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A Network of Converso Families in Early Modern Toledo addresses the fortunes of Jewish families who converted to Catholicism in fifteenth-century Spain. From the fifteenth through the seventeenth century, their careers, successes, and misfortunes are traced as they confront institutional and societal prejudices in the form of the Spanish Inquisition and pure blood statutes.
Linda M. Martz focuses on families that were immersed in the worlds of business and finance. They formed the backbone of the trade industry and, during the economic expansion of the sixteenth century, enjoyed a high degree of affluence. The seventeenth century, however, brought harder times. How these families rose to positions of commercial eminence and then adapted to this economic downturn is one of the questions addressed in this insightful book.
A Network of Converso Families in Early Modern Toledo relies heavily on archival evidence--notarial, parish, and city records--that offers new insights into the families' histories. Business endeavors, marriage alliances, involvement in local politics, and the pursuit of improved social status are all subjected to Martz's keen analysis.
These families appear to have been well integrated into their contemporary society; aside from their business and financial activities, many were members of the city's governing council. But how well did they integrate with the lower classes? Assimilating minorities in the majority culture is a task that confronts most modern societies, so the experience of Spain and this particular minority may serve as an example of how earlier societies viewed and confronted this challenge.
This book will appeal to historians of medieval and Renaissance Spain and those interested in the Inquisition's effect on Renaissance Spain. It will also prove to be indispensable for those interested in the history of the Jewish race, as well as for those pursuing the question of marginalization.
Linda M. Martz is an independent historian as well as a freelance editor and writer.

How is the internet transforming the relationships between citizens and states? What happens to politics when international migration is coupled with digital media, making it easy for people to be politically active in a nation from outside its borders? In Nation as Network, Victoria Bernal creatively combines media studies, ethnography, and African studies to explore this new political paradigm through a striking analysis of how Eritreans in diaspora have used the internet to shape the course of Eritrean history.
           
Bernal argues that Benedict Anderson’s famous concept of nations as “imagined communities” must now be rethought because diasporas and information technologies have transformed the ways nations are sustained and challenged. She traces the development of Eritrean diaspora websites over two turbulent decades that saw the Eritrean state grow ever more tyrannical. Through Eritreans’ own words in posts and debates, she reveals how new subjectivities are formed and political action is galvanized online. She suggests that “infopolitics”—struggles over the management of information—make politics in the 21st century distinct, and she analyzes the innovative ways Eritreans deploy the internet to support and subvert state power. Nation as Network is a unique and compelling work that advances our understanding of the political significance of digital media. 

The digital world profoundly shapes how we work and consume and also how we play, socialize, create identities, and engage in politics and civic life. Indeed, we are so enmeshed in digital networks—from social media to cell phones—that it is hard to conceive of them from the outside or to imagine an alternative, let alone defy their seemingly inescapable power and logic. Yes, it is (sort of) possible to quit Facebook. But is it possible to disconnect from the digital network—and why might we want to?

Off the Network is a fresh and authoritative examination of how the hidden logic of the Internet, social media, and the digital network is changing users’ understanding of the world—and why that should worry us. Ulises Ali Mejias also suggests how we might begin to rethink the logic of the network and question its ascendancy. Touted as consensual, inclusive, and pleasurable, the digital network is also, Mejias says, monopolizing and threatening in its capacity to determine, commodify, and commercialize so many aspects of our lives. He shows how the network broadens participation yet also exacerbates disparity—and how it excludes more of society than it includes.

Uniquely, Mejias makes the case that it is not only necessary to challenge the privatized and commercialized modes of social and civic life offered by corporate-controlled spaces such as Facebook and Twitter, but that such confrontations can be mounted from both within and outside the network. The result is an uncompromising, sophisticated, and accessible critique of the digital world that increasingly dominates our lives.

Writing letters to powerful people to win their favor and garner rewards such as political office, tax relief, and recommendations was an institution in Renaissance Florence; the practice was an important tool for those seeking social mobility, security, and recognition by others. In this detailed study of political and social patronage in fifteenth-century Florence, Paul D. McLean shows that patronage was much more than a pursuit of specific rewards. It was also a pursuit of relationships and of a self defined in relation to others. To become independent in Renaissance Florence, one first had to become connected. With The Art of the Network, McLean fills a gap in sociological scholarship by tracing the historical antecedents of networking and examining the concept of self that accompanies it. His analysis of patronage opens into a critique of contemporary theories about social networks and social capital, and an exploration of the sociological meaning of “culture.”

McLean scrutinized thousands of letters to and from Renaissance Florentines. He describes the social protocols the letters reveal, paying particular attention to the means by which Florentines crafted credible presentations of themselves. The letters, McLean contends, testify to the development not only of new forms of self-presentation but also of a new kind of self to be presented: an emergent, “modern” conception of self as an autonomous agent. They also bring to the fore the importance that their writers attached to concepts of honor, and the ways that they perceived themselves in relation to the Florentine state.