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5 books match the query 'Never'

cover of Caste War Now and Never: Unreading Gender, Race, and Land in Yucatán

Caste War Now and Never

Unreading Gender, Race, and Land in Yucatán

S. B. West

University of Arizona Press, 2026

In Caste War Now and Never scholar S. B. West considers Yucatán’s nineteenth-century Caste War, the longest and most violent Indigenous uprising of the Western Hemisphere, to argue that it actually never occurred.

Instead, West writes that the violent events grouped under the “Caste War” label must be understood through alternative frameworks that resist the emergent logics of race war and include related regulatory matrices like gender and land. Through this lens, the Caste War emerges as a discursive construct rooted in an anti-Indigenous archive that served the political interests of a frustrated regional elite during the rise of liberalism and nationhood. West argues that Caste War discourse unfolds as a technology that mobilized and legitimized genocidal actions against racialized rebels and inspired assimilation into hegemonic political and social structures.

In the second half of the book, West looks at the Caste War to engage its contemporary polysemic nature through close readings of Yucatec Maya texts, stories, and other forms of knowledge production. These sources reframe the Caste War as an important part of a framework of resistance that defies colonial time and reclaims narrative control of its events.

Caste War Now and Never captures how Maya communities understand the conflict as ongoing and demonstrates that although the Caste War never occurred as such, it continues to endure presently.

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cover of Never a City So Real: A Walk in Chicago

Never a City So Real

A Walk in Chicago

Alex Kotlowitz

University of Chicago Press, 2019

“Chicago is a tale of two cities,” headlines declare. This narrative has been gaining steam alongside reports of growing economic divisions and diverging outlooks on the future of the city. Yet to keen observers of the Second City, this is nothing new. Those who truly know Chicago know that for decades—even centuries—the city has been defined by duality, possibly since the Great Fire scorched a visible line between the rubble and the saved. For writers like Alex Kotlowitz, the contradictions are what make Chicago. And it is these contradictions that form the heart of Never a City So Real.

The book is a tour of the people of Chicago, those who have been Kotlowitz’s guide into this city’s – and by inference, this country’s – heart.  Chicago, after all, is America’s city. Kotlowitz introduces us to the owner of a West Side soul food restaurant who believes in second chances,  a steelworker turned history teacher, the “Diego Rivera of the projects,” and the lawyers and defendants who populate Chicago’s Criminal Courts Building.  These empathic, intimate stories chronicle the city’s soul, its lifeblood.

This new edition features a new afterword from the author, which examines the state of the city today as seen from the double-paned windows of a pawnshop. Ultimately, Never a City So Real is a love letter to Chicago, a place that Kotlowitz describes as “a place that can tie me up in knots but a place that has been my muse, my friend, my joy.”
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cover of Never on Time, Always in Time: Narrative Form and the Queer Sensorium

Never on Time, Always in Time

Narrative Form and the Queer Sensorium

Kate McCullough

The Ohio State University Press, 2024

Queer futures begin with the body. In Never on Time, Always in Time, Kate McCullough explores how writers summon queer bodily experiences by way of the senses: these experiences have much to tell us about the pasts, presents, and futures of queer life. The author discusses how narrative form and techniques represent the senses in order to open a more expansive temporality for writers and readers. Can queer futures contain the utopic, while also addressing the violence of the past and present? McCullough argues that a narratology that incorporates the senses is integral to conceptions of queer time, which in its most potent, palpable, and radical expression depends on a rendering of the senses. Never on Time, Always in Time looks at works by Monique Truong, Carol Rifka Brunt, Mia McKenzie, and Alison Bechdel to explore how they invoke the senses to narrate what otherwise seems to be non-narrativizable. McCullough thus reveals a vital queer narratology at work, a mode of reading and writing the senses toward a survivable future. She calls this cluster of contemporary texts “narratives of the queer sensorium” and argues that representations of the senses in these texts open new perspectives onto history, futurity, and relationality.
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cover of Never the Twain Shall Meet: Bell, Gallaudet, and the Communications Debate

Never the Twain Shall Meet

Bell, Gallaudet, and the Communications Debate

Richard Winefield

Gallaudet University Press, 1987

Throughout the last two centuries, a controversial question has plagued the field of education of the deaf: should sign language be used to communicate with and instruct deaf children? Never the Twain Shall Meet focuses on the debate over this question, especially as it was waged in the nineteenth century, when it was at its highest pitch and the battle lines were clearly drawn. In addition to exploring Alexander Graham Bell's and Edward Miner Gallaudet's familial and educational backgrounds, Never the Twain Shall Meet looks at how their views of society affected their philosophies of education and how their work continues to influence the education of deaf students today.
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cover of Never the Whole Story

Never the Whole Story

Anita Skeen

Michigan State University Press, 2011

Epiphanic and rich with striking imagery, Anita Skeen’s new collection of poetry documents the fragmentary nature of life and celebrates the desire to make a meaningful narrative from momentary experience. In Never the Whole Story, the past is never past, and the present comes filled with the miracle of small gestures—singular moments that have the power to transport the mind from one geographic place to the next, one emotional world to another. Memory is incomplete, events unfold from multiple perspectives, and secrets unspool from the ordinary. Following in the tradition of James Wright, Maxine Kumin, Mary Oliver, Jane Kenyon, Robert Hass, and other writers whose work is grounded in the detail of ordinary life, Never the Whole Story will be a welcome addition to the libraries of those who turn to literature to find deeper connections between their own lives and the natural world.

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