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2026 DAAD/GSA Prize for the Best Book in History and Social Sciences Winner

German Empires and Decolonial Fantasies, 1492–1942 investigates the ways German-speaking Europe’s cultural narratives reflect histories of entanglement with the colonial world. Drawing from an impressive range of sources, Patricia Anne Simpson decodes the ironclad colonial logic that reproduces and inflects tropes of the conquistador, scientific explorer, and pioneers. She brings them into dialogue with a cast of historical agents who reimagine the cannibal, the enslaved, the conquered, Indigenous interlocutors, and the ungovernable. Throughout, intersectional attributes of race, gender, ethnicity, and religion reconfigure around shades of European whiteness. Individual chapters explore the Hohenzollern legacy in early modernity; debates about sovereignty and enslavement; recruitment literature, prose and fiction about migration and colonization in Africa and the Americas; and colonial memoirs driven by recolonial fantasies after 1918. German Empires and Decolonial Fantasies advances efforts to decolonize the multiple disciplines that intersect the field of German studies, including literary criticism, history, philosophy, art history, and anthropology.

German Empires and Decolonial Fantasies, 1492–1942 draws from a wide range of sources, from a seventeenth-century Brandenburg fort on the coast of Ghana to a novella about a beleaguered colonial administrator in German East Africa, to advance an interdisciplinary discourse at the nexus of colonial narratives and national imaginaries. Through detailed case studies, Simpson argues for the inclusion of voices that pushed back against imperialist expansion or intervention, as well as those historical actors who disputed the supremacy of whiteness and the persuasive power of German-centric national history.

German Memorials, Motifs, and Meanings offers a unique cultural history of German memorialization. The book focuses not on a single, isolated era, but rather on enduring memorial motifs—enchanted stones, magical trees, raised fists, stone circles, and similar evocative symbols derived from myth, folklore, Christianity, national iconography, and post-Holocaust imagery. It thus takes a long-duration perspective, sweeping across the centuries to explore abiding themes such as death, rebirth, and redemption; violence and reconciliation; and sacrifice, identity, and community. Along with a consideration of the historical and social circumstances of each memorial and its motifs, author Jennifer Hansen-Glucklich answers the questions of why and how these cultural markers survive the passage of time and how they endure amidst cultural, social, and political upheavals that include the rise and fall of empires, catastrophes of war and occupation, and genesis of new national identities. She uniquely focuses on lesser-known or unknown memorials found either in smaller German cities or tucked away in villages and hamlets.  

These memorials tell colorful, often ambiguous and problematic stories in contrast to the vaunted monuments of Germany’s post-WWII era, such as Berlin’s Memorial to the Murdered Jews of Europe. Through vivid descriptions and deep analysis of the narratives and aesthetics of key monuments and motifs, Hansen-Glucklich details the remarkable story of German memorial culture from medieval times to the present day. 

An essential critical history of German studies as an academic discipline

German Studies has confronted many crises, as well as severe criticism and self-criticism, and yet it has managed to maintain its disciplinary system through every upheaval—the revolution of 1848, the establishment of the Second Reich in 1871, the Weimar Republic, the Nazi Third Reich, the Second World War and the reconstruction era, the creation and reunification of the two German states. Pier Carlo Bontempelli focuses on this continuity, dating back to the early nineteenth century, when the “founding fathers” of Germanistik secured its status by grounding it in a set of fixed principles, revived by each successive generation of scholars in order to legitimize their position of power—and to ensure their capacity for cultural reproduction.