Results by title

5 books match the query 'National characteristics, Spanish'

cover of Bulls, Bullfighting, and Spanish Identities

Bulls, Bullfighting, and Spanish Identities

Carrie B. Douglass

University of Arizona Press, 1997

The matador flourishes his cape, the bull charges, the crowd cheers: this is the image of Spain best known to the world. But while the bull has long been a symbol of Spanish culture, it carries more meaning than has previously been recognized. In this book, anthropologist Carrie B. Douglass views bulls and bullfighting as a means of discussing fundamental oppositions in Spanish society and explains the political significance of those issues for one of Europe's most regionalized countries.

In talking about bulls and bullfighting, observes Douglass, one ends up talking not only about differences in region, class, and politics in Spain but also about that country's ongoing struggle between modernity and tradition. She relates how Spaniards and outsiders see bullfighting as representative of a traditional, irrational Spain contrasted with a more civilized Europe, and she shows how Spaniards' ambivalence about bullfighting is actually a way of expressing ambivalence about the loss of traditional culture in a modern world. To fully explore the symbolism of bulls and bullfighting, Douglass offers an overview of Spain's fiesta cycle, in which the bull is central. She broadly and meticulously details three different fiestas through ethnographic fieldwork conducted over a number of years, delineating the differences in festivals held in different regions.

She also shows how a cycle of these fiestas may hold the key to resolving some of Spain's fundamental political contradictions by uniting the different regions of Spain and reconciling opposing political camps--the right, which holds that there is one Spain, and the left, which contends that there are many. Bulls, Bullfighting, and Spanish Identities is an intriguing study of symbolism used to examine the broader anthropological issues of identity and nationhood. Through its focus on the political discourse of bulls and bullfighting, it makes an original contribution to understanding not only Spanish politics but also Spain's place in the modern world.
[more]
cover of Creating Spaniards: Culture and National Identity in Republican Spain

Creating Spaniards

Culture and National Identity in Republican Spain

Sandie Holguin

University of Wisconsin Press, 2002

Creating Spaniards is a cultural and intellectual history that explains the intersection of politics and culture, and the formation of a national identity, during Spain’s Second Republic and Civil War. It counters recent scholarship claiming that leaders of the Second Republic had no programs for "inventing traditions" to encourage a Spanish national identity.
    Focusing on the Second Republic, 1931–1936, Sandie Holguín illustrates how various intellectuals and politicians of the Republican–Socialist coalition used theater, literature, and film to aid the construction of a unified Spanish culture and history. She uses memoirs, journals, newspapers, parliamentary debates, and archival sources in her examination of the impact that cultural reforms had on the transformation of one of Europe’s oldest states.

[more]
cover of Flamenco Nation: The Construction of Spanish National Identity

Flamenco Nation

The Construction of Spanish National Identity

Sandie Holguín

University of Wisconsin Press, 2019

How did flamenco—a song and dance form associated with both a despised ethnic minority in Spain and a region frequently derided by Spaniards—become so inexorably tied to the country’s culture? Sandie Holguín focuses on the history of the form and how reactions to the performances transformed from disgust to reverance over the course of two centuries.
​
Holguín brings forth an important interplay between regional nationalists and image makers actively involved in building a tourist industry. Soon they realized flamenco performances could be turned into a folkloric attraction that could stimulate the economy. Tourists and Spaniards alike began to cultivate flamenco as a representation of the country's national identity. This study reveals not only how Spain designed and promoted its own symbol but also how this cultural form took on a life of its own.
[more]
cover of Negotiating Spain and Catalonia: Competing Narratives of National Identity

Negotiating Spain and Catalonia

Competing Narratives of National Identity

Fernando León-Solís

Intellect Books, 2013

What is Spanish identity? The stereotype conjures up images of 'temperament', 'passion' and 'difference' from the rest of Europe. But, within Spain, is there a single image all Spaniards identify with?


The two case studies included in this book (dealing with the Football World Cups of 1994 and 2002, and the general elections of 1996 and 2000) examine competing discourses of Spain, Catalonia and their national identities, as constructed in the Spanish press. The conservative discourse offers traditional and unified images of Spain close to the stereotype, whereas more liberal visions of the country regard 'Europeanism' and 'reason' (not 'passive') as the values Spain should aspire to. From a peripheral perspective, Catalan self-definition is of a people that is hardworking, thoughtful, truly European, and different from the rest of the Spaniards.


However, these differences between the discourses are not always so clear-cut. Central to Negotiating Spain and Catalonia is the idea of the constant renegotiation of Spanish and Catalan identities in order to adapt them to the political circumstance: both case studies show how radically different narratives of Spanishness and Catalanicity offered in the turbulent political past tend to merge into the more tranquil present.
[more]
cover of Rereading the Black Legend: The Discourses of Religious and Racial Difference in the Renaissance Empires

Rereading the Black Legend

The Discourses of Religious and Racial Difference in the Renaissance Empires

Edited by Margaret R. Greer, Walter D. Mignolo, and Maureen Quilligan

University of Chicago Press, 2008

The phrase “The Black Legend” was coined in 1912 by a Spanish journalist in protest of the characterization of Spain by other Europeans as a backward country defined by ignorance, superstition, and religious fanaticism, whose history could never recover from the black mark of its violent conquest of the Americas. Challenging this stereotype, Rereading the Black Legend contextualizes Spain’s uniquely tarnished reputation by exposing the colonial efforts of other nations whose interests were served by propagating the “Black Legend.”

A distinguished group of contributors here examine early modern imperialisms including the Ottomans in Eastern Europe, the Portuguese in East India, and the cases of Mughal India and China, to historicize the charge of unique Spanish brutality in encounters with indigenous peoples during the Age of Exploration. The geographic reach and linguistic breadth of this ambitious collection will make it a valuable resource for any discussion of race, national identity, and religious belief in the European Renaissance.
[more]