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This book brings a central figure of the early German Romantic movement—the poet and philosopher Novalis—into dialogue with the work of Martin Heidegger. Looking beyond the question of direct influence, the book demonstrates that Novalis and Heidegger pursued complementary endeavors as thinkers of relation. Implicitly operative in their thinking, Peter Hanly argues, is an excavation of the Greek conception of harmonia found in the fragments of the pre-Socratic thinker Heraclitus. This is a conception that understands harmony not as concordance but as primal dissonance. It is this experience of harmonia, Hanly proposes, that allows both Novalis and Heidegger to think relation in terms of dynamic and contradictory energies of separation and convergence. Between Heidegger and Novalis thus is a study of the “in-between,” associated in Novalis with energies of fertility and productivity and in Heidegger with energies of agonistic difference.
 
An entirely new approach to both Novalis and Heidegger, this book will interest scholars and students engaged with continental philosophy and the legacy of German Romanticism.  
 

Novalis traces the meteoric career of one of the most striking—and most strikingly misunderstood—figures of German Romanticism. Although Friedrich von Hardenberg (better known by his pseudonym, Novalis) published scarcely eighty pages of writings in his lifetime, his considerable fame and influence continued to spread long after his death in 1801. His posthumous reputation, however, was largely based on the myth manufactured by opportunistic editors, as Wm. Arctander O’Brien reveals in this book, the first to extract Hardenberg from the distortions of history.
A member of the generation of the 1770s that included Hegel, Hölderlin, and Schelling, Hardenberg was an avid follower of the French Revolution, a semiotician avant la lettre, and a prescient critic of religion. Yet in 1802, only a year after his death, the writer who had scandalized the Prussian court was marketed to a nation at war as a reactionary patriot, a sweet versifier of Idealism, and a morbid mystic. Identifying the break between Hardenberg’s own early Romanticism and the late Romanticism that falsified it, Novalis shows us a writer fully engaged in revolutionary politics and examines his semiotic readings of philosophy and of the political, scientific, and religious institutions of the day. Drawing on the full range of Novalis’s writings, including his poetry, notebooks, novels, and journals, O’Brien situates his semiotics between those of the eighteenth century and those of the twentieth and demonstrates the manner in which a concern for signs and language permeated all aspects of his thought.
The most extensive study of Hardenberg available in English, Novalis makes this revolutionary theoretician visible for the first time. Mining a crucial chapter in the history of semiotics and social theory, it suggests fruitful, sometimes problematic connections between semiotic, historical, "deconstructive," and philological practices as it presents a portrait of one of the most complex figures in literary history. Indispensable for scholars of German Romanticism, Novalis will also be of interest to students of comparative literature and European intellectual history.

The absolute was one of the most significant philosophical concepts in the early nineteenth century, particularly for the German romantics. Its exact meaning and its role within philosophical romanticism remain, however, a highly contested topic among contemporary scholars.  In The Romantic Absolute, Dalia Nassar offers an illuminating new assessment of the romantics and their understanding of the absolute. In doing so, she fills an important gap in the history of philosophy, especially with respect to the crucial period between Kant and Hegel.

            
Scholars today interpret philosophical romanticism along two competing lines: one emphasizes the romantics’ concern with epistemology, the other their concern with metaphysics. Through careful textual analysis and systematic reconstruction of the work of three major romantics—Novalis, Friedrich Schlegel, and Friedrich Schelling—Nassar shows that neither interpretation is fully satisfying. Rather, she argues, one needs to approach the absolute from both perspectives. Rescuing these philosophers from frequent misunderstanding, and even dismissal, she articulates not only a new angle on the philosophical foundations of romanticism but on the meaning and significance of the notion of the absolute itself.