerment through ‘musicking’ in tandem with their sensitivities to black racial allegiances.”  

Individual essays concern the experiences of black women in classical music and in contemporary blues, the history of black female gospel-inflected voices in the Broadway musical, and "hip-hop feminism" and its complications. Focusing on under-examined contexts, authors introduce readers to the work of a prominent gospel announcer, women’s music festivals (predominantly lesbian), and to women’s involvement in an early avant-garde black music collective. In contradistinction to a compilation of biographies, this volume critically illuminates themes of black authenticity, sexual politics, access, racial uplift through music, and the challenges of writing (black) feminist biography. Black Women and Music is a strong reminder that black women have been and are both social actors and artists contributing to African American thought.

Whatever you think about the widening divide between Democrats and Republicans, ideological differences do not explain why politicians from the same parties, who share the same goals and policy preferences, often argue fiercely about how best to attain them. This perplexing misalignment suggests that we are missing an important piece of the puzzle. Political scientists have increasingly drawn on the relationship between voters’ personalities and political orientation, but there has been little empirically grounded research looking at how legislators’ personalities influence their performance on Capitol Hill.
           
With More Than a Feeling, Adam J. Ramey, Jonathan D. Klingler, and Gary E. Hollibaugh, Jr. have developed an innovative framework incorporating what are known as the Big Five dimensions of personality—openness to experience, conscientiousness, extraversion, agreeableness, and neuroticism—to improve our understanding of political behavior among members of Congress. To determine how strongly individuals display these traits, the authors identified correlates across a wealth of data, including speeches, campaign contributions and expenditures, committee involvement, willingness to filibuster, and even Twitter feeds. They then show how we might expect to see the influence of these traits across all aspects  of Congress members’ political behavior—from the type and quantity of legislation they sponsor and their style of communication to whether they decide to run again or seek a higher office. They also argue convincingly that the types of personalities that have come to dominate Capitol Hill in recent years may be contributing to a lot of the gridlock and frustration plaguing the American political system.
 

Anyone who has sat at the "Vet," watched a pick-up game, or played catch in the yard, knows that sports is more than a game in Philadelphia—it's a commitment to hard work, a belief in community values, and a tradition of never giving up.

Told through the personal experiences of professional athletes, community leaders, and everyday players, More Than a Game captures how sports build character and communities with each hit of the ball, catch of a touchdown pass, or dunk of the basketball.

Among those featured are Carlos Ruiz, Chris Pronger, Sonny Hill, Angelo Cataldi, Leonard Weaver, Rita Sloan Green, Ruben Amaro, Jr., Joe Banner, Alyson Goodner, Gary Cobb, Jim Ellis, Mayor Michael Nutter, Nicholas Bradley, Governor Edward Rendell, and Rami Ibrahim.

The perfect gift for the aspiring athlete, the community coach, or the supportive parent.

 

The best work of one of Alabama's longest-serving and most beloved sports journalists.

Although he spent 43 years at the same job, Alf Van Hoose was not a man limited by the boundaries of his profession. As Birmingham News sports editor for 21 years and a columnist for a decade before that, Van Hoose helped define a city, a state, and a region largely known for sports. He was the writer of record for some of the biggest sporting events and personalities in the state of Alabama in the last half of the 20th Century. Wayne Hester, Van Hoose's successor as sports editor of The News, in 1990, said, "To many sports fans over the years, Alf Van Hoose has been The Birmingham News." But he was also much more than the "sports guy," as older generations of Alabama sports fans who read this book will remember and younger ones will learn. He was a man for all seasons, not just those where balls get kicked, hit, or thrown around.

A native of Cuba, Alabama, and a veteran of the Third Army campaigns in WWII (where he won both the Bronze and Silver Stars), Van Hoose became a sportswriter on The News in 1947. He remained in that role until retirement in 1990, with only short breaks to serve as a Vietnam war correspondent, and to reflect on the lessons learned while serving with George Patton. Van Hoose died in 1997 at the age of 76.

This volume contains 90 of Van Hoose's best columns, selected not only to showcase his characteristic style, but also because of the enduring importance and interest of the topics--football and baseball, of course, but also golf, high school heroics, auto racing, and Van Hoose's special favorites: Rickwood Field and its various tenants, especially the Birmingham Black Barons.

Published with the College of Communication and Information Science, The University of Alabama.

Want the word on Buffy Sainte-Marie? Looking for the best powwow recordings? Wondering what else Jim Pepper cut besides “Witchi Tai To”? This book will answer those questions and more as it opens up the world of Native American music.

In addition to the widely heard sounds of Carlos Nakai’s flute, Native music embraces a wide range of forms: country and folk, jazz and swing, reggae and rap. Brian Wright-McLeod, producer/host of Canada’s longest-running Native radio program, has gathered the musicians and their music into this comprehensive reference, an authoritative source for biographies and discographies of hundreds of Native artists.

The Encyclopedia of Native Music recognizes the multifaceted contributions made by Native recording artists by tracing the history of their commercially released music. It provides an overview of the surprising abundance of recorded Native music while underlining its historical value.

With almost 1,800 entries spanning more than 100 years, this book leads readers from early performers of traditional songs like William Horncloud to artists of the new millennium such as Zotigh. Along the way, it includes entries for jazz and blues artists never widely acknowledged for their Native roots—Oscar Pettiford, Mildred Bailey, and Keely Smith—and traces the recording histories of contemporary performers like Rita Coolidge and Jimmy Carl Black, “the Indian of the group” in the original Mothers of Invention. It also includes film soundtracks and compilation albums that have been instrumental in bringing many artists to popular attention. In addition to music, it lists spoken-word recordings, including audio books, comedy, interviews, poetry, and more.

With this unprecedented breadth of coverage and extensively cross-referenced, The Encyclopedia of Native Music is an essential guide for enthusiasts and collectors. More than that, it is a gateway to the authentic music of North America—music of the people who have known this land from time immemorial and continue to celebrate it in sound.