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2 books match the query 'Norton, Kay'
Sallie Martin, Mother of Gospel Music
Kay Norton
University of Illinois Press, 2026
Sallie Martin combined fame as a performer with a far-sighted business acumen that brought Black gospel music to a national audience and laid the foundation for the industry that followed. Kay Norton’s biography follows Martin’s parallel careers from her early plans to grow the genre through her celebrity in the 1960s–1970s and eventful retirement. “Same old Sallie Martin, same old Jesus,” she once told audiences, a reflection of both her musical style and unapologetic approach to life. Cofounder of the National Conference of Gospel Choirs and Choruses, Martin also co-established the pioneering Black music publisher Martin and Morris Music Studio. Her group the Sallie Martin Singers took Chicago gospel to all points of the compass and Martin mentored and employed dozens of aspiring vocalists and instrumentalists. Norton looks at Martin’s important relationships and the challenges she faced, while placing her accomplishments and legacy on the arc of gospel music history. In-depth and powerful, Sallie Martin, Mother of Gospel Music tells the story of one woman’s role in shaping the music and business of Black gospel.
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Singing the Lord's Song in a Strange Land
Hymnody in the History of North American ProtestantismEdith L. Blumhofer
University of Alabama Press, 2008
The latest scholarship on the role of hymns in American evangelicalism
Music and song are important parts of worship, and hymns have long played a central role in Protestant cultural history. This book explores the ways in which Protestants have used and continue to use hymns to clarify their identity and define their relationship with America and to Christianity. Representing seven groups—Baptists, Presbyterians, Lutherans, Mennonites, Holiness, Hispanics, and Evangelicals—the nine essays reveal how hymns have helped immigrants to establish new identities, contributed to the body of worship resources, and sustained ethnic identity.
Individual essays address the music of the Old-Fashioned Revival Hour, America’s longest running and most successful independent radio program; singing among Swedish evangelicals in America; the German hymn tradition as transformed by Mennonite immigrants; the ways hymnody reinforces themes of the Wesleyan holiness movement; the history of Mercer’s Cluster (1810), a southern hymnal that gave voice to slaves, women, and native Americans; and the Presbyterian hymnal tradition in Canada formed by Scottish immigrants.
Music and song are important parts of worship, and hymns have long played a central role in Protestant cultural history. This book explores the ways in which Protestants have used and continue to use hymns to clarify their identity and define their relationship with America and to Christianity. Representing seven groups—Baptists, Presbyterians, Lutherans, Mennonites, Holiness, Hispanics, and Evangelicals—the nine essays reveal how hymns have helped immigrants to establish new identities, contributed to the body of worship resources, and sustained ethnic identity.
Individual essays address the music of the Old-Fashioned Revival Hour, America’s longest running and most successful independent radio program; singing among Swedish evangelicals in America; the German hymn tradition as transformed by Mennonite immigrants; the ways hymnody reinforces themes of the Wesleyan holiness movement; the history of Mercer’s Cluster (1810), a southern hymnal that gave voice to slaves, women, and native Americans; and the Presbyterian hymnal tradition in Canada formed by Scottish immigrants.
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