10 books match the query 'Pan-Africanism'
Seth M. Markle
Michigan State University Press, 2017
Joseph N. Cooper
Rutgers University Press, 2025
Ramla M. Bandele
University of Illinois Press, 2007
This book describes how the first African American mass political organization was able to gain support from throughout the African diaspora to finance the Black Star Line, a black merchant marine that would form the basis of an enclave economy after World War I. Ramla M. Bandele explores the concept of diaspora itself and how it has been applied to the study of émigré and other ethnic networks.
In characterizing the historical and political context of the Black Star Line, Bandele analyzes the international political economy during 1919-25 and considers the black politics of the era, focusing particularly on Marcus Garvey's Universal Negro Improvement Association for its creation of the Black Star Line. She offers an in-depth case study of the Black Star Line as an instance of the African diaspora attempting to link communities and carry out a transnational political and economic project. Arguing that ethnic networks can be legitimate actors in international politics and economics, Bandele also suggests, however, that activists in any given diaspora do not always function as a unit.
Harry N. K. Odamtten
Michigan State University Press, 2019
Thomas E. Smith
University of Massachusetts Press, 2018
At the Pan–African Conference in London in 1900, W. E. B. Du Bois famously prophesied that the problem of the twentieth century would be the global color line, the elevation of “whiteness” that created a racially divided world. While Pan-Africanism recognized the global nature of the color line in this period, Thomas E. Smith argues that it also pushed against it, advocating for what Du Bois called "opportunities and privileges of modern civilization" to open up to people of all colors.
Covering a period roughly bookended by two international forums, the 1884–1885 Berlin Conference and the 1911 Universal Races Congress, Emancipation without Equality chronicles how activists of African descent fought globally for equal treatment and access to rights associated with post-emancipated citizenship. While Euro-American leaders created a standard to guide the course of imperialism at the Berlin Conference, the proceedings of the Universal Races Congress demonstrated that Pan-Africanism had become a visible part of a growing, global, anti-imperialist protest.
Jeffrey S. Ahlman
Ohio University Press, 1998
Jeffrey S. Ahlman
Ohio University Press, 2021
Jeffrey S. Ahlman
Ohio University Press, 2017
Alison Okuda
Ohio University Press, 2026
As African and Caribbean nations gained independence from Britain in the 1950s and 1960s, many young musicians, students, and professionals crossed the Atlantic in search of new opportunities and built vibrant communities. Pan-African Resonance: Music, Migration, and Everyday Practice in London and Accra traces these journeys from Ghana, Trinidad and Tobago, Jamaica, Saint Lucia, Barbados, and Guyana, exploring how migrants practiced pan-Africanism through music across continents and generations. Drawing on musical recordings, newspapers, oral histories, and government documents from six countries, Alison Okuda demonstrates that pan-African solidarity thrived through the everyday creation and enjoyment of popular music. The book unfolds in two parts. Starting in the 1950s, it examines how Ghanaian highlife and Trinidadian calypso brought together musicians and young members of the independence generation, first in London and later in Accra. Even amid cultural tensions, Ghanaian and Caribbean communities expressed aspirations for freedom and unity in nightclubs, recording studios, private homes, and public streets. Before Ghana’s 1966 coup d’état, Ghanaians and diasporic Africans collaborated to shape an independent African-Atlantic world. Although the coup disrupted formal Pan-Africanist organizing, in the second part of the book Okuda shows that in the 1970s a new generation sustained dynamic networks of solidarity through highlife, reggae, and other popular styles—heard in recordings, radio broadcasts, live performances, and community events. Influenced by generational change and musical fluidity, African diasporic unity has remained central to popular music, migration, and politics in Ghana and the wider African-Atlantic world into the twenty-first century. Offering a rich interdisciplinary approach, Pan-African Resonance will appeal to readers interested in popular culture, transnational history, diaspora studies, and modern African history.
Rita Kiki Edozie
Michigan State University Press, 2014