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The richness of Detroit’s music history has by now been well established. We know all about Motown, the MC5, and Iggy and the Stooges. We also know about the important part the Motor City has played in the history of jazz. But there are stories about the music of Detroit that remain untold. One of the lesser known but nonetheless fascinating histories is contained within Detroit’s country music roots. At last, Craig Maki and Keith Cady bring to light Detroit’s most important country and western and bluegrass stars, such as Chief Redbird, the York Brothers, and Roy Hall. Beyond the individuals, Maki and Cady also map out the labels, radio programs, and performance venues that sustained Detroit’s vibrant country and bluegrass music scene. In the process, Detroit Country Music examines how and why the city’s growth in the early twentieth century, particularly the southern migration tied to the auto industry, led to this vibrant roots music scene.

This is the first book—the first resource of any kind—to tell the story of Detroit’s contributions to country music. Craig Maki and Keith Cady have spent two decades collecting music and images, and visiting veteran musicians to amass more than seventy interviews about country music in Detroit. Just as astounding as the book’s revelations are the photographs, most of which have never been published before. Detroit Country Musicwill be essential reading for music historians, record collectors, roots music fans, and Detroit music aficionados.

Mt. Kilimanjaro, Africa’s tallest mountain, draws tens of thousands of tourists annually. Many attempt to climb its nineteen thousand feet snow-covered peak, an arduous trek that can span several days. Like the climbers who scale Everest, they are aided by local porters, cooks, and guides. But unlike Everest’s Sherpas, who have been extensively documented and profiled, the Chagga people of the Kilimanjaro mountain crews remain nearly anonymous. 

The Chagga people, who were the first settlers near Kilimanjaro, have been an essential part of the climbing industry that has developed since the colonial period. Kilimanjaro Porters and Guidesreveals the history of these porters, cooks, and guides. The book takes us from early Chagga settlement, through European colonialism and African independence, to today. It argues that while the Kilimanjaro climbing industry developed in a colonial context, local Tanzanian actors have played an integral role in determining access to and understanding of the mountain. They also have been central to climbers’ successes, mountain crew culture, and the evolution of key industry features—even as they have struggled in the postcolonial period.