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In this celebration of contemporary American fiction, Kathryn Hume explores how estrangement from America has shaped the fiction of a literary generation, which she calls the Generation of the Lost Dream.
 
In breaking down the divisions among standard categories of race, religion, ethnicity, and gender, Hume identifies shared core concerns, values, and techniques among seemingly disparate and unconnected writers including T. Coraghessan Boyle, Ralph Ellison, Russell Banks, Gloria Naylor, Tim O'Brien, Maxine Hong Kingston, Walker Percy, N. Scott Momaday, John Updike, Toni Morrison, William Kennedy, Julia Alvarez, Thomas Pynchon, Leslie Marmon Silko, and Don DeLillo.
 
Hume explores fictional treatments of the slippage in the immigrant experience between America's promise and its reality. She exposes the political link between contemporary stories of lost innocence and liberalism's inadequacies. She also invites us to look at the literary challenge to scientific materialism in various searches for a spiritual dimension in life.
The expansive future promised by the American Dream has been replaced, Hume finds, by a sense of tarnished morality and a melancholy loss of faith in America's exceptionalism. American Dream, American Nightmare examines the differing critiques of America embedded in nearly a hundred novels and points to the source for recovery that appeals to many of the authors.
 

For as long as humans have gathered in cities, those cities have had their shining—or shadowy—counterparts. Imaginary cities, potential cities, future cities, perfect cities. It is as if the city itself, its inescapable gritty reality and elbow-to-elbow nature, demands we call into being some alternative, yearned-for better place.
 
This book is about those cities. It’s neither a history of grand plans nor a literary exploration of the utopian impulse, but rather something different, hybrid, idiosyncratic. It’s a magpie’s book, full of characters and incidents and ideas drawn from cities real and imagined around the globe and throughout history. Thomas More’s allegorical island shares space with Soviet mega-planning; Marco Polo links up with James Joyce’s meticulously imagined Dublin; the medieval land of Cockaigne meets the hopeful future of Star Trek. With Darran Anderson as our guide, we find common themes and recurring dreams, tied to the seemingly ineluctable problems of our actual cities, of poverty and exclusion and waste and destruction. And that’s where Imaginary Cities becomes more than a mere—if ecstatically entertaining—intellectual exercise: for, as Anderson says, “If a city can be imagined into being, it can be re-imagined.” Every architect, philosopher, artist, writer, planner, or citizen who dreams up an imaginary city offers lessons for our real ones; harnessing those flights of hopeful fancy can help us improve the streets where we live.
 
Though it shares DNA with books as disparate as Calvino’s Invisible Cities and Jane Jacobs’s Death and Life of Great American Cities, there’s no other book quite like Imaginary Cities. After reading it, you’ll walk the streets of your city—real or imagined—with fresh eyes.
 

On February 19, 1945, the 4th and 5th Marine Divisions stormed ashore from a naval support force. Among them was green young lieutenant Pat Caruso who became de facto company commander when the five officers ranking him were killed or wounded. He led his rapidly diminishing force steadily forward for the next few days, when a day’s gains were measured in yards. Caruso was eventually wounded himself and was evacuated. Realizing that the heroism of his comrades would be lost by the decimation of his unit, Caruso latched onto any paper he could find and filled every blank space with his memory of the fighting. This edition has a new foreword and index, boasts nine new photographs, and a map of the action. It resumes its place as a classic account of the experience of being in close, direct, and constant contact with a determined enemy at close quarters. Many did not survive; those who did were changed forever.

In July 1973, for the first time in its history, the New York Times Magazine devoted a full issue to a single article: Pulitzer Prize–winning journalist J. Anthony Lukas’s account of the Watergate story to date. Six months later, a second installment ran in another full issue. Later the Times asked him to write a third issue, on the impeachment, which never appeared because of Nixon’s intervening resignation. But all of Lukas’s painstaking reporting on Nixon’s last months in office appears here, along with added information on every aspect of Watergate.

Widely acclaimed as a major text of the Watergate saga, J. Anthony Lukas’s Nightmare is a masterwork of investigation, highlighted by in-depth character sketches of the key players. For students of history coming to these events for the first time, this book reveals in depth the particular trauma of a nation in turmoil; for those who remember, the upheaval and what was at stake are once more brought to life.